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The 1925 murder of Kansas farmwife Florence Knoblock changed an entire community.

It was the most brutal murder in Coffey County, Kansas' history.

On Decoration Day in 1925, John Knoblock returned to his Kansas farm to find his wife slaughtered on the kitchen floor. Within hours, dozens of lawmen, family members, well-meaning neighbors and gawkers paraded through the Knoblock farmstead, contaminating and destroying what little evidence was left behind. A small team of inexperienced lawmen, including a newly elected sheriff who had never run a murder investigation, attempted to reconstruct and solve the most gruesome murder in the history of Coffey County, Kansas.

Florence Knoblock and her son, Roger, circa 1922.
Florence Knoblock and her son, Roger, circa 1922.

What begins as the murder of a very private and somewhat sickly farmwife and mother turned into a multi-county fiasco. Two different pairs of bloodhounds were called in and pulled investigators in two different directions. Florence Knoblock’s family disobeyed the sheriff’s orders and scrubbed clean the crime scene before the investigation was complete. Fingers began to point in so many directions, neighbors saw everyone else as a potential suspect. In a county where many residents didn’t have locks to latch at night, women began to keep shotguns by their stoves to point at anyone who knocked on their doors.

Bloodhounds sniffed out the path of Florence Knoblock's killer.
Bloodhounds sniffed out the path of Florence Knoblock's killer.

The investigation stayed on the front page of several local newspapers for nearly a year. Two of Kansas’ most prominent reporters, William Lindsay White at the Emporia Gazette and John Redmond at the Burlington Republican, brought the story to life through colorful commentary and excruciating detail, amassing hundreds of pages of clippings between the first article announcing the murder and the last article announcing the outcome of the trial.

Sherman "Deacon" "Blackie" Stephens, the first man suspected in Florence Knoblock's murder.
Sherman "Deacon" "Blackie" Stephens, the first man suspected in Florence Knoblock's murder.

Before there could be a trial, however, the law had to find a suspect. Four different men were arrested. Sherman Stevens, an African American construction worker who helped build the bridge at the intersection near the Knoblock farm, was the first to be arrested and languished in the county jail for weeks until he was finally cleared and released. Two other passersby were arrested and released. The young county attorney finally set his sights on the widower, John Knoblock.

An awkward man, John Knoblock was known for his nervous ticks and twitches and uncomfortable demeanor. He was a somewhat of a homebody who preferred to stick close to family. With no better suspects and the public’s demand to hold someone accountable, the prosecution arrested and charged John Knoblock, a decision that would tear the community apart. His friends and family, including his late wife’s parents, were so confident in John Knoblock’s innocence that they mortgaged their farms to raise the $25,000 bond.

Many who didn’t know him were just as sure of his guilt.

More than 100 people were subpoenaed for the biggest trial ever held in the courtrooms of Coffey County. Even as the trial generated excitement in the community, it was clear that there were problems with the prosecution’s case. Several key witnesses, including the coroner, vanished without a trace. Evidence that was to be presented at the trial disappeared. It would be revealed that the most important witness the prosecution presented—the man who claimed to know John Knoblock was having affairs with his wife’s sisters—admitted on the stand that the prosecution paid him for his testimony.

Roger Knoblock sat with his father throughout most of the trial. Journalists reported that he wiped away his father's tears as the prosecution accused John Knoblock of murder.
Roger Knoblock sat with his father throughout most of the trial. Journalists reported that he wiped away his father's tears as the prosecution accused John Knoblock of murder.

Hundreds of citizens packed the courthouse or stood on the courthouse lawn to listen to the courthouse proceedings. Reporters from around the state followed the trial from sunup to sundown, filling the pages of their hometown papers with notes from the trial.

After 18 votes, the county’s most expensive trial ended in a hung jury.

Undeterred, the prosecution pushed for a retrial. Realizing Knoblock could not get a fair trial in Coffey County, the trial was moved to Emporia, the Lyon County seat, where citizens treated the trial like a sporting event. Far different from the somber and sensational air of the first trial, the Emporia trial was peppered with humorous and frustrating interruptions ranging from loud trains and backfiring cars that drowned out testimony to the judge’s admonishments of a misbehaving audience.

In less than six hours, the jury acquitted John Knoblock, who left Emporia a shattered, homeless, jobless man others would be suspicious of for the rest of his life.

An old story reemerges.

