When asked what was the most frightening thing he ever encountered, Ernest Hemingway answered: "A blank sheet of paper." Most artists, designers, writers, and students could agree. I've talked to a lot of artists, and we all seem to have a recurring pattern. I buy a new fresh sketchbook and agonize over starting it. I get a couple of pages in, and run out of ideas. I draw a few more pages and get bored. Then I abandon the book for a couple of weeks while I ponder ideas. Eventually, I do a couple of bad drawings and give up altogether. Now I'm cursed with a half-full sketchbook that I'm slightly embarrassed to show to anyone.
This sketchbook is designed to alleviate all of that anxiety. I've filled the book with just the beginnings of drawings, leaving lots of room for interpretation and creativity. Each page has something new on it, but it's up to you to fill in the blanks. Artist's block has no place in this book.
As an art teacher, I see the intimidation of the great white abyss every day. Kids come to my class straight from math and science, with their left brain on full blast. They spend their day analyzing, memorizing, and calculating. Before I can get the kids to create, I have to turn on their right brain. So the first thing they do is complete one of these drawings. It's a good way to get the creative juices flowing, without forcing things. If I give students a blank page, they spend four minutes staring at it and saying "I don't know what to draw." But with these drawings, the ideas start pouring out immediately. Not only that, but in a class 30 different students, I get 30 completely different drawings. So I know the possibilities are virtually limitless.
This book will be printed on 80# white paper (or heavier if possible), so you can draw aggressively with a variety of media, and not worry about bleeding. The rounded corners will keep the pages from getting beat up and dog-eared, especially while traveling. It's great for carrying around for a quick drawing on the go, or stash it between the couch cushions and pull it out when the mood strikes. If you would like more than one, so you can keep one at work and one at home, or have drawing contests with your loved ones, or spread the joy through gift-giving, the process is simple. Just multiply your pledge by the number of books you want, and send me a message to make sure I know what it is you need. Or, if you're feeling extra special, you can opt for the "buy 4 get one free" reward level. It's a great deal!
For 12-year-olds who get stuck in a rut, drawing the same thing over and over, this book is a tool to dig them out. For grown-ups who draw all the time, this could be a fun and energizing activity, and could boost your creativity, or refresh your enthusiasm. For adults who haven't drawn in a while, this is a perfect way to get back into it. Personally, as an art teacher who draws every day, I still get excited about filling in these pages.
Whether you spend four minutes per page, or forty, you can be proud of what you do in this book. You can draw only in lines, or you can shade, color, or collage. Use pen and ink, colored pencil, crayon, markers, or lipstick. It's up to you!
Just look at a couple of before and after shots!
Are you nervous about the fact that you haven't taken an art class in a decade or more? Don't worry! I've thrown in several mini art lessons to refresh you! Proper proportions of the human face will help you draw realistic people. A lesson in one-point perspective will bring back what you already know about vanishing points. Follow that up with a lesson on two-point perspective to further hone your skills as a draftsman. I firmly believe in drawing from observation, so I've included a couple of grid drawings, which will help you slow down and draw exactly what you see. Also included are lessons on shading, including crosshatching, stippling, and scribbling. They will help you free up your hand and mind, and try new things.
Every single drawing in this book has been tested on 150+ people, and I know they work. Kids as young as 11 have turned out drawings that they are proud of and can't wait to show off. Draw with confidence, and know that people will beg you to flip through this book!
Where does the money go? If this project reaches its goal, most of the money will go to printing the finest, highest-quality product possible. The cover of the paperback version will be embossed linen. The hardcover version will have a silver foil logo on the cover, and a ribbon bookmark built-in to the binding. Let's face it: the point of most business is to maximize profit, and quality will suffer. But this project (and from what I see, most Kickstarter projects) isn't about profit for me. It's about getting these books out to the people, so more folks can enjoy the art and get inspired. I've already got a full-time job AND a successful side business. So I'm not doing this book to get rich. Most of the money for this project just goes right back into the project. I hope to make enough money to cover all of the expenses of printing and shipping, keep my Diet Coke stocked up while I'm packing things, and I may have to buy a better scanner. I've already invested quite a bit into this project, because I believe in it and I want to see it succeed. Hopefully by now, you would like to see it succeed as well.
Risks and challenges
I've already talked at length with a local printer, and am very satisfied with what I've seen from them. I don't expect to see any problems from them. My two biggest worries are either not enough sales or too many sales. If I don't sell enough books, then the project doesn't happen. This wouldn't present any major difficulties besides heartache. If I sell too many, then it just becomes a volume-of-packing-and-shipping issue. I still don't think that would be too bad. I've got lots of people who can help me ship things out on time.
As for production of the book, I don't see any issues arising. I've already drawn out all of the pages. I just need to scan them and convert them to a PDF, and get them to the printer.
I've been fairly successful running a website and delivering things on time for several years, so this is nothing out-of-the-ordinary for me. But I normally ship larger sculptures that require a lot of packing and padding. These books will be far more numerous but less padding, so I think it will even out to business as usual.Learn about accountability on Kickstarter
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