PROJECT UPDATE 12/30/14: Wow! We're thrilled that we just met ALL our stretch goals. In these last two hours, help us reach 500 backers by 10:00 pm. A pledge of any amount will help!!
We still have plenty of great perks left, including a copy of The Green Collar Economy signed by author and noted CNN personality/green jobs activist Van Jones:
Only two more of these books are available, so don't miss out! You can also preorder a DVD of City of Trees when you pledge $50 or more. Thanks again to our over 400 backers who have supported this project. Let's finish strong!!!
PROJECT UPDATE 12/29/14: Over the holidays, we blew past stretch goals #2 and #3 - HOORAY!!! As of now, we have a little over 24 hours to reach our final goal of $55k.
PROJECT UPDATE 12/23/14: Stretch goal #1 - $40k - has been unlocked, and we're well on our way to hitting goal #2. Our stretch goal tree grows ever greener.
ALSO: behold the glorious, limited-edition City of Trees hoodie, featuring Meridian Hill Pictures' logo on the front and a large tree graphic + the film logo on the back, beautifully designed by Dan Sharkey/Dizzy Giant. For a pledge of $100 or more, it can be yours!
PROJECT UPDATE 12/18/14: WE DID IT!!!! We hit our initial goal, which means we will get funded! Our biggest, most heartfelt THANKS to all 346(!) backers who have helped us realize a dream in the making.
Now that we raised the resources to complete the film itself, we are using the remaining 11 days of our campaign to meet stretch goals to support outreach and distribution costs. We have big ideas for how City of Trees can fill a critical gap in the national dialogue on green jobs, long-term unemployment and the economic recovery. Any funds raised beyond $35,000 will support our ability to reach audiences near and far through film festivals, community-based screenings, limited theatrical screenings, video-on-demand (and maybe even broadcast!).
Since these last two weeks of the year are also the most common time for people to make tax-deductible contributions, this is a rare opportunity for us to mobilize additional funds to support the next phase of the project.
Stretch Goal #1: Poster & Graphics (+$5,000): If we meet this goal, Dan Sharkey of Dizzy Giant (the whiz behind the film’s logo and website) will also design custom titles, credits and graphics to be included in the film itself. Dan will also design a poster, customized print business cards and postcards to help promote the film! These funds will also cover the costs to produce DCP and Blu-Ray masters needed to make sure festival audiences see City of Trees in all its high-definition glory.
Stretch Goal #2: Film Festivals (+$5,000): If we meet this goal, we will be able to support City of Trees director Brandon Kramer, producer Lance Kramer, and film participants Charles, Michael and James to attend the first film domestic film festival that the film is hopefully accepted into!
Stretch Goal #3: Screenings & Outreach (+$5,000): If we meet this goal, we will be able to cover staff time for Meridian Hill Pictures’ amazing communications manager Alison Buki to dedicate time to organize theater bookings, community-based screenings and promote the film to press outlets during the film’s first six months.
Stretch Goal #4: Broadcast & Distribution (+5,000): If we meet this goal, we will be able to cover staff time for Meridian Hill Pictures’ equally superb development manager Lindsay Davis to connect with distributors, broadcasters and VOD services to ensure the film is accessible to the widest possible audience.
The human story behind the $787 billion stimulus
America was losing more than 500,000 jobs per month in 2009. Within months of President Barack Obama taking office, Congress passed the American Recovery & Reinvestment Act (aka "the stimulus"). Amidst intense debate, the $787 billion stimulus funded new, ambitious programs and incentives aimed at halting the country's rapid economic decline and putting America back to work.
The problems the stimulus set out to address were so big and complicated, we found that the stories of real people grappling with long-term unemployment were often getting lost in the mix.
One year later in our hometown Washington DC, we met the DC Green Corps, run by local nonprofit Washington Parks & People. With stimulus funds, WPP launched the Green Corps program to put some of our city’s most vulnerable residents back to work by planting trees and restoring public green spaces in the city's most underserved communities. Through the Green Corps, we saw an opportunity to tell a deeply personal story about the recession and the recovery. We decided to embark upon making our first feature documentary and spent three years filming with the trainees and staff. We met passionate, unforgettable people like Charles, Michael and James - people fighting long-term unemployment and environmental injustice in their communities.
What unfolds in City of Trees is a rare window into how the massive and complex Recovery Act intersected with everyday people's lives. City of Trees tells a compelling story about the fight to create jobs within a minority workforce largely left out of the "green collar" economy. City of Trees features people whose stories represent the hopes and struggles of countless Americans impacted by the recession. It is our sincere hope that these stories spark an honest, broad-reaching dialogue on how to create equal access to good jobs and safe green spaces in our cities.
