Music in video: Trail Days, by Aaron Rosenberg
Kanae Komugi, flute
Blake McGee, clarinet
Helena Kopchick and Alexander Reid, bassoons
Tim Clarke and Dylan Girard, trumpets
Matthew Ertz and Louis Olenick, trombones
Jerry Hui, conductor
Hello, and welcome to my Kickstarter! I'm Aaron Rosenberg, a composer living in Lowell, Massachusetts.
I'm traveling to Alberta, Canada to compose Ascent, a trio for piano, violin, and cello. Ascent will be a response to the piano-cello-bass trio I'm currently writing, titled Suffusion, which is a reverie about nostalgia as both a consolation and a treacherous psychological quagmire. Ascent will mostly be an unrestrained rush of optimism, untethering the yearning from nostalgia while still remembering the past. The world premiere of Ascent will occur between April and September, 2014, depending on the availability of the chosen performing ensemble.
My compositions run the gamut from solo piano to large ensembles and embody multiple musical idioms. I typically enjoy writing for smaller forces, though this summer I composed a piece for chamber orchestra and had a blast. Below are twelve one-minute audio excerpts of my music along with abbreviated program notes. To each work's title I linked a PDF of its correlating score excerpt. Even if you don’t read music, the scores provide examples of the visual aspect of my output.
To compose Ascent, I've been invited to participate January 5 – March 15 as a resident at The Banff Centre, “the largest arts and creativity incubator on the planet.” I do my best work in such environments, which balance precious solitude with inspiration from other artists. The Banff Centre is providing me a generous financial aid package, but a hefty balance remains. I'm attempting to raise $3,500 to cover seventy days of lodging and meals, extras like laundry and printer paper, and Kickstarter rewards. Anything raised above this amount will be applied to travel expenses for a June trip to Darmstadt for the premiere of my other trio, Suffusion. For travel to Banff, I'm applying for a separate grant from New Music USA.
I am extremely grateful for any contribution you can make. If I meet my goal, I assure you that my composing will benefit greatly!
Finally, please see the right-hand part of this page for some cool and unique rewards, including personalized piano portraits of you composed by me.
Thank you from the bottom of my heart!
1. Quandaries for string quartet, movement 2, variation II: Lento
Sweeping Romantic gestures, with moods alternating between wistful
Georgia Lewis, Megumi Stohs, violins
Margaret Dyer, viola
Elizabeth Lee, cello
2. Leave me here crying (ah!) for chorus
A mood of dark anguish prevails in this English translation of the Lorca
Soprano - Amy Wood, Luette Saul, Gabby McColgan, Krista Wigel
Alto - Katey Daniel, Garineh Avakian, Paula Arcineglia
Tenor - Lawrence Jones, Thomas Conroy, Ben Gribble, Nathan
Bass - Abraham Fabella, Vincent Peterson, Cole Thomason-Redus,
Conductor - Jonathan Russell
3. Pastorale for flute, violin, cello, and piano (winner of the Kris Getz
award for composition for young performers)
A jaunt through a meadow carries many promises.
Michelle Chan, flute
Tiffany Wu, violin
Jeremy Lin, cello
Sophia Yang, piano
4. Two Indiscretions: I. The Vapors for piano
Earnestness mingles with ennui. Meek protests emanate from the
Crystal Zimmerman, piano
5. Two Indiscretions: II. Waltzing Alone for piano
A private dance of the interpretive sort—leaping, spinning, and
swooning all with the utmost of (dis)grace.
Crystal Zimmerman, piano
6. Unsaid for violin and cello
Dialogue between a couple of all-too-familiars, whose barbs interrupt
and overlap, a toxic exchange, both muttered and shouted.
Avril Bondy, violin
Gracin Dorsey, cello
7. Three Rumi Love Songs: II. Your eyes, when they really see for mezzo
soprano and piano
The truth of love is charged with a sense of derangement, an
overwhelming saturation. Both piano and singer in turn swoon and
Kirsten Arbogast, mezzo-soprano
Ben Krause, piano
8. Misty Valley Chickens for soprano sax and double bass
At the end of a long day, the chickens of the hidden Misty Valley doze
side by side on the sun-warmed earth, older nuzzling younger to
sleep, bocking lullabies in hushed tones.
Benjamin Wheeler, double bass
Collin Wilson, sax
9. The Crail Family, 1910 for toy piano
This photo appears in Virginia Huidekoper's The Early Days of Jackson
Hole. My music depicts the still life of the photographic image itself,
as well as my impressions of the workaday existence of this frontier
Aaron Rosenberg, toy piano
10. Friend: II. Standing Lullaby for viola and piano
My projection of the memories and dreams that fill aching hearts, a
reverie of those who could not fix it, and so became inured to it.
Kate Rogers, viola
Aaron Rosenberg, piano
11. To Fill the Hour: II. Work for large chamber ensemble
Amidst a texture always in flux, repeated motives combine and
overlap, journeying from the work-day whistle-call to take up tools,
and chugging on until the great sigh at the day's end.
The Triptych Ensemble
12. Crowd Scene for piano quintet
Originally composed for a scene from the silent classic The Cabinet of
Dr. Caligari,this music captures the pinball experience of making one's
way through the jostling throngs.
Danielle Schwarz, flute
Michael Schmidt, clarinet
Saskia Hiersche, violin
Alev Akcos, cello
Björn Lehmann, piano
Risks and challenges
There's always the chance of illness, but I live a healthy life and besides, I had my flu shot! At the very minimum, I will be able to compose a substantial piece of music at Banff. I've little doubt of this, as I have an excellent record for follow-through.
There's a slight chance that the timeframe will change for having my trio professionally performed and recorded because I must find the right ensemble to perform the piece. I'm currently keeping my eyes open for an ensemble to perform my trio post-Banff, when it is fully tweaked. I'm hoping that I can find this group among my peers at Banff. If not, trio ensembles are plentiful, and also exist as subsets of larger ensembles, so the only risk is that I may require some additional time to find the right group to work with.Learn about accountability on Kickstarter
- (30 days)