Kwaku Ananse - A fable, a funeral and a spider coffin
Kwaku Ananse - A fable, a funeral and a spider coffin
Kwaku Ananse is an effort to preserve a fable my father passed on to me. A personal and collective journey that starts with your help.
Kwaku Ananse is an effort to preserve a fable my father passed on to me. A personal and collective journey that starts with your help. Read more
I’m this close to making a dream project come true: a short film titled “Kwaku Ananse” starring my beloved uncle nearly approaching 80, legendary ethno-musicologist and total sweetheart, Koo Nimo. Just the other day, he took me on a day trip to a botanical garden to search for locations.
Things have moved faster than I ever expected. I’ve been blessed with the support of the Focus Features Africa First Program, the Creative Capital grant, and The Sarah Jacobson Film Grant (fingers crossed for additional support). The incredible Lisa Cortes (Executive Producer of the Oscar-winning film PRECIOUS) and the amazing Michelle-anne M. Small (Producer of SUNDANCE’s GUN HILL ROAD) have come on board. Julio Chavezmontes (Producer of Hubert Bals winner and Cinema Under Construction Nominee HALLEY) has joined our dream project to make a truly international co-production.
But we are missing one key element to make this happen: your support. This is a once in a lifetime chance for me to make a project with my uncle. I need the Kickstarter community’s enthusiasm to make this film a reality. Only you can help me make it through the home stretch.
What our movie is about
“Kwaku Ananse” is an intensely personal project which draws upon the rich mythology of Ghana. The short film combines semi-autobiographical elements with the tale of Kwaku Ananse, a trickster in West African stories who appears as both spider and man. Ananse teaches us that there are two sides to everything and everyone. To explore this theme of doubleness, a fable of Kwaku Ananse is combined with the story of a young outsider named Nan Kronhwea attending her estranged father's funeral. Nan's father led two separate lives with two wives and two families — one in Ghana, one in the United States. Nan's ambivalence about her father's double life is a reflection of a broader truth about the nature of our personal relationships.
Spirit World Possible Location / Photograph by Akosua Adoma Owusu
How your contribution helps us
Your invaluable contribution will help us bring our vision for Kwaku Ananse to life. With your help, we will be able to finance the production and postproduction of the film. Big and small things will suddenly be possible: Flying in a RED Epic camera from Mexico to do justice to the majestic Ghanaian locations; pay fair wages to our local Ghanaian crew and the villagers who have so graciously offered their help to us; and not least, fly in our lead actress from the States!
To date, we have $10,000 dollars from Focus Features. We need an additional $35,000 dollars to make Kwaku Ananse happen.
Why help us
Because in a small, but significant way, helping us will help the emerging cinema of an underprivileged country with so many stories to tell and so little resources to do so. Our crew will get first-hand experience with tools they may use one day to share their stories with the world. Unlike Kwaku Ananse, who sought to hoard wisdom and stories for himself, we hope to give others the means to share theirs.
"Kwaku Ananse" is an effort to preserve a fable my father passed on to me, and in turn to preserve a dying yet immensely rich cultural heritage. We hope you'll take part in this special journey alongside us.
Meet the filmmakers
Director Akosua Adoma Owusu is an immensely talented visual artist whose work has been exhibited all over the world and was selected as one of Art Forum’s Top 10 artists. Producer Lisa Cortes is an Academy Award winning producer with a distinguished career in the film and music business. Advising Producer, Michelle-anne M. Small is the producer of Gun Hill Road, nominated for the Sundance Grand Jury Prize in 2011. Julio Chavezmontes is a young mexican producer whose first film HALLEY will compete for a Tiger Award next year in Rotterdam. Cinematographer Pedro Gonzalez-Rubio is an internationally acclaimed Mexican filmmaker whose first film, the documentary Toro Negro, was produced by Alejandro Gonzalez-Iñarritu (Amores Perros, Babel, 21 Grams).
Last but not least is Koo Nimo, Ghana’s most legendary ethno-musicologist. He’s an invaluable cultural treasure who we wish to preserve and celebrate.
You can learn more about us in the links below:
Featuring: Jojo Abot, Ko Nimo, Derrick Owusu
Produced by Julio Chavezmontes
Produced by Lisa Cortes
Advising Producer: Michelle-anne M. Small
Associate Producers: Rune Hansen and Monica Reina
Produced by Cortes Films
Produced by Obibini Pictures Ghana
Produced by Piano
In co-production with Simplemente
Directed by Akosua Adoma Owusu
Screenplay by Akosua Adoma Owusu & Iram Parveen Bilal
Assistant Director by Sam Kessie
Cinematography by Pedro Gonzalez-Rubio
Assistant Camera by Alejandro Villanueva Alcocer
Sound by Jedidiah Larkai
Production Design by Tony Tomety
Costume Design by Christie Brown
Production Manager by William K. Boateng
Music by Ko Nimo, Gyedu-Blay Ambolley and the Apagya Show Band
Illustration by Christian Robinson
Production Assistant Adam Wilkerson, Samuel Obeng
- Kisha Cameron-Dingle (Director, Focus Features Africa First)
- Mahen Bonetti (Founder/Executive Director of the African Film Festival, New York)
- Jihan El-Tahri (Treasurer of the Guild of African filmmakers in the Diaspora)
- June Givanni (Expert film curator in African & African diaspora cinema)
- Sharifa Johka (Founder of AFRICAN VOICES Cinema Series (AVCS))
- Pedro Pimenta (Director of DOCKANEMA - The Maputo Documentary Film Festival)
- Keith Shiri (Founder/Director of Africa at the Pictures, London)
- (30 days)