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A Clockwork sci-fi film of forbidden love and revenge, inspired by a 19th-century Lord Byron poem and told in hybrid puppet animation
A Clockwork sci-fi film of forbidden love and revenge, inspired by a 19th-century Lord Byron poem and told in hybrid puppet animation
333 backers pledged $29,370 to help bring this project to life.

Recent updates


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Progress on Monster of the Sky

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Hello backers! Thank you for sticking with the project and your patience. We've received some recent inquiries and thought it was best to reach out to all of you with an update.

"Monster of the Sky" is in post-production. It takes time to key and rotoscope these shots (approx 150 total shots), but we are working on them. Here are some recent shots from the second scene - Climbing the Tower:






Note the beautiful clockwork wasteland background by Nick Sullo, who also worked on Sam's feature film "Yamasong: March of the Hollows."  

Believe us, we plan to share this world with you, our backers. We are in the thick of post-production now and working away to make this a reality!

P.S. One bit of business - associate producers level and up: An email was sent asking for photos so we can sculpt your statue rewards, but we haven't received all the responses yet. Please send your photos so we can be sure to give you the cameo as part of your reward.

Moving Forward & MAFFY Festival


Hi all! 

It's been a while and we know many of may want to know what's happening with "Monster of the Sky" and related news:

As of last month, Sam finished directing "Yamasong: March of the Hollows" - it is now in the hands of his producers who are shopping it around (fingers crossed 2017 is a BIG year for this film's release!). 

Making the feature "Yamasong: March of the Hollows" was an amazing experience working with Dark Dunes Productions, founded by one of our own "Monster" backers Sultan Saeed Al Darmaki!  Sam is hoping to bring everything he learned from that experience to finishing "Monster of the Sky".

Now Sam is working with two "Yamasong" VFX artists to create digital backgrounds and visual effects for "Monster" shots! Sam is also working on sculptures of our backers who paid for their likenesses to appear in the short film...

Speaking of which, Sam was at Monterey Bay Area Festival of Film for Youth (MAFFY) last week and did a Paperclay sculpture demo and After Effects VFX talk for "Monster of the Sky." It was a great audience of eager college animation students - now inspired to take a second look at puppets and how to use them in their art!

And as always, thank you again for supporting "Monster of the Sky"!







OUR PROGRESS: Editorial moving along nicely


Hello clockwork fantasy friends!

We are moving along in editorial with our friend Margaret Lily Andres! She has helped tighten up all the footage we shot into a compact, visually fantastic 7-8 minute short film/music video, all to the driving music of Stereo Alchemy and the hauntingly, ethereal voice of Melissa Kaplan. 

We follow the mystery of the woman Sky (Sumiko Braun) trapped in a space rock and her memory pulled from the remains by a bug probe - pulling us into a flashback of the birth of a goddess from the ruins of a "demolished world". We follow her from her poisoning to her rebirth at the hands of clockwork ghosts to her final flight to meet her murderer face to face. This is "Monster of the Sky!" 

Below are screen shots of the current edit and a bonus time-lapse clip shot on our last day in Portland - featuring our amazing Gear Palace and Flying Mansion - built by our amazing set builder Charles Daniels. Enjoy!!









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"Monster" and "Yamasong" Updates


Hello backers!

I hope this update finds you all well. I wanted to let you know that as "Yamasong: March of the Hollows" marches forward through post-production (yes, pun intended!), I am working on strategies to continue "Monster of the Sky" moving forward too. Now the important part of making the short film is assembly and the creative combination of music and visuals.

I've asked my friend and amazing editor Margaret Lily Andres to take over editorial. Not only have I worked with her previously on short films with Heather Henson's Handmade Puppet Dreams series (Toby Froud's "Lessons Learned" and Heather's "Crane & Tortoise"), she's also a superb studio editor with experience at Pixar and Laika (her credits include "Finding Nemo", "Cars", "Ratatouille" and "Coraline").

I have the utmost confidence she will help me move this project forward even as I balance my directorial duties with "Yamasong: March of the Hollows."


Last Sunday was a bit of a personal milestone for me artistically. I was invited to be a panel speaker at Monsterpalooza to talk about puppets in film. Among the panelists were the Chiodo Brothers, my puppet filmmaking colleague Kevin McTurk, Muppet director Kirk Thatcher, Muppet and Henson puppeteer Alice Dinnean, and puppeteers Scott Land and Bill Diamond. I premiered a new "Yamasong: March of the Hollows" trailer, which was very well-received (and which I hope to share in the near future!).

Monsterpalooza Panel!
Monsterpalooza Panel!

That evening, I attended the world premiere of Sumiko Braun's "Master of the Sky: The Life and Art of Sam Koji Hale", a documentary short she made interviewing me as an artist of mixed heritage and how my puppetry and art express my personal journey. It was part of the Asian Pacific Film Festival. I was touched by the outpouring of well-wishes from the audience and support for my puppet film projects!

You may recognize Sumiko's name - she's also my lead performer for "Monster of the Sky" (as well as Kickstarter backer and producer) and in addition to juggling family and auditions, is finishing her masters at UCLA (and soon going to USC film school). She's a great supporter of my projects and a wonderful friend.

Asian Pacific Film Festival Red Carpet!
Asian Pacific Film Festival Red Carpet!

I am blessed to have all of your support and we will continue working on "Monster of the Sky" and post more updates through the summer. Thank you!

Fresh Perspective on “Monster” as “Yamasong” enters Post

Wedding Day (raw footage)
Wedding Day (raw footage)

Hello everyone! I wanted to write you to give an update on “Monster of the Sky.” 

As most of you know, I have been consumed with directing the feature film “Yamasong: March of the Hollows.” It has been an amazing journey so far and I am here to report that “Yamasong” is now in post-production.

While there is plenty of work to be done on the post-production side, I have a solid team of VFX artists working to finish this feature, with my oversight. Our goal is to finish in 2016. Now my heart returns to our short film “Monster of the Sky” and the work we’ve put in to it so far. My plan is to finish it in 2016 too.

My apologies it’s taken so long to update you on “Monster of the Sky.”

As I sit here writing this, I hear two hard drives working away copying files of the footage we shot over three sessions over the course of two years, both in L.A. and Portland. It’s going to take most of the day to copy files over.

My first task is to consolidate all the footage so it lives in one place, on a faster, newer drive, so I can dive in to the final edit of the film. I’m coming back to this with fresh eyes, and the experience I’ve been gaining on a feature film. I have new ideas how to cut the short film and make it more dynamic and stylized.

One question that arises is the facial motion capture R&D. After I completed the second Kickstarter campaign, my original plan was to go back to the mo-cap studio we teamed with to capture the original data. Unfortunately, they are no longer available, so I started thinking about a Plan B. I purchased software and a 3D camera to enable a smaller, self-contained way of capturing facial movement and data. I thought I was set then, in 2014… but coming back to it now, I’ve found the 3D camera and software manufacturer was bought by Apple and discontinued. I can’t use this equipment! Important lesson: the march of technology moves at a fast pace and can leave you quickly behind!!

My immediate goal is to cut the film together – see how all the pieces fit. Make sure the story and characters are dynamic and compelling. Next, I will be able to look at shots and figure out exactly how many facial mo-cap shots we have. From talking to one of my backers, I may have a new solution to the facial motion capture question. We shall see – I’d hate to lose this opportunity to explore combining live puppetry and faces “puppeteered” remotely by a mo-cap artist. This is the grand experiment of “Monster of the Sky”!

Thank you all for your patience, and I hope to give you more updates in the months to come as we delve deeper into post-production.

May your holidays be blessed as we approach a new, exciting year!

- Sam