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About



“The history in this book is the reason why I am where I am today.”
– Fredrik Olsson / Apple employee


“I’m so impressed by how this is written. It feels way more like a story compared to all other ‘retro’ books. This is all so much about the people, and what gives it an extra dimension is the fact I’ve met lots of them at the STNICCC 2015 (demo party).”
– Maarten Martens


“I knew the quality of the book would be good, but I am shocked by the professional quality of this piece of art! Everything from the interviews and articles to things like paper and print quality.”
– Tobias Jansson


“Have watched this go from an idea to being realised. Well done, you have created a book worthy of the demoscene that inspired it.”
– Adam Ransom


“As one of the few U.S. people I knew with an ST, I always felt like I was missing out on the scene in Europe. This book has done an amazing job to put into view the things I could only dream to understand about: what was happening back in those days. This Kickstarter was worth every penny and more.” 

– Nick Haas


“[...] Many sleepless hours trying to pixel something, joyful hours flew past in gaming as Thalion was our Psygnosis. [...] Back then I had no idea why demos, early games and utilities turned out how they did. Or who were the wizkids behind them. Or how on earth they manage the ST to do things no one ever imagined possible when it was launched! Now I’m starting to get the picture and I’m hungry for more. For me this is not just another Kickstarter book I backed. This is an important moment in our beloved Atari ST history. A trip into our underground culture the way it should be told.”
– Marko Latvanen / Atarimania.com

 

The borders have been broken

After the straight technical approach by the early Atari ST demoscene, artists and musicians were finally able to show their talents through a mass of new editing tools. From 1991 many creative people came up with decent digital styles for the first time. Some of them were coders as well. They have learned to work in multiple digital disciplines.

This is the rise of the hybrids. The second part of the “border series” is dedicated to their intense artistic development.     

 

How many books the series will contain is still a secret – even to us. The complete anthology contains more than 1000 pages full of demoscene history.
How many books the series will contain is still a secret – even to us. The complete anthology contains more than 1000 pages full of demoscene history.

The Atari ST and the Creative People

The story of a digital underground scene, forced to be amazingly creative in coding and art. We go back in time, when the Atari ST and Amiga were still revolutionary mouse-operating machines and the future of DTP and interactive design has begun to shape nowadays IT professions. 

The book series exposes the Atari Corporation, surpasses the marketing of Atari Computers and explores the contemporary life of a demo scene, whose creative people were on a rollercoaster ride to the blooming digital entertainment industry.

Volume 1, 1987 – 1990, BREAKIN’ THE BORDERS (on sale) 
Volume 2, 1991 – 1993, BEYOND THE BORDERS (this Kickstarter)
Volume 3, 1994 – …....

Read more on microzeit.com

 

Same quality, new content. The book comes in the same format and quality like the predecessor, but gets a fair amount of additional pages.
Same quality, new content. The book comes in the same format and quality like the predecessor, but gets a fair amount of additional pages.

We ask the people

What was it like to grow up in the 80s and 90s? How did the scene people manage to do something the industry did not? And why? Which challenges shaped those minds? How did the early digital artists work? The musicians? Which tools did they use? What did they learn? And what are they doing today?


Read more on microzeit.com

 

Wrapped in a shiny cover, the new book represents the vibrant pixel era beyond the events of volume 1. 

Even though we are hooked on this flashing pixelated envelope, it remains a simple visualization. It symbolizes our vision. The real cover will be unwrapped before delivery in 2018!

  • English Hardback Edition 
  • ~ 450 pages 
  • Offset printing, 120 raster 
  • High pigment inks 
  • Thread sewn binding 
  • 230 x 170 mm landscape format 
  • Size of a 12" Atari monitor 
  • 135 gr/m² semi-matt illustration paper 
  • Surface sealing


See vol.1 layouts on microzeit.com

 

Computer or consoles? Atari’s 32-bit offensive and console comeback drives a lot freaks into profession.
Computer or consoles? Atari’s 32-bit offensive and console comeback drives a lot freaks into profession.

The early 90s. It’s the beginning of the end of a whole digital era. 

It also marks the golden years of underground culture. The demo scene grows steadily and discovers a variety of new techniques to overcome the limits of Atari’s 16/32-bit systems – often with an upcoming profession in mind.

The game industry is changing and Japanese consoles overtake the market by storm. The Manga style infects European artists. IBM PC’s are gaining more attention. Philips CD-ROM promises to be the storage media of the future, while Commodore stays a tough opponent. Atari tries to rescue its market share by introducing the Falcon and the Mega STE, yet striving back to the console market with the first 64-bit console.  

