What the *&#^ is this show?
Um, excuse me, language. An irreverent send-up of life as a twentysomething in New York, OFF is a brand new web comedy that follows young actors as they navigate the eccentric off-off-off Broadway theater scene while trying to keep a straight face.
It’s been a year since graduating college and moving to “The Big Apple,” and things aren’t looking up for Ted Sandoval. Despite his best friend Alex’s objections, Ted has all but decided to abandon his dreams of acting for just about anything else. But when a “visionary” young director offers him a small part in a Twilight-infused production of Romeo and Juliet, it seems like his luck is about to change.
Season 1 consists of seven 10-minute episodes that follow Ted, Alex, and the cast and crew of Romeo and Juliet as they act their way through the piss-stained streets of Manhattan, Brooklyn, and the bridges in between.
Who the !@&# are you people?
You kiss your mother with that mouth? Here's who's who on the creative team:
CHARLIE POLINGER (director) is a New York City-based filmmaker and theater director who has been described as "a wunderkind" by the New York Times. After graduating from Yale in 2013, he directed his first feature film, Muckland, starring Will Brill and Alice Ripley. He has directed a diverse range of projects including narrative shorts, music videos, straight plays, and musicals. He recently directed the folk-rock musical Independents (New York Times Critics' Pick, Huffington Post Best Shows of 2012).
Keith Rubin (writer) is a New York City-based actor, improviser, writer, and musician. He holds a degree in Theater from Yale, where he directed and performed with the Exit Players, Yale's oldest improv group. He also starred in over a dozen productions and co-wrote the book and lyrics for an original musical mounted during his senior year. In New York, Keith has co-created and performed in a number of original pieces, including 1927 (ArsNova) and Ms. Bovary (Access Theater). In addition, he has appeared in several webseries, including RomDotCom, Seeking Sublet, and Life Sucks. Backstage Magazine has described his work as "one of those great moments where the actor really made the character." He performs improv regularly at the PIT with his improv team, the Punctual Drunks.
Tom Sanchez (writer) is a recent graduate of Yale University and was a member of the Yale Dramatic Association and the Yale Exit Players, Yale's oldest improv comedy group. He was recently seen in Independents (2012 Fringe Festival Best Overall Production, New York Times Critics Pick) where he was described by the New York Times as "effortlessly hilarious." He is a member of the Less Than Rent theater company. Credits with Less Than Rent include: Desire: A Varsouviana and Words, Razors, and the Wounded Heart. University Credits: The Marriage of Bette and Boo, Bunkerville: A Post-Apocalyptic Musical, What The Butler Saw, Rosencrantz and Guildenstern are Dead.
Brennan Caldwell (writer) is an actor, writer and New York transplant from Kansas City, MO. He is a recent graduate of Yale University, where his work included Amadeus (Mozart), Sweeney Todd (Todd) and Hedwig and the Angry Inch (Hedwig, Jonathan Edwards Arts Prize). Brennan also appeared on NBC’s The Sing-Off, where his performance was described by judge Ben Folds as “cannot be unseen.” NY/Regional Theater: The Hound of the Baskervilles (Playhouse on Park), Urinetown (Theatre Raleigh), Shrek the Halls (reading, Dreamworks), Zelda (reading, NYMF), Eudaemonia (Paradise Factory), A Christmas Carol (Variations Theatre Group). Film: College Musical: The Movie. New Media: Twenty Five, RomDotCom. brennancaldwell.com
Katherine Nelson (producer) is a New York City-based producer who studied Art History at Yale University. While at Yale, Katherine produced several short films including the Yale GALA video and the 2013 Class Day Video, which was screened at Yale's 2013 class day exercises. She was also a member of the Yale Dramatic Association, where she served on the executive board and worked on over a dozen productions in various roles such as producer, stage manager, and director. Since moving to New York, Katherine has produced feature length-film Muckland, short film Mrs. Claus, and acted as the assistant to producers Josh Hetzler and Julie Buck on feature film Anesthesia.
Lanna Wang (producer) is a sophomore at New York University's Tisch School of the Arts. She studies Film and Television Production, concentrating in producing, and is the Head of Development of the Student Producer's Association. Lanna has produced several short student films, including Around the Way and Can She Play that Game Too?. She has also worked as a unit production manager on such student films as Siren Call and The Soft-Shelled Crab and the Metal Claw. She also spent a summer abroad in Florence, Italy, taking classes in writing and producing. Lanna graduated from Phillips Exeter Academy in 2012.
Where the !*@& is my money going?
Ok, we'll play it your way. Your contribution will enable us to fund a !@&#-load of important parts of this project:
-Production Costs: From location fees and permits to equipment rental and transportation, to costumes and props, these expenses can add up.
-Personnel Costs: While our cast and crew are generously contributing their time pro bono (it’s a passion project!), we still need to make sure that everyone is fed and gets to and from set safely.
-Post-production Costs: A lot of what makes or breaks a show happens after the cameras stop rolling. Expenses like film and sound editing, music, and design elements are essential to make the show look fantastic.
Risks and challenges
Like any project, there are obstacles and delays that may come up along the way. However, the OFF team is a group of dedicated and experienced professionals who are both accustomed to and prepared for the challenges of production.
In any production of this size, there are a few obstacles to keep an eye out for: 1) Funds, 2) Cast/Crew, 3) Locations, and 4) the uncontrollable—weather and such! We recognize that the downfall of the Kickstarter model is that if we fail to meet our fundraising goal, we will not receive any of your generous donations. We know that we will need a large cast/crew to help make production run smoothly, but not only do we already have an excellent/experienced team in place, we also all have many friends and contacts who are excited and eager to get involved. Shooting locations in NYC can be tricky, but we wrote the script with practicality in mind and do not need to rent more than one or two simple locations. And ah, weather! It is winter and a cold one at that…but, we have built this uncertainty into our schedule and have a reserve of extra shooting days we can utilize if anything goes wrong.
We are unswervingly committed to making OFF a reality! We feel confident that we possess the tools to execute this project and feel excited and passionate about taking on the challenge. With your support, we know that we can bring this hilarious and heartfelt story to life! Thank you so much for your time and your consideration.
- (30 days)