The Forgotten Cowboys
The Forgotten Cowboys
The Forgotten black cowboys of America. Some of the first cowboys were black, but how many have you heard about or seen on TV.
The Forgotten black cowboys of America. Some of the first cowboys were black, but how many have you heard about or seen on TV. Read more
As a ten-year-old boy playing cowboys with friends at school in England, I was never allowed to be a cowboy; I could only be a Native American Indian. I was told: "Black boys were never cowboys" or "Have you ever seen a black cowboy?" I had to admit that I had never seen a single black cowboy.
The only cowboys we ever saw were your white archetypal squared-jawed, American gun-slinging heroes. Think of our screen legends; The Lone Ranger, John Wayne, Gary Cooper, Roy Rogers, Clint Eastwood, right up to The Marlboro Man, the list is endless. Not one black cowboy amongst them.
Indeed Hollywood played a big part in keeping the cowboy myth alive. In fact where American history and identity has been projected by Hollywood and the mass media, the non-white settlers have largely been left out of the story.
Thirty years later and enjoying watching those same legends with my own children, I have only just learnt the truth; many of the first cowboys were black.
I have now made it my metier to discover these forgotten cowboys. And I have been both surprised and excited to find a thriving African American cowboy community.
The original term 'cowboy' was a derogatory slight against the black man often born into slavery. The terms house boy, field boy, kitchen boy and 'cow boy' were commonly used. Ironically, because of the abilities of these early stock handlers, the term became associated with strength, skill and tough, manly ruggedness.
After the American civil war many black cowboys and former plantation slaves enlisted in the army cavalry and were known as Buffalo Soldiers.Once they left the military they stayed in the Western territories and became ranch hands or cowboys. Non-military black men simply went West, seeking a better life, signed on with ranches and learned on the job. They were often brilliant horseman or sharp shooters, and many went on to become ranch foremen and managers, while others were hired as guides or federal peace officers in the Indian territories. It is estimated that as many a a third of all cowboys contracted to drive cattle to markets across America were either black, Indian or Mexican.
As well as the physically hard lifestyle, African American cowboys, often had to endure discrimination, bigotry, and prejudice. To counter this they learnt to excel at their work. They were most often the best at roping, bronco busting, taming mustangs, calling the brands, controlling the herd, or topping off horses.
I hope to document the lives of the men women and children who compete in the hundreds of rodeo events across the country. Shockingly many black cowboys from communities across the US were banned from competing at the main rodeos right until the late 1980's.
Even with that hardship I have found that black cowboys were fundamental to the evolution of the western narrative, which has been so central to the identity of mainstream or "White America".
When I came across this community of black cowboys recently in Texas it surprised me how little I knew and also how little was known about these true pioneers of the Wild West.
For too long now, the contributions of the African-American cowboy has been overlooked and almost forgotten in the great history of the American West. I would like to recognize these unsung heroes.
My aim is to produce a multimedia exhibition, which will consist of one full length documentary feature film, three short video stories, a photographic portrait series and a photographic book, all under the title of 'The Forgotten Cowboy'.
My responsibility as a documentarian photographer/filmmaker is to translate what I see and to produce an objective project, which enlightens, entertains, stirs emotion, educates, and hopefully leaves an indelible impression. And as a visual artist I have a keen curiosity in every new story that comes my way.
Crew, equipment rental, travel/transportation, & post production make up a majority of the costs. We are now trying to reach our desired goal of $50,000 endeavoring to make the best multimedia exhibition possible.
This is a creavtie project, and the current funding goal reflects the estimated cost of putting together an independent multi-media project.
I would like to thank Kickstarter and everyone who has expressed an interest in this project.
- (30 days)