Thalion in Gütersloh experience an internal division and must face their origin. Most European game publishers turn their backs to the ST. Former sceners won’t give up so fast, instead they are even heading to new horizons. Only one last thing has to be given to the test: are the crackers responsible for the overall sales decline? 

BEYOND THE BORDERS goes beyond – in every aspect. This volume not only presents some of the best artistic works on Atari’s 16-bit computers, but also gives the readers a chance to experience the downfall of the home computer industry from an Atari perspective. 


Volume 2 is a highly compressed tome, packed with unforgettable Atari ST/e demos, unbelievable last-minute-achievements, underground background stories and features.

 

Curious how the people look today and what they are doing?
Curious how the people look today and what they are doing?

The following creative people announced their participation, whether as informer or full interview partner. The outcome can only be revealed in the finished book:

  • Angelo Bod (Elite) 
  • Alexander de Vries (DBA)
  • Arnaud Carré (Oxygène) 
  • Arnoud Kindermann (Synergy)
  • Bengt Sjölen (SYNC) 
  • Chris Holland (Maggie-Team) 
  • Christophe Balestra (Diamond Design)
  • Claude Agez (Equinox) 
  • David Newman (Torment)
  • Fabrice Odero (Legacy) 
  • Frederic Mutter (Tsunoo Rhilty) 
  • Georges Kessler (ULM)  
  • Gunnar Gaubatz (Delta Force) 
  • Joris de Man (Synergy) 
  • Jurie Horneman (Thalion) 
  • Kay Poprawe (Animal Mine)
  • Kay Tennemann (ACF)
  • Laurent Fargues (Hemoroids) 
  • Manuel Pires (DNT-Crew)
  • Markus Velten (Animal Mine) 
  • Martin Griffith (Electronic Images) 
  • Matthias Böck (STAX) 
  • Michael Opel (STAX) 
  • Michel Savariradjalou (Dune) 
  • Mickaël Pointier (NeXT) 
  • Nic Alderton (Electronic Images) 
  • Nicolas Carre (Oxygène)
  • Nicolas Simon (Oxygène)
  • Rich Spowart (Maggie-Team/Alive) 
  • Sebastian Gerard (Overlanders) 
  • Sietse Postma (DBA)
  • Sven Bauer (Eclipse) 
  • Tilmann Bubeck (Delta Force)

I reach out my hands to even more artists of that time. Some have offered me their collaboration already. 

Furthermore the people of volume 1 will assist with their knowledge and experiences again. They refer as contemporary witnesses, but staying in the background: e.g. Marc Rosocha, Erik Simon, Richard Karsmakers, Stefan Kimmlingen, Michael Schüßler, Michael Raasch, Niklas Malmqvist, David and Tim Moss or Jochen Hippel and more...

  

The Atari underground scene looks back.
The Atari underground scene looks back.

People from the cracking scene speak about their activities and voice their opinion on software piracy in the 90s. BEYOND integrates the pros and cons of this deeply divisive topic of the ST scene. 

We ask people from

  • Vectronix 
  • Delight 
  • The Replicants 
  • Medway Boys
  • Bladerunners
  • ...

 

Classic megademos like ULM’s Dark Side of the Spoon do their scroll magic on paper again.
Classic megademos like ULM’s Dark Side of the Spoon do their scroll magic on paper again.

In the beginning 90s the video clip takes over – techno, house, acid and the new MTV culture mark it’s influences in the design of computer demos. Fast 3D techniques become the new thing to keep up with. Sequential multi-part presentations entertain with visual storytelling and through clever programming the little Yamaha sounds similar to the SID. 

While most coders still squeeze out the last bits of the Atari ST/STE series, some already explore the 32-bit abilities of Atari’s Falcon machine.

Shiny multi-page layouts envision the most creative demo works of that time. A beautiful selection of contemporary motion design on paper.

  • The Dark Side of the Spoon 
  • Decade Demos 
  • Ooh Crikey wot a Scorcher 
  • Punish your Machine 
  • Anomaly Demo 
  • O-Demo 
  • Phaleon Demo 
  • Eat my Bollocks 
  • Synergy Megademo 
  • Froggies over the Fence 
  • Grotesque
  • Humeur Vitree
  • ... 

 

While Thalion and Eclipse evolved from the same scene, they go different ways.
While Thalion and Eclipse evolved from the same scene, they go different ways.

