It's only a few hours from the premiere of Seed Money at the Boston LGBT Film Festival! While it's very exciting, I want to let everyone know that it's just a preview of what's to come. While Boston is our official premiere, we've always expected that our San Francisco screening, in Chuck's adopted home town, with friends and family, would be our big event. How could it not be?
But we can't always announce screenings until festivals do, so for the time being you'll have to trust that we've got a big year planned, with screenings nationally and internationally. Right now, we can only announce two — Boston and St. Louis (info below).
Finally, I apologize for not being more on the ball with letting people know about Boston. I literally got the film finished this past Wednesday, and promptly got on a plane.
We're thrilled to announce that after several years of work, we're finally able to bring Chuck's story to the screen. We've been lining up festival premieres for the spring and summer, and while many are still under embargo (until the festivals themselves announce), we're can announce that we'll be debuting 31st Annual Boston LGBT Film Festival on April 10th, with our European premiere to follow soon after more on that later, and our big SF premiere in a few months.
We can't thank you enough for all the support — financial and emotional — you've given us over the years. Several of the backers on this project have since become friends; others provided information or historic assets. Heck, we even found Chuck's high school girlfriend in the process.
I'll have more information in the coming months, in the meantime you can get more information about the upcoming screenings here, and we look forward to seeing you!
Tomorrow will be three years to the day since we funded the Chuck Holmes documentary, and after several production runs, several more fundraising runs, a deskful of credit cards and a heck of a lot of digging in archives later, I'm thrilled to say we have a cut. We've begun submitting to festivals and grants, with a plan for a 2015 festival run.
We still have a lot of work to do — music and news footage rights clearances, graphics and credits, a final round of editing before we have a final lock, but I'm incredibly pleased with how far we've come, and incredibly thankful about all of you who have supported this project in various ways. Over the next few months, we'll be uploading clips from the movie and — eventually, a premiere date.
To hold you over, I'm attaching shot of Chuck from an OUT Magazine profile from 1996.
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Telling Chuck's story has been a longer journey than we ever imagined, but also more rewarding. I'm thrilled to announce that a finished film is finally in our sites!
Last week, we watched the first rough cut of the film — 3.5 hours — and are now in the process of cutting it down and shaping the story. After over four years of research and nearly 50 interviews, this is a major milestone. Over the next month and a half, we'll also be laying in news footage, photos, music and film footage.
Which brings me to even better news — we've located the original prints of those Falcon films, and have begun the process of preservation and restoration. We've transferred the original print of the Other Side of Aspen (SFW pic attached), and it's so good that Falcon has agreed to do the rest of the transfers themselves. Those early Falcon films are crucial records of gay life post-liberation, and for those of you who haven't seen them, they're incredible.
More good news: though the film isn't yet finished, we're already in discussions with distributors and festivals. I expect to have more good news for you in the coming weeks!
Many of you gave to this project because you were Falcon fans. Others, because you were fans of gay history (and probably a few because I guilted you personally). Whatever the reason, we can't thank you enough.
Some of you gave because you knew Chuck personally. To those who did know Chuck, I have a special request: images and records of Chuck are very limited. In part because of the danger involved with making these films in the 70s and 80s, Chuck wasn't often photographed. Over the next month, I'll be tracking down photos, documents and anything else that will help bring Chuck and Chuck's story to life. If you've got anything that might help, please reach out (firstname.lastname@example.org)
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