Diane Perry has been perfecting her unique style on jazz violin for twenty years. Utilizing the impressive technique on her instrument she cultivated during her classical Juilliard training, she incorporates the lilt of Stephane Grappelli, the bluesy growl of Stuff Smith, the boppy feel of Ray Nance, and comes up with a unique blend of all these elements: classical, jump, bop, and pop--emulating no one but honoring those who came before her. Add to this the warmth, depth and expressiveness of...

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