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We are shooting nearly 4000..... collodion tintypes to make a short animation music video.................... A Living Tin

long shot of our framed tintype being offered in reward #8, #11, and #14
long shot of our framed tintype being offered in reward #8, #11, and #14

MORE REWARDS BELOW. KEEP SCROLLING DOWN FOR 

WORKSHOPS, 

WHOLE FRAMED SHOOTS 3-6 seconds 

PRIVATE PORTRAIT SESSIONS

medium shot of framed plate being offered in rewards #8, #11, and #14.  Looks like the reflector got reflected in the plate.  Point is that these are real images and these are awesome frames designed for the plates.
medium shot of framed plate being offered in rewards #8, #11, and #14. Looks like the reflector got reflected in the plate. Point is that these are real images and these are awesome frames designed for the plates.
Close up of frame being offered in reward #8, #11, and #14
Close up of frame being offered in reward #8, #11, and #14
photo of unframed plate......... reward #4
photo of unframed plate......... reward #4
   

 Key Words:

Barking Hand A living Tin, The Living Tin, Kellam Clark, Ramsay Davila, Gandalf Gavan, David Vlasits, Ali Rashti, Ester Casas Roura, Robert Merkel, James Dyttbvig, Brian Haimes, Robert Pearson, Matt Tennie, Phoebe d'Hheurle, Genevieve Hanson, Leanna Thomas, Rob Singleton, Lindsey Frazier, Donald O'Finn, Inbal Newman, Tyler Scaife, Lee Eaton, Gerrold Vincent, Kurt Hendricks, Jeff Branson, Brice Garcin, Alyssa Howard, Gwyneth Larsen, Bill Muholland, Chris Brunkhart, Allen Ferguson, Kegan Williams, Tim Young, Aliya Brooks, Barkinghand, colllodion, wetplate collodion, wetplate, wetplate portraiture, alivingtin, portraiture, tintype, animation, animated music video, movie made from tintypes, tin types,  video made from tintypes.

Risks and challenges Learn about accountability on Kickstarter

Barking Hand: A Living Tin among many others serves as a big bright light revealing the great genius behind Kickstarter. Bravo to the Kickstarter team! This sort of endeavor really wouldn’t be possible without this platform and a community like us and by that I mean people like you and me that support projects with no commercial market. I am not sure I would pay $123,000 for a 4 minute video even if I had that kind of cash, but I would love to pay $300 for a one of a kind beautifully framed tintype. Better yet only $40 for the tintype unframed.

In short the biggest risk and greatest challenge at this stage is this Kickstarter campaign. We have already invested 5 months of preproduction and 12 thousand into the project. That level of commitment was needed to really understand the budget and clearly we are passionate about the project. To raise this enormous sum of money we need the people that are inspired by the project to participate by helping us connect with as many people as possible.

Of course it is not simply raising the funds that will confront us. When this kickstarter is successful, a whole new set of challenges open up. Directing a project of this size with a crew of 40 people for so many days is a huge challenge, the rigging and certain ambitious set pieces haven't been 100% figured out yet. Also with no real money in the budget to pay people, organizing the volunteers becomes a massive challenge. I have been here before though.

A few years back in Milan, I was invited to design and fabricate what was then the worlds largest LED light. What's more it was made from industrial waste. I had six days to do it and take a look at what we accomplished. ( http://bit.ly/18NTO4J ), Before that in 2006 I decided to build a 36 foot long barge and live on it for as long as possible, in a matter of days and again with a crew of great volunteers we build the boat. It housed at least 200 people, and traveled over 500 miles on the Susquehanna river before being spirited to sea by the floods in 2011 ( http://bit.ly/16STyyP ). Before that in 2004 I was given 20,000 and one month to prepare for a 5 month long documentary production in Chile. I was able to round up the equipment, the crew, invent/build portable systems and arrive in Chile 28 days later ready to film. That project turned into the largest oral history collection of the "New Song Movement" yet compiled and a good film to! This ( http://bit.ly/1bAvaFO ) is a 20 min piece made to celebrate out first year of production. The last project I did on the scale of this Living Tin was probably my studio. With no experience in construction or design, and against the advice of everyone I relied on for advise I transformed a 4000 sqft utterly trashed and abandoned warehouse into the multi media work/live collective that it is today. ( http://bit.ly/1b5HAWW )

The most important detail about all those projects is that I did them with the help of some great people. I have a knack for surrounding myself with smart and able people that share my vision and trust my leadership. I am passionate about the things that I do. Please help us spread the word. Link to us on your favorite blogs, tell you journalist friends about it. Thank you for taking the time to review this project.

Best Regards,
Kellam

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    HIGH DEFINITION DIGITAL DOWNLOAD -Test Shoots- -Making of Doc- -Final Piece- -Interviews-

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    A "FAILED" 5X7 TINTYPE

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    AN ACTUAL 5X7 TINTYPE FROM THE FILM

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    FRAMED 5X7 TINTYPE FROM THE PRODUCTION - SIGNED - NUMBERED - YOU SELECT THE PLATE

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    PRIVATE 5X7 PORTRAIT SESSION ON DEAN STREET

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    10 HOUR WORKSHOP ON DEAN STREET

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    TRIPTYCH: 3 FRAMED 5X7 TINTYPES FROM THE FILM THAT YOU SELECT

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    3 DAY KICKSTARTER WORKSHOP + KEEP ALL THE EQUIPMENT

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    NINE FRAMED 5X7 TINTYPES FROM THE FILM -SIGNED- -NUMBERED- -YOU SELECT AFTER THE DIRECTOR SELECTS HIS-

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    THE GIF THE KEEPS ON GIVING - SIX SECONDS OF LIVING TIN SHOT OF YOU ON DEAN STREET

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