I’d never even heard of Florence Knoblock until her story fell at my feet.

One hot August morning in 2007, I was chasing after a group of hyper children playing hide-and-seek in the stacks at Emporia Public Library, in Emporia, Kansas, where I worked as a library assistant. As I was passing through the stacks between the non-fiction collection and the genealogy area, a folder slipped off of the shelf and fell at my feet. It was thin, made with heavy green paper embossed in a faux leather pattern . Someone had scrawled “Knoblock Murder” in a shaky hand within the boundaries of the little rectangle on the cover.

The brads inside held nothing, but the right pocket contained several news clippings. “May Have Murderer,” read the first Emporia Gazette headline. I turned the clipping sideways and saw “2 Jun 1925” written in the same old-style cursive as on the folder cover.

Intrigued, I carried the folder back to the reference desk to read. I shuffled through the microfilm printouts. Twenty-two newspaper clippings from two different newspapers – the Emporia Gazette and The Olpe Optimist, which had served the small town of Olpe, nine miles south of Emporia.

The headlines were sensational, in bold capital letters across the width of their respective newspapers: MAY HAVE MURDERER: BURLINGTON AWAITS REPORT ON FINGERPRINTS. CALL IN DETECTIVES: KNOBLOCK MURDER PROBE WILL BE PUSHED. MYSTERY IS GROWING: NEW DEVELOPMENTS TEND TO CLEAR NEGRO. CALL OUT A POSSE: BURLINGTON THOUGHT MURDERER WAS CAPTURED, NIGHT RIDE ONLY TO FIND WEARY PEDESTRIAN.

That morning was slow enough that I was able to read a couple of paragraphs here and there between patrons needing assistance. It was In Cold Blood meets the Keystone Cops. Absolute tragedy marred by klutziness and moments of humor. It was real life.

It was also gruesome. John Knoblock and his four-year-old son, Roger, returned to the farmhouse after a trip to town to discover the body of Florence Knoblock in a pool of her own blood on the kitchen floor. Florence’s skull was crushed, her head having been beaten repeatedly with an iron lid from the woodburning stove, and her throat had been slashed to the bone with a shaving razor. Twice. Four different men were arrested. Florence’s husband was arrested twice, and then tried twice in two of the most sensational trials in Kansas. I flipped to the last newspaper clipping in the folder. It was dated November 25, 1957. It was John Knoblock’s obituary.

Florence Knoblock’s murder changed everything—for her family, for her community. I had to know how the story ended. I had to understand why a tight-knit farm community—people who worked together, worshipped together, raised their children together—would ultimately choose to believe they had identified but failed to convict a murderer rather than accept the possibility that the real murderer lived and worked among them in anonymity. 

Diana Staresinic-Deane, researcher and author of Shadow on the Hill, walking through the fields of the old Knoblock farm. Photo by Stephan Anderson-Story (who also shot the present-day photos in the video).
Diana Staresinic-Deane, researcher and author of Shadow on the Hill, walking through the fields of the old Knoblock farm. Photo by Stephan Anderson-Story (who also shot the present-day photos in the video).

I spent the next few years searching for the truth. I visited small towns, interviewed people who remembered the trial firsthand and descendants who heard the stories. I dug through courthouse records and newspaper clippings. I looked inside the murder site - an old farmhouse that stands empty in a pasture - and retraced the steps of the bloodhounds and the contradictory steps of the investigators.

I believe I found answers that, while perhaps not identifying the killer, at least exonerate John Knoblock.

Shadow on the Hill: The book project

Florence Knoblock's murder impacted communities both near and far. The story is an important part of 1920s Kansas history, a snapshot of life and crime in era when the old was giving way to the modern. I believe this story should be available to all Kansans, Kansans at heart, and anyone with an interest in history and true crime. It should be available for modern eBook readers and available for library collections and personal bookshelves.

It should be available to a broad audience for generations to come.

The manuscript (287 pages) is already complete. If this Kickstarter project successfully meets its goal, I will have the resources for

  • professional editing
  • cover design
  • layout
  • publication in major eBook formats
  • publication in paperback format
  • promotion

Why self-publish?

I submitted this manuscript to several agents and editors and received many wonderful rejection letters. Agents and editors told me they loved the manuscript, loved the voice, and thought I was exactly the person to tell this story, but that they just didn't want to take a chance on this project.