New plans, big challenges. As Thalion gets a call from a German air force officer, their business goes crazy. Now everything is set up for a new beginning. Marc Rosocha’s Eclipse is heading towards technical outstanding games and took the chance to start an overseas business corporation. A major circle is closing. 

Get insights into the production and press reactions for important Thalion and Eclipse games – done in the spirit of the demo scene.

Thalion 

  • Enchanted Land
  • A Prehistoric Tale 
  • Trex Warrior 
  • Ghost Battle
  • No Second Prize 
  • Amberstar 
  • A320 Airbus Europa 
  • Lionheart
  • Ambermoon

Eclipse 

  • Monster Business
  • Stone Age
  • Lethal Xcess (WoD II)

 

View from the 2nd Delta Force Coding Convention in Leutenbach.
View from the 2nd Delta Force Coding Convention in Leutenbach.

Working out features and flashbacks is a great exploration of the whole book series. Like in vol. 1, BEYOND will be extended by features on art, technique, history or pop culture. At the time I visited the CeBIT and Atari Messe quite often and can also talk about demo parties and the making of a Megademo from my personal experience.

Popular meet-ups of Atari people

  • Atari Messe (Düsseldorf) 
  • 5th 16-bit Computer Show (London) 
  • FEZ a bit (Berlin)
  • Delta Force, International Coding Conference #2 
  • Bushwackers, Transbeauce 2
  • Electra, Mega-Leif Convention
  • Stallion, Fried Bits 1
  • ...

 

Information lead to creation: the 90s revolution of the artist’s editor.
Information lead to creation: the 90s revolution of the artist’s editor.

Not only games evolve from the scene, but also tools. Expose Software tries their luck. To keep up with the fast-paced developments in the 90s a lot of new disc magazines appear – competitors to ST NEWS. We ask the editors of DBA and Maggie how they produced their content and what they challenged these days.  

Tilmann Bubeck talks about his work on NEOchrome Master. Gunnar Gaubatz and Joris de Man shed a light on their extraordinary sound development.

What were the choices, what the experiences?

Learn more about contemporary disc magazines, chipsound editors and pixel painters. Find an overview of the most important creation tools. We ask the makers! 

  

After years of struggling with the limits, the artists came up with extraordinary pixel designs.
After years of struggling with the limits, the artists came up with extraordinary pixel designs.

In the same pace the industry production for the Atari ST goes down, the scene productions goes up. Artists like NiKo and Spaz use intense diffusion techniques which literally let the pixels flow into each other. Due to the 120 raster we use for print, we have double as high density as offset print normally offers.

Rediscover the fascination of pixel art on paper in perfect detail.   

BEYOND presents a lavish art gallery with mini portraits of the artists. See and believe what those guys were capable of, with just 16 colors and 320 x 200 pixels at hand.

 

The demoscene plays an important role in my creative life. In 1991 I joined STAX to intensify my efforts in pixel graphic and animation. I was hungry for working with other creative people. We made fantastic plans. With Matt and Mike everything turned out to be bigger than expected. But there was only one way to go – out of our little worlds. In BEYOND I want to share this life changing experience with you. 

Volume 2 introduces the story of STAX. For that I’ll interview my old companions, after meeting them for the first time in 18 years.

 

 

We decide to concentrate on the quality of the book production, thus the goodie pack is smaller this time. Nevertheless we thought about something new and got hooked up on something pretty cool. No, it’s not the bookmark ...

Get a 5-pack of magnetic buttons! These buttons can be attached to any magnetic surface, like your laptop or refrigerator. The motives are covered by a shiny, glassy surface. Motives by NiKo (Nicolas Carre), Spaz (David Moss), Synergy and the Atari TOS interface. Five different motives in this goodie pack.

Put them on your refrigerator or blackboard and have fun with it. It also was a lot of fun to design them, so if there is a further demand we’ll come up with more cool sets in future ...  

Note that not every of the shown buttons are part of this goodie pack.
Note that not every of the shown buttons are part of this goodie pack.

 

You can extend your goodie pack by reaching two more goals! Every 5K we add two more magnet buttons with the following motifs. If we reach 40k your bag will contain a maximum of 9 magnets ...

   

The Collectors book-set consists of volume 1 + 2. An opportunity to get both volumes on a reduced price point. Further more you get one book immediately. We ship BREAKIN’ THE BORDERS right after the end of this campaign, to any country worldwide.

Get together: vol.1 + 2 with a special Kickstarter discount of 12,5%.
Get together: vol.1 + 2 with a special Kickstarter discount of 12,5%.

