Personal Essay: "Stomp All Over That" by O. J. Cade
When we set out to destroy science fiction with this Kickstarter, we didn't want it to be your ordinary, run-of-the-mill campaign. We wanted it to be full of smashing, crashing women's voices, telling what it really means to be a woman reading and writing science fiction. One of the ways we hope to do that is by sharing a series of personal essays by women about their experiences as a woman in science fiction. Today's essay is by O.J. Cade.
"Stomp All Over That"
Apparently, women are destroying science fiction. The historically minded will recall that we used to destroy science. We’re branching out, it seems.
It started in the test tubes, the bright labs, the white coats, with Ada Lovelace in clockwork heels and Rosalind Franklin in spiral stilettos, and both of them following behind, because their footwear was all so flimsy they couldn’t possibly hold up by themselves, without help. With Lise Meitner in windup shoes, a dolly working on automatic in a lab that didn’t want her. With Marie Curie in shoes that glowed like ruby slippers dipped in uranium, turned away from the Academy of Sciences because men don’t wear pretty slippers and they’d taint the very threshold, they would, leave little traces of woman with a half-life too desperately long to ever be scrubbed away.
Still a place was made, if grudging. We clawed our way up and into science in our pretty, silly, sensible shoes, and stuck there, because people couldn’t very well bitch about women in science when Rebecca Lancefield was helping them see off Streptococcus in sequinned, sequenced sandals and when Gertrude Elion was doing the same with leukemia, with her toenails peeping red-painted out of open-toed marrowbone shoes. When Henrietta Lacks became science, her feet shod in Petri dishes, and legion. And the bigots read outside in the waiting room, their feet in concrete blocks and granddad slippers, and suddenly there’s this whole new world of women with feet that could be stepped on, that could be bound up and turned away.
There’s Mary Shelley with electricity zipping through her iron-toed, hobnail boots. And Margaret Atwood with her decoupage slippers, handmade with pages from Genesis, and Octavia Butler in boots embossed with teeth and feathers ... And beneath all the shoes, upon all the soles, is stamped exception—making, for the prints that can’t be scuffed out, and taking, for the ones that can.
And this new army of shoes, of bright, pretty prints, are tracking in mud. They’re bringing in blood and dead birds and flesh-eating bacteria and sex, all come to topple, to bring down, and the poor deluded things don’t seem to realise that they’ve missed the Golden Age, all right, and it was back when their owners were barefoot. And would they mind going back, please, to the sad, superficial corners of the wardrobes from whence they came, because gold is best when not part of a spectrum and their presence just might drown it out. Those heels are noisy, understand? And science is a single experience, and limited, and you should sit back and let other people talk about it, because those tongues in those shoes can have nothing valuable to say. (Do you hear that, Marie? Do you hear it, Ada and Mary and Margaret?)
I hear it. And stomp all over that, I say. Science belongs to us all, and so does science fiction.
O.J. Cade is a PhD candidate in science communication. Her short fiction has appeared in Strange Horizons , Cosmos, and Aurealis, amongst others. She has a novella, "Trading Rosemary," due out in February from Masque Books.