I don't believe this true story should vanish again because the large publishers aren't interested. The events that transpired in Coffey County, Kansas between 1925 and 1926 shaped many lives regionally and beyond. I found newspaper stories from across the United States covering the outcome of John Knoblock's second trial. Many of the people involved would go on to be highly influential in communications and politics and would ultimately influence the lives of many, many people.

What's more, there's something that draws all of us to stories of Kansas crimes. As historian and writer Thomas Fox Averill told the Wichita Eagle in 2011, "When things happen in Kansas, they take on a significance that they might not take on elsewhere...Kansas is such an iconic state...If you are not safe in your bed in Kansas, you are not safe in any bed in America, anymore."

Fortunately, thanks to a strong eBook market and the ability to print on demand, this book does not have to vanish after a single printing. It has the potential to be available in perpetuity.

Rewarding You!

I am a strong believer in thanking everyone who pledges support to this project. The names of all donors will be listed on my web site (unless the donor prefers to remain anonymous).

  • Pledges of at least $15 will receive a copy of the eBook edition of Shadow on the Hill.
  • Pledges of at least $25 will receive a signed copy of the paperback edition of Shadow on the Hill.
  • Pledges of at least $50 will receive a signed copy of the paperback edition of Shadow on the Hill, a photocopy of the Daily Republican article announcing the murder, and a signed print of Stephan Anderson-Story's ethereal photo of the old Knoblock farm (see below).
  • Pledges of at least $100 will receive a signed copy of the paperback edition of Shadow on the Hill, photocopies of some of the key newspaper articles covering the investigation and trial, and one signed poster print of one of three photos by Stephan Anderson-Story (see below).
Pledges of $50 or more will receive a signed print of this photo of the old Knoblock farm by Stephan Anderson-Story. This is also poster option #1 for pledges of $100 or more.
Pledges of $50 or more will receive a signed print of this photo of the old Knoblock farm by Stephan Anderson-Story. This is also poster option #1 for pledges of $100 or more.
Poster Option #2 for pledges of $100 or more. Photo by Stephan Anderson-Story.
Poster Option #2 for pledges of $100 or more. Photo by Stephan Anderson-Story.
Poster Option #3 for pledges of $100 or more. Photo by Stephan Anderson-Story.
Poster Option #3 for pledges of $100 or more. Photo by Stephan Anderson-Story.

Delivery dates for books were set generously far out to ensure the reward delivery deadlines will be met. However, it is my hope the books will be available sooner.

Thank you for helping preserve Kansas history by making Shadow on the Hill a reality!

And some special thanks to everyone who helped this project get this far...

This project would have been little more than a pile of newspaper clippings if it wasn't for the help of many people in many places.

First, thank you to the members of the Knoblock and Mozingo families, many of whom are genealogists, for sharing photos, memories, and family stories with me. Your ongoing support has been vital to showing that John and Florence were real people.

Second, thank you to the awesome people at the various government offices and organizations who didn't roll their eyes when I asked about data from 1925, including the Coffey County Historical Society & Museum, the Coffey County Courthouse, the Lyon County Courthouse, the Franklin County Courthouse, Lyon County Research Center, and anyone else I hassled into digging through microfilm, microfiche, or dusty old books that inevitably rested in hard-to-reach places.

Third, thank you to all of the people connected to this story who received my letter of inquiry and willingly talked with me about this old case.

Fourth, thanks to family, friends, and the awesome people at Emporia Public Library for listening to me rattle on and on about this project and not bugging me while I spent my off-hours sifting through the Kansas Room contents looking for information.

Fifth, special thanks to Stephan Anderson-Story for stomping around the old Knoblock farmstead with me to photograph the house and grounds. Thank goodness the gigantic black snake wasn't interested in us.

Risks and challenges Learn about accountability on Kickstarter

The first big hurdle to this project is funding. Editors and methods of publishing both the eBook and paperback versions of this book have already been identified and priced out, but the funding needs to be in place before taking the next step. Your support will ensure this book is a high-quality publication that individuals and libraries will be glad to own for years to come.

The other big challenge to this project will be promotion. As someone who worked in public relations for several years, I have a strong understanding of how to interact with the press, radio stations, and most important, how to promote myself through social media. As a former library assistant, I know how important it is to interact with the amazing librarians throughout the state. I am willing and able to work to get this book in front of people.

FAQ

Have a question? If the info above doesn't help, you can ask the project creator directly.

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