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A Woman's Voice: The Robin Lane Story's video poster

A Woman's Voice is a 40 year cultural history of Robin Lane from Hollywood to Boston to writing with woman survivors of trauma. Read more

Boston, MA Documentary
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This project was successfully funded on July 25, 2011.

A Woman's Voice is a 40 year cultural history of Robin Lane from Hollywood to Boston to writing with woman survivors of trauma.

Boston, MA Documentary
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The Website for the Film


Three years ago I decided to make a documentary about music, women and creativity.  Robin Lane and I have worked together for thirty years and Robin’s life was perfect material.  Robin Lane and the Chartbusters 1980 pop hit, When Things Go Wrong (recently on the soundtrack of Adam Sandler’s film Grown-Ups) with its jangling guitar riffs and plaintive musical hook is just the beginning of the story.

[When Things Go Wrong live: listen here]

Her career from Hollywood wild child to her success as an influential singer and songwriter, her relationships with Danny Whitten, Neil Young, Andy Summers, stories of Laurel Canyon, Owsley, LSD, Manson members, of a child lost and found, religion, folk music, punk rock, MTV, single motherhood, are a kind of survey of cultural history.

The story careens through her conflicts with managers, marriages, and money to the development of songwriting workshops for woman survivors of trauma, incarcerated women, senior citizens, and youth at risk.  We have spoken with an impressive group of friends and colleagues, critics, writers, filmmakers, musicians, and friends who open up a range of issues about abuse, survival, creativity, re-invention, and about being a woman.


Robin’s songs, music, and lyrics and the music created in her workshops provide a soundtrack to the story.  On the film's website you can find a synopsis of the story, a list of interviewees, songs, pictures, a blog, a list those who have provided archival video and photographs, as well as production credits for a group of students from the New England Institute of Art, who have, for two years, provided their time, support, and enthusiasm.


We now need to pay our editor to edit a working cut from the material and interviews gathered over the last three years.  We also need to pay for song and image licensing fees. Some of Robin's songs are actually not free to her. Her father's song "Everybody Loves Somebody Sometime" must be negotiated. Kickstarter funds will take us to the next step, which will be to look for finishing grants.


For 40 years, Robin Lane has demonstrated a natural gift for music and melody. Her songs, and the music of the women with whom she works – survivors of domestic abuse, incarcerated women, teens at risk, and senior citizens - offer a range of moods, thoughts, and obsessions. Her own successes, failures, and determination to create, to sing, to touch other lives are universal experiences. A Woman's Voice makes us reconsider the power and importance of music in a culture where the forgotten voices often sing the most powerful songs.


  • I was interesting in exploring how an early rock and roll generation is aging and what wisdom could be shared. I wasn't interested in celebrity, recovery, or resurrection, but how artists with a particular gift maintain and sustain a creative life. Three years ago I started talking to Robin about how the experiences of her life contained universal themes about women, aging, and creativity. I got much more than I expected.

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  • I have gathered archival concert and media footage, home movies from the 50's, photos old and new, a dozen interviews across several cities, and a huge catalog of Robin's songs. Early donations were used for some location shooting and editing. The generosity of my students, of musicians, photographers, and fans have been instrumental in getting material. They and the early donors are listed in 'credits' on the website.
    Working with Robin as a co-producer makes the film both a journey and an adventure - something we do for the love of the work.

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  • Given Robin's many ups and downs it's a question that does get asked, mostly in jest, and mostly by friends. It may be a perfect little pop song, but using it as a title could be bad luck, and she's written so many dozens of other songs since. Besides, it's about how things really don't go wrong in the end.

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  • You selected
    Pledge $5 or more

    30 backers

    A thanks on our website because every dollar counts!

  • You selected
    Pledge $25 or more

    36 backers

    A custom designed guitar pick, signed post card, with a personalized little sketch, and a thanks on the website.

  • You selected
    Pledge $50 or more

    21 backers

    All of the above plus a signed copy of Piece of Mind, Robin Lane and the Chartbusters CD from 2007.

  • You selected
    Pledge $100 or more

    24 backers

    A signed copy of both Piece of Mind CD and of Radical Jesters – the director’s last documentary profiling culture jammers - plus a thanks on the website and in the movie credits.

  • You selected
    Pledge $500 or more

    2 backers

    Give us lyrics and Robin will compose a song. And record it for you!

  • You selected
    Pledge $1,000 or more

    1 backer

    A house concert (within range - discussable) by Robin, a producer credit on the film, and on the website. Unless you prefer to have two songs composed!

  • You selected
    Pledge $2,500 or more

    0 backers

    It is conceivable, but whoever you are we will give you the CD's, a copy of the film, talk to you to see how you want to be credited, give you TWO postcards and picks, and maybe be your friend forever (optional, of course). Because $2500. would be amazing, and you are obvious a special breed of donor!

Funding period

- (40 days)