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Join a commissioning consortium to support the creation of a new work for alto saxophone by award-winning composer David MacDonald.
37 backers pledged $1,151 to help bring this project to life.

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Last Few Days!

Hi everyone. I know that for some of you it has been a few months since you backed the project. I just wanted to send out a little reminder that the last day for us is this Saturday. So if you no someone that is interested in this commissioning project and has been putting it off, please let them know that the deadline is Saturday evening. Thanks so much for your support. 

commissioning project update

Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thanks to each person that's pledged. Thanks to each person that read about this project and thought about pledging. Thanks to each person who passed this project along to friends and colleagues. Who knew all you had to do to get a commission was to ask for one?

Earlier this morning, with a pledge from Alex Sellers, the commissioning consortium on Kickstarter reached its goal. It has since surpassed that goal (thanks to a generous pledge from Tim Rosenberg). If you read my blog, you should definitely read Tim's as well. He doesn't post as much as he used to, but there's a lot of both thoughtful insights and humor. Well, I think it's humorous anyway.

Talking about money like this is awkward for me. I'm asking people to pay me for something that, in all honesty, I'd probably do for free. I think most performers have this experience much younger than composers. I know I did as a performer. (Thankfully, one outgrows this feeling through playing showtunes and wedding music.)

Having said all that, I picked a goal of $500 because I thought it was achievable. I wanted to pick $1000, but I would have been in a crappy mood for a while if we'd only gotten to $800 and gotten nothing. Here's the thing: yes, I'm a greedy jerk and I want your money, but that's not the point (mostly). Now that we've reached the goal, the thing I'm more concerned about in this project is building a large network of people to play the piece. I know projects have been done in the past with new music to have lots of simultaneous "premieres" of works, but I want to have a big group of performers that are invested in this piece and feel some ownership of it. "Investment" and "ownership" are, literally speaking, words about money. However, I think it's telling that we also use those words to describe intellectual, emotional, cultural, and (in this case) artistic connections as well. That's what I want.

So my point is this: we've reached our goal on Kickstarter, but this project ain't over until the fat lady's digital watch alarm goes off on Friday, April 22, 2011 at 11:36pm EDT. Please, continue to pass the word along.

Also, I don't know if I've fully convinced Tim that we need to do this, but I really want to write a paper that uses our Kickstarter experience as the basis for discussing Web 2.0 things and the future of music patronage. My working title is "Patronage 2.0." I know, it doesn't have a colon in it, so it's not a real academic document title yet. Like I said, it's the working title. I'd also really like to title the section on social networking "Tweet the Composer." Whaddaya think?