Why We Need Your Support
After three years of production, 200+ hours of filming, a year of editing with award-winning editor Edwin Martinez (To Be Heard), and a visit to Chicago for the esteemed KTQLabs program, we are approaching a rough cut of the film and preparing for a broad national release of this story. As we near festival deadlines, we are in need of critical completion funds to pay for some of the best working artists in the field to help finish the film. All donations through this Kickstarter campaign are tax-deductible to the full extent of the law through our non-profit fiscal sponsor Kartemquin Films (minus the fair market value of any perks claimed).
Our goal of $35,000 will cover the following (also see FAQ below for more info):
- Our brilliant editor Eddie Martinez and assistant editor Sara Fusco finishing story editing
- Renowned composer Brian Satz (Time is Illmatic, Brooklyn Castle) writing an original score
- Professional color correction and sound mixing for our festival and theatrical cuts
- Ongoing creative consultation from Katy Chevigny (E-Team) and legendary Chicago filmmakers Gordon Quinn and Justine Nagan from Kartemquin Films
- Outreach support as we submit the film to festivals in the Spring of 2015
Meet Charles - a sharp-witted, pensive man born and raised in DC. Since his brother received a lifetime jail sentence for murder, Charles thinks daily about the implications a single wrong choice can have on the rest of one’s life. Now with a new daughter on the way and a newfound appreciation for the environment, Charles fights daily to leverage his experience planting trees with the Corps into a sustainable career that can support his family.
With his warm smile and affable manner, it's difficult to believe that Michael was recently released from a federal penitentiary. When his mother fell ill with cancer in 2008, Michael started dealing drugs on top of his regular day job to help cover her mounting treatment bills. The Corps became one of the only places that would hire Michael given his criminal background. As he learns to plant trees and become a park steward, Michael remains determined to break the dangerous cycle of his hustler days and convince employers he is worth their consideration.
James, a lifelong Ward 8 resident, recalls the days of his youth when DC parks were safe and trees plentiful. James feels a personal mission to challenge the suspicion that frequently accompanies attempts to revitalize public green spaces in underserved parts of the city. James remains committed to fight the distrust and "reclaim the community — with the park as the galvanizing thing."
In 2010, we found ourselves recently unemployed and were taken aback by how hard it was for us to navigate being jobless during the recession, despite having a privileged upbringing, college education and a supportive family. We kept thinking about how difficult it was for others in our city with far less support to deal with the same moment in history. We started Meridian Hill Pictures in the Fall of 2010 with the goal of raising awareness of pressing social issues, democratizing the medium, building people’s storytelling capacity, and strategically sharing under-represented community perspectives with broad audiences. We immediately wanted to work on a project that helped tell the story of the recession and current economic struggle through a personal, relatable and balanced narrative.
Our first short film from 2010, Community Harvest, profiled Charles and the Green Corps transforming a vacant DC alley into a vibrant community garden. We then taught the Green Corps trainees how to first create their own films, expressing in their own voice how urban forestry and greening helped to meet critical needs in underserved DC communities. After building relationships with the community through the participatory project and cultivating access to the program thanks to the trust of Washington Parks & People senior leadership, director Brandon Kramer, producer Lance Kramer (recent recipient of the DC Mayor's Arts Award), and award-winning DC cinematographer Ellie Walton (director, Fly By Light, Chocolate City), continued filming from 2011-2014.
Over these four years, we have remained supremely dedicated to this story, investing countless hours and personal resources. At the same time, we built Meridian Hill Pictures as a respected community-based documentary production company with a 6-person staff, year-round paid interns, and a vibrant network of freelance filmmakers. As this is our first feature-length film, we've tried to surround ourselves with much more experienced filmmakers to guide us through this difficult process. The relationships we've developed with Kartemquin and expert DC filmmakers have all provided invaluable support along the way through mentorship and advising. Their continued time, talent and wisdom will invaluably help strengthen this final stretch of post-production.
Outreach & Engagement Plans
We know City of Trees can help bring new understanding and empathy for the complexities of the economic crisis and fill a critical gap in the national dialogue on jobs and recovery. City of Trees can help spark a critical dialogue on new ways to leverage the talent and determination of our long-term unemployed to solve the most formidable economic and environmental challenges of our time. We plan to engage a variety of key audiences, including:
- People living in cities with active urban parks movements and efforts to create green job training
- People interested in the dynamics of socio-economic class and race in driving economic change
- Professionals and experts involved in the green economy
- People in disadvantaged communities who are struggling to find their footing in today’s economic unrest
Once the film is complete, we hope to work with local and national service and conservation Corps across all 50 states, to reach and engage the millions of Americans who are alumni of these Corps programs. We intend for City of Trees to engage dozens of public and grassroots urban parks organizations in cities nationwide, providing an invaluable story for people interested in creating or improving local parks alliances, sharing models for community-based organizing, management, stewardship and programming. We envision the film connecting with the thousands of Americans who run and develop job-training programs, helping to better inform the design of such programs, public perception, and a better understand long-term impact.
