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An eclectic mix of original dance tunes, ballads and blues featuring up and coming independent artists.

"Modern Day Living" is my next digital album.  Unfortunately, I don't sing but, in the tradition of Carlos Santana, I have written 9 songs and 1 instrumental.  The songs range in genre from pop to dance tunes to blues to ambient music.  I find very talented local performers from the NY tri-state area to perform on my album.  This is the same process I followed for my first album "Contemplation".  You can hear tracks from the first album at our YouTube channel.  I plan to use primarily Sonicbids to find the right performers, we will record at either SMASH or Chung King recording studios and I will have Oasis CD print the limited run of CDs and the final master from which the digital album will be made.  http://www.youtube.com/user/quentasia08/ . We're creating a special web page for our Kickstarter supporters where you will have access to exclusive project updates. You'll see the process from beginning to end.  From the composition, to selection of the performer to sing the song to the recording studio sessions.  Music is my passion and I plan to have greater press coverage and publicity for this album to increase the chances of capturing a larger audience.

Risks and challenges Learn about accountability on Kickstarter

The are a few risks in completing the project on time and on budget. First, the reliability of the performers we choose to participate on the album. Although we provide for rehearsal time, the performer is responsible to sufficiently rehearse on their own as well. I have over 15 years of management experience and in my first project dealt with various performers who ultimately had to drop out because of conflicting schedules. To avoid problems, I create a production schedule upfront, confirm availability and, most importantly, provide a stipend for rehearsal. This helps to ensure the performers take the job seriously. Final payment is not made to the performer until my acceptance of the recording studio session. Another risk is being able to transport music equipment to and from rehearsal and recording sessions. Without the equipment it is not possible to create the "reference vocals" and finalize the arrangement. To ensure this does not happen, I have budgeted for a resource to assist in the transportation of the equipment. Finally, cost overruns due to delays in the recording session. I make sure to work with performers who are prompt and understand the value of recording session time. When we step in the studio, the creative process is done. We are merely executing on our creative vision not trying to find it. Also, I always have a contingency plan to work on something else in the recording studio in case a performer is unexpectedly delayed. I learned this from my first project.

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    A copy of the digital album and liner notes.

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    A copy of the digital album and a signed copy of the digital liner notes by all the artists on the album.

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    A copy of the digital album, signed copy of the digital liner notes by all the artists on the album and the option to have your name included in the digital liner notes.

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