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Project Phoenix is a JRPG with a squad based RTS game design, brought to you by veteran developers and creators from the East and West.
Project Phoenix is a JRPG with a squad based RTS game design, brought to you by veteran developers and creators from the East and West.
15,802 backers pledged $1,014,600 to help bring this project to life.

A Talk with Tomoki Miyoshi, New Staffers, and Azuregard Assembles

Posted by CIA, Inc. (Creator)
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This Week’s Totals:

Kickstarter: $1,014,600
Paypal: $60,941

Total: $1,075,541

The past week has been pretty busy, especially with the madness of the Tokyo Game Show where we were able to see offerings like Titanfall and other future releases to help us understand where the game industry is heading.  We also delivered a talk on indie games which we’ll talk more about in the middle of this week.

As development continues, as promised, we’d like you to get a better understanding for what’s going on behind the scenes and in our heads.  Last week, we gave you all the opportunity to ask Project Phoenix composer Tomoki Miyoshi some questions and you guys delivered splendidly!  So with that, here’s Tomoki, in his own words with questions in bold followed by his answers:

Tomoki Miyoshi Dev Diary

What is the experience like composing in a team and can you talk about the challenges and the best parts of working in such an environment?
It has been an honor to have been part of such a talented team of composers and developers for Project Phoenix.  It was very exciting to see the developer/art team members upload their latest works in the shared Dropbox folder as the quality skyrocketed for each new update. 

It has been a challenge trying to find the ideal sound for a project with such imaginative concepts, but I hope to discover a unique sound for this exciting project!

What sort of vision do you have for your contributions to Project Phoenix’s music? I’d like to write music that people can genuinely enjoy throughout the gaming experience.  In terms of style, I’ve so far written the track, “Elven Glades” which draws influences from Celtic and Nordic music.  I intend to continue writing with influences from a variety of traditional and modern styles.

Where do you derive the inspiration for your music? As I mentioned before, I obtain much inspiration from the project artworks, but I am also very inspired by music, novels and philosophical ideas from all sorts of art forms. I’m particularly a great fan of music by film composer, Thomas Newman.

How did you get involved in Project Phoenix? I was initially approached by Hiroaki, the director of this project, about this project when it was still a mere concept, and I have been writing the in-game music for Project Phoenix ever since.

What are your expectations for the game? The Kickstarter campaign for this project was definitely one filled with great anticipation and excitement, but I’m particularly excited for the development of this project as it scaffolds into a video game.  Since it has been confirmed for PS Vita and PS4 release, I am very excited to see how the concepts will be adapted to these gaming formats.

What is the most challenging aspect of composing music for a video game? Composing music for a video game is very challenging and also very rewarding because of the repeated nature of most of the in-game music. It’s very difficult to write a piece of music that every player can enjoy listening to on loop for an extended period of time, but it’s also the most rewarding aspect of my role as a composer for video games.

Do you use descriptions from character designers and/or world designers to influence your compositions?
Yes, I try to absorb as much information as I can from the character, world and concept designs. There have been several occasions where I’ve been inspired entirely by the concept artworks.

Do you compose music harmonically or melodically? I ask because I’ve always thought that writing chord progressions must be really difficult with sweeping, epic, video game music.
I have always had a very strong emotional attachment with harmony/chords and it’s partially the reason I love Film Scores so much. I write all of my music with the foundation of Jazz Harmony as I’ve studied most of my theory at the Berklee College of Music in Boston. I have been so obsessed with harmony that I write out systems and algorithms for writing unique chord progressions in between my lectures and in my spare time.

How did you get into game industry? Do you think that composing music for an RPG is more challenging than other type of games?
I was first introduced to the game industry through my music supervisor/boss, Hiroaki Yura. My debut contribution to games as a composer was for SOULCALIBUR V, where I wrote music for the in-game cinematics. I’ve always been a great fan of film music, though I am now convinced that games can offer the same or even greater experiences to its players through the innovative platforms. Composing music for an RPG can be more challenging than other types of games because it needs to tell a story, but you can also gather much inspiration from the story itself.

I'm sure you get asked a lot, can you tell us about your studio setup? I currently have two home studios in both Osaka, Japan and in Boston, US. Both of the studios are based on the HS-80M Yamaha monitor speakers and the Apogee Duet 2, with an 88-key digital piano and an external hard drive attached to the main computer. I currently use a Mac Pro in Japan, and an iMac in Boston. I also have a deadmau5 head on top of the monitor speakers.

What is your favorite software and sounds? What are some surprising things you learned about yourself and about music while composing?
Although I’ve only been using it for about 3 years, Logic Pro has become my favorite software of all time. When I started using the software, I had no idea what terminologies like “quantization” or “bouncing” meant, but I steadily progressed while sharing discoveries with my two of my closest friends, Mike Adubato and Alex Vourtsanis.

I feel that through music, I have found much inner-peace and developed a stronger appreciation for all art forms. I simply try and write music that I love listening to. I hope that our supporters and players will enjoy the music that our music team has to offer!


Hope you all enjoyed Tomoki’s thoughts! 

Next Up: Artist Asami Hagiwara!

