WEBVTT -- Englisch 00:00:19.339 --> 00:00:25.620 For me, the coolest thing about this lens is the glass, the colors, 00:00:25.620 --> 00:00:30.100 the way it works with direct sunlight, the specular light coming through the elements. 00:00:30.100 --> 00:00:35.060 The colors are beautiful for something that small and sleek. It’s really nice. 00:00:35.060 --> 00:00:40.219 In terms of the prime lens game for wide lenses, 00:00:40.219 --> 00:00:45.820 it would probably be the first one I go to because of how sharp everything is. 00:00:46.500 --> 00:00:52.219 I really liked being able to have this very artistic old-style lens 00:00:52.219 --> 00:00:55.219 on a modern body that I am more used to using 00:00:55.219 --> 00:00:58.939 and seeing what kind of images I could create with it. 00:00:59.340 --> 00:01:02.460 Sometimes I’m shooting with my body more than I am with my eye. 00:01:02.460 --> 00:01:04.540 I know that with the 17 mm focal length, 00:01:04.540 --> 00:01:08.060 this will capture everything I need to tell within that frame. 00:01:08.540 --> 00:01:11.980 And it also makes it more personal, because you are closer to the subject, 00:01:11.980 --> 00:01:14.099 rather than being far away like with a telephoto lens, 00:01:14.099 --> 00:01:18.579 or you can take a step back and capture more in the frame that you normally couldn’t. 00:01:24.099 --> 00:01:31.099 I really enjoyed the effect of the lens when I was a little bit below our model 00:01:31.099 --> 00:01:33.900 and the sky was much more dramatic. 00:01:33.900 --> 00:01:37.140 It just really gave a much more dreamy quality 00:01:37.140 --> 00:01:41.819 this kind of soft but also vibrant look to the photos. 00:01:42.219 --> 00:01:46.340 Working with it at chest level, it never dipped down, 00:01:46.340 --> 00:01:50.980 it just sat perfectly in the middle of my chest pointing straight ahead, 00:01:50.980 --> 00:01:54.260 to the point where, with infinity focus, 00:01:54.260 --> 00:01:57.260 I could record from the hip really, if you will. 00:01:57.540 --> 00:01:59.579 I was able to be really discreet. 00:01:59.579 --> 00:02:03.859 I really like the lens flares that I was getting playing with direct sunlight. 00:02:03.859 --> 00:02:06.939 I thought it was fun and easy because it was so light 00:02:06.939 --> 00:02:11.659 to move around and get really high-resolution videos. 00:02:11.659 --> 00:02:14.180 I preferred the wheel not having the clicks, 00:02:14.180 --> 00:02:17.419 it’s just this really simple glide to the aperture wheel, 00:02:17.419 --> 00:02:21.099 so I thought that was really fun and I was able to work quicker honestly. 00:02:21.099 --> 00:02:24.780 I used it a lot for slow motion, 00:02:24.780 --> 00:02:28.460 I was filming a lot at 60 frames per second and I was really impressed. 00:02:29.259 --> 00:02:32.460 I think one of the advantages of using this particular kind of lens is 00:02:32.460 --> 00:02:36.020 that you can really you know, get into tight spaces if you are trying to capture a scene. 00:02:36.020 --> 00:02:41.340 The depth of field preview I thought was one of my favorite parts of this particular lens 00:02:41.340 --> 00:02:45.740 when you have your aperture previewed you get to see what the distance is 00:02:45.740 --> 00:02:51.060 and how you’re gonna shoot, without having to look through your viewfinder. 00:02:51.060 --> 00:02:54.780 So, I think that’s what makes this lens very special and makes 00:02:54.780 --> 00:02:57.379 it a very good tool to a photographer’s arsenal 00:02:57.379 --> 00:02:59.620 this is really great for shooting from the hip. 00:02:59.620 --> 00:03:00.740 This lens would be great, 00:03:00.740 --> 00:03:03.780 especially going down to f/2.8 is definitely going to work in your favor, 00:03:03.780 --> 00:03:08.539 even in a very low-light situation, it’s going to gather all the light that it can, 00:03:08.539 --> 00:03:10.900 and it’s going to perform very, very well. 00:03:10.900 --> 00:03:11.819 It looks incredible. 00:03:11.819 --> 00:03:16.900 It got a classic look, that in my opinion, never gets old. 00:03:16.900 --> 00:03:19.939 So, what you find with other wide-angle lenses is a lot of distortion, 00:03:19.939 --> 00:03:22.500 straight lines become curved, 00:03:22.500 --> 00:03:26.340 and with the Atoll lens, you don’t find that basically at all. 00:03:26.340 --> 00:03:28.580 You won’t be disappointed using this lens.