Our 501c3 Fiscal Sponsor: Kartemquin Films
The fiscal sponsor for this project is Kartemquin Films, a 501(c)3 not-for-profit organization. Kartemquin Films is a collaborative center for documentary media makers who seek to foster a more engaged and empowered society. With a noted tradition of nurturing emerging talent and acting as a leading voice for independent media, Kartemquin is building on over 48 years sparking democracy through documentary.
A revered resource within the film community on issues of fair use, ethics, story and civic discourse, Kartemquin is internationally recognized for crafting quality documentaries backed by audience and community engagement strategies, and for its innovative media arts community programs. www.kartemquin.com
Frequent Asked Questions (FAQ):
Why is the film called City of Trees? DC used to be known as the "City of Trees" for its robust tree canopy dating back to Thomas Jefferson's era. Over the last 50 years, the city lost thousands of trees to disease, development, and attrition. The story of the DC Green Corps' attempt to address environmental injustice in communities east of the Anacostia River through the act of planting trees felt like a powerful frame to explore the city's complex relationship to its green spaces. If people no longer know DC as the City of Trees, we were intrigued by what would it take to reclaim that moniker.
$35,000 seems like a lot of money. Why do you need so much?
Producing an independent feature-length documentary that follows a story over multiple years costs a fair bit of money. The full production budget covering the work to produce City of Trees from 2010-2014 is about $250,000. Over the past four years, we have raised about $100,000 through grants and support from local non-profit organizations; $50,000 in contributed funds from Meridian Hill Pictures, $25,000 of Brandon & Lance's personal funds, and about $25,000 in credit card debt. As we believe strongly in artists receiving a fair wage for their work (and given that this is a story about jobs), we have always paid everyone fairly. Though the $35K goal is about 15% of our total budget, it could not be more critical at this point and will determine whether or not we can finish the film.
Is my pledge tax deductible? Our non-profit fiscal sponsor, Kartemquin Educational Films, is a public charity that is exempt from federal income tax under Section 501(c)(3) of the Internal Revenue Code. Accordingly, some or all of your pledge may be deductible as a charitable contribution. Please note that your deduction may not exceed the difference between the money you contributed and the fair market value of the benefits you received in consideration for your contribution. Our estimates of the fair market value of the benefits we provide to you in consideration for this donation are available upon request during the campaign and will be provided to each backer in writing following successful funding of the campaign. Please send a direct message to Lindsay [at] meridianhillpictures.com in the meantime if you have any questions about the fair market value of any perks. Please also check with your personal tax advisor regarding the income tax consequences of your contribution.
What is the current status of the DC Green Corps? Since the end of the federal stimulus, Washington Parks & People has used grants, donations, and earned revenue to continue the DC Green Corps program. The Corps has graduated over 160 people since 2010 and continues advancing entry-level urban forestry and green infrastructure work in DC. The Green Corps was certified earlier this year as part of the 21st Century Conservation Service Corps and also added a youth service learning component, to introduce people of all ages to innercity environmental reclamation.
Risks and challenges
Though we have demonstrated the grit and determination to raise costs to get the film to its current rough cut stage, the end stages of completing a feature film are some of the most expensive parts of the process. If we meet our Kickstarter goal, we will have exciting opportunities to submit to Spring 2015 film festivals and launch an outreach campaign to bring the film to urban audiences across the country. Timing is critical for this film. If we can finish it and submit it to film festivals in the coming year, we will be able to reach a lot more people and spark a timely dialogue at both the national and local level.
If we don’t meet our goal, we get nothing — and risk having this project sitting on the shelf.
As a studio we have a proven track record of producing award-winning, impactful social-issue documentaries on-time and on-budget both independently and for a variety of clients. Recent clients include the National Endowment for the Humanities, The Kennedy Center for the Performing Arts, and the AARP Foundation. We recently received the DC Mayor's Arts Award for Innovation, the city's highest honor awarded to working artists, as well as a fellowship from the DC Commission on the Arts & Humanities. Our production company is family-owned, fully licensed and insured, run out of a physical studio in the historic Josephine Butler Parks Center. This may go without saying, but we’ll say it anyway: we take our work extremely seriously and completing this project is our absolute highest priority.Learn about accountability on Kickstarter
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