For next week, we’ll take a turn towards the art with Asami Hagiwara!  As we’ve mentioned previously, Asami Hagiwara has been responsible for many of the chibi designs you’ve been seeing in and around the Kickstarter (including the image at the bottom of this post!).  She’s also done artwork for MOGRA Paper, the monthly newspaper for one of the best-known otaku-oriented clubs in Japan’s Akihabara district.

So like last time, feel free to ask whatever questions you may have of Hagiwara-san.  Because of the time required for translations, we request that you get your questions in by noon, Pacific time (GMT -700) on Tuesday, Sept. 24.  We're all looking forward to your questions!

Takaharu Matsuo Joins the Team

As Project Phoenix continues to build up steam, we’re proud to announce the addition of Takaharu Matsuo to the team!  Now for those who aren’t aware of the work he’s done, Takaharu Matsuo is a 25-year veteran in the video games industry, starting out as a debugger for Japan’s Falcom Corp before moving on to do background scenes for such high profile games as Final Fantasy 6 and 7 and mechanical computer graphics modeling on Xenogears.  His more recent work includes titles as Lost Odyssey and Blue Dragon and he’ll be bringing that graphics expertise to Project Phoenix.  We hope you look forward to his work!

Azuregard Assembling

Finally, as the saying goes, Rome wasn’t built in a day and neither is Azuregard, with its myriad races, cultures, and countries that need to be built from the ground up!  Putting all of this together is like working on a giant puzzle that continues to change with each passing addition, and it’s rewarding to be able to see it grow to fit our vision and become immersive.

So a once-proud castle here, with its ruined foundation now infested by foul creatures, or a peaceful town there, where the denizens are hard-working as they prepare for the autumn harvest, but are just a bit too gossipy, Azuregard is taking shape before our eyes.  We eagerly await its transformation from mere sketches and notes and into a living, breathing entity that you all get to explore and experience!

  • Image 331291 original.jpg?ixlib=rb 1.1
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    1. Sybil Collas

      @Daniel: Nobuo Uematsu is their lead composer.
      As they stated, "[their team of composers includes] legendary Final Fantasy maestro Nobuo Uematsu and industry veterans Tomoki Miyoshi and Kevin Penkin".

    2. Missing avatar

      Daniel Ferguson on

      I thought Nobuo Uematsu was composing music for this? >.>

    3. Missing avatar

      Stephanie Read on

      Question for Asami Hagiwara:
      What information do you like to be given about a character before you illustrate them for the first time?

    4. Chaiyut Asawameiteerungroj on

      Question for Asami Hagiwara:
      What is your tipping point that inspires you to pursue careers in drawing and painting?

    5. Henry Wilkes on

      As you are drawing the faces of your little characters do you ever pull your own face to match their expression? Or do you ever stick your tongue out whilst drawing?

    6. Chaiyut Asawameiteerungroj on

      Question for Asami Hagiwara:

      How can I draw picture likes you? What should I have understanding, knowledge, or drawing talent?

    7. Missing avatar

      Michael on

      Oops, wrong page. Nevermind.

    8. Missing avatar

      Michael on

      Letting the character design iterate instead of fufilling arbitrary gender quotas. Respect for you guys++

    9. Daniel Iron Skill Gonzalez on

      Question for Asami Hagiwara: #1: With the nature of chibi-style characters being traditionally "cute", do you find it challenging that you may have to express a more "serious" tone through chibi art, when it comes to characters like Marcus?

      #2: With the game so early in development, It is difficult to know the extent to which the 3d models will be detailed. With that being said, is there a part of you that hopes to see extremely detailed and layered 3D-modeled chibi characters?

    10. Innis on

      ; ( had thought the total for paypal was slightly higher then that.

    11. Kazuhiro Fukaya on

      稲船さんのMighty No.9(も、それ程認知が広くもないですが)がかなり目立ってしまっているようで、日本の潜在的JRPGファンにむけて、HPとそこでの広報って言うのは日本人の僕も賛成です。

      それにしても$1millon まできしたか。
       秋葉原にMOGRA paper なんてあるんですか、日本人の僕が知らない(汗) ググって来ます・・・萩原さんみたいな絵は好きな人おおいとおもいますねぇ。

    12. FifthDream on

      Question for Asami Hagiwara:

      What is your advice for aspiring artists who want to do their work professionally?

    13. Missing avatar

      exdevlin on

      Questions for Asami:
      Do you have a vision in mind for how you'd like the characters to sound? Will you have a hand in choosing voices for them?

    14. Missing avatar

      DH531 on

      Questions for Asami-san:
      .What equipment/software do you use?
      .How do you go about doing your drawings?
      .How long have you been drawing for? What inspired you to start?
      .Any advice for those who want to do manga/chibi/moe style drawings?
      ありがとう~~~ ヽ(*≧ω≦)ノ

    15. Manji Uzuki on

      Thanks for the update guys. It is interesting to know the thoughts of the people involved in project Phoenix. Also looking forward to the forums to be in place :)

      @Asami Hagiwara:
      How did you get involved in Project Phoenix? Which is your main inspiration for your work in this project?

    16. Eric C on

      I think you should update the total on your webpage as well.

    17. David Ryu on

      Keep it going, guys! Would love to get the forums available as soon as possible :D