Back in 1971, in high school, I started planning out a setting -- Ragbaan, the oldest city on a far-future colony planet, with twelve thousand years of history. It was built by a high-tech civilization that collapsed into barbarism, then recovered, and has gone through this cycle several times, until the remaining old technology is considered magic -- in fact, the terms "tech" and "magic" are used interchangeably -- and the city is a patchwork of ancient glories and modern improvisations. Half-drowned skyscrapers stand in the harbor, airships provide intercity transport, and the city is run by assorted guilds and factions, with no functioning central government.
I thought this was cool, but it was decades before I finally came up with the story I wanted to set there -- Vika's Avenger.
It's the story of a young man named Tulzik Ambroz who comes to Ragbaan looking for the man who murdered his sister. The only tool he has to find a single individual in a city of three million is the portrait his sister drew of the man who would later kill her.
He's lucky enough to find the information brokers Azl and Hrus, and to catch the interest of a creature called the Ilm, but will that be enough?
And if he finds the killer, what will he do about it?
Why I'm Here
I'm an award-winning author with more than forty novels to my name, but no New York publisher wanted this one. "It's science fantasy," they said. "We don't know how to market that."
Um... John Carter of Mars is science fantasy. Star Wars is science fantasy. Hundreds of the classic pulp stories are science fantasy. Apparently, though, the folks in New York have forgotten how to market the stuff if it doesn't have a major motion picture attached. Most of the editors my agent approached wouldn't even read it. No one ever said it wasn't a good story, only that they didn't know how to market it.
I think it's a cool story, and I bet you will, too, marketing or not. Aliens, airships, secret societies, genetic engineers...
So help me publish it, and you'll get to read it! Not to mention some of the cool extras.
Now that we're funded, what else can we do?
Well, here are a few ideas:
$8,000: The cover and interior will be professionally laid out, and there will be a frontispiece. Made it!
Actually, I think we're looking at a total of three pieces of interior art.
$10,000: More interior illustrations! Details not yet determined, but if we reach this total there will be interior art, in black and white, in addition to the three illustrations already promised. Backers who are getting the ebook will receive them as separate PDF files; they will not be incorporated directly into the ebooks.
$12,000: I'll write an appendix, "A Traveler's Guide to Ragbaan," which will be included in the book. This will describe a few of the city's features; since I haven't written it yet, I don't know just what it'll say.
Risks and challenges
The novel is entirely written, but I need money for a professional editor and a decent cover -- the more money pledged here, the better the cover artist I can afford. (No, I can't use the Pulp-O-Mizer cover I have here; even if I had the rights, the resolution isn't anywhere near good enough.)
I have an editor lined up -- Deborah Hogan, who edited several of my novels for Del Rey, back when. I've talked to a few artists, and found out what they would charge, but I'd need more than my minimum for most of them -- much more, for some -- and I haven't worked with any of them before, so commissioning the artwork will be uncharted territory for me. I've self-published before, but using existing art or reworked photos, and I've commissioned art before, but not under exactly these conditions.
I've published through various print-on-demand outfits and small presses before, and l've put out ebooks through several outlets in the past, so I know what I'm doing there.
Packing and shipping -- I've done that before, too, working from my house. If it looks like it might be more than I can handle, I'll look into other options.
Really, the only place I see where anything might go wrong is the cover art, and even there, I'll be working with professionals, and I have multiple options. I don't foresee any problems -- but of course, by definition, the unforeseen can crop up anywhere.
Because I'll be working with artists, and things can always go wrong, I can't promise delivery by a specific date, but I think I can promise everything will indeed get delivered.Learn about accountability on Kickstarter
- (30 days)