 

The final cover design of vol. 2 will tie up to the 1st tome – they will look gorgeous in the bookshelf.
The final cover design of vol. 2 will tie up to the 1st tome – they will look gorgeous in the bookshelf.

 

The 2nd collectors set contains the demoscene XXL poster bundled with volume 2. Under the label of The Undead Factory, graphic designer Gregory Le Roux gathered 610 famous logo designs from over 30 years of demo scene production and finally came up with this amazing poster format ... 

Why not? Put the demoscene into the right perspective and use your favorite frame. The 16:9 XXL poster format: 154 x 85 cm.
Why not? Put the demoscene into the right perspective and use your favorite frame. The 16:9 XXL poster format: 154 x 85 cm.

 

Discover more than 610 stylish pixel logos in detail.
Discover more than 610 stylish pixel logos in detail.

 

Understand the unions and corporations through fine lines.
Understand the unions and corporations through fine lines.

 

It’s a shame the golden baroque frame doesn’t fit. Shipping in a save tube to any country worldwide. Backers get 20% off the retail price!
It’s a shame the golden baroque frame doesn’t fit. Shipping in a save tube to any country worldwide. Backers get 20% off the retail price!

 

Based on our experience on worldwide shipment, you find the costs and estimated shipping times here. For Canada and U.S. we only offer priority shipment, to reduce the unusual long shipping times. This does not work for the bundles: due to the mixture of the content, they have to be shipped as “International direct mail”. Please use the Kickstarter check-out to go further into detail.

Single book:

Germany – DHL parcel, 5 Euros (2–4 days)
EU – Economy shipment, 7 Euros (5–14 days)
World – Priority shipment, 10 Euros (11–24 days)
U.S./Canada – Express shipment, 14 Euros (7–10 days)

Book bundle:

Germany – DHL parcel, 5 Euros (2–4 days) 
EU – Priority shipment, 12 Euros (5–14 days)
World – Priority shipment, 15 Euros (11–24 days)

XXL poster:

Germany – Shipping tube, 6 Euros (3–5 days)
EU – Shipping tube, 11 Euros (7–14 days)
World – Shipping tube, 18 Euros (14–30 days)

  



“As I keep reading […] I understand more and more about the early years of Atari ST pioneers! It had to be something to be part of such a great adventure, exploring new digital territories.” 

– Sébastien Larnac / democyclopedia


“It’s not every day a book is made covered by a demo code you wrote almost 30 years ago.”
– Anders Cedronius


“With actual tears in my eyes, I’ve just finished reading. Thank you for having undertaken the task of documenting the demo scene that so profoundly affected my youth, and my subsequent career to this day. […] I’ve never seen such quality reproductions of how the graphics actually looked on screen.”

– Troed Sångberg


“Beautiful quality and the content is going to keep me going for a long while. This is the beST thing for the Atari ST in a long while!!!”
 – Steve Gregory / Atari Crypt


“Very awesome addition to my library, alongside with books about NES & SNES graphics and games, chiptune, Neo Geo Anthology, Pixel Art from Demoscene, Amiga bible and many other nice books of this kind ... This one is very well done, so pro and good looking.”
 – Sydney Plumey


“I knew that Thalion was related to The Exceptions at the time, but I did not know that so many people were involved and that is was so much hectic. Now I understand why so much space was reserved to Thalion in the book! I had a lot of fun reading it.”

– Romain Piquois


“Ich bin hin und weg. […] versetzt mich mal eben 26 Jahre in meine eigene Vergangenheit. Ich könnte heulen, ehrlich. Das Layout, die Geschichten, die Interviews, die Einschübe, die Bilder – das Ding ist mindestens eine Klasse besser als die […]-Reihe.”
 
– Marc Hofstee


“[…] From the quality of the packaging to the format, content and design: generally at awesomeness level. Looking forward to the second tome.”
– Mickaël Pointier

 

 

                                                                                                                                       

 

Risks and challenges

A book of this kind underlies certain kind of risks: An interview might fall through or the print does not fulfill 100 percent of the expectations. In the first volume I was about 90 percent satisfied with the outcome. This time we want to push the envelope even further. I am used to work under hard conditions and a deadline doesn't disturb me, but I always opt for quality. I work with an experienced staff for correction and for prepress, which is important for such a visually and content-wise heavy book. The delivery of the book might be delayed a little, but we try to avoid this.

Yours, Marco Breddin

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Funding period

- (30 days)