This project's funding goal was not reached on June 29, 2013.
This project's funding goal was not reached on June 29, 2013.
The Mosel Shortcut explores the affects of globalization on Germany's historical wine growing region, The Mosel Valley. The film looks through the eyes of local people as they experience seemingly unstoppable changes to their land, lives, and communities. The Mosel Shortcut creates public awareness of the risks and challenges of globalization on one of the few agricultural regions in the world that has managed to sustain a harmonious balance with nature.
Here is a link to some test interviews I have shot. http://youtu.be/6vWSYFIEXu4
How This Project Began
A passion for Riesling and an internship offer with one of the most exciting winemakers in Germany brought me to the Mosel Valley on January 14, 2013. I moved to Germany on the end of a yearlong intensive master's program at Italy's University of Gastronomic Sciences with an idea that I would learn more about making Riesling at the iconic estate of Dr. Loosen. I did learn all about Mosel Riesling, but during my stay, I was able to spend time with the local people of the Mosel Valley.
I realized after only a few weeks of living in Germany the stories of the people of the Mosel Valley are even more exciting than the Mosel Rieslings. These stories tell of a land and people who have held onto their agricultural way of life as the world changes in ways beyond imagination as a result of globalization. The German government is officially inviting globalization into the Mosel. They decided to build a bridge and motorway across the Mosel Valley under the guise of making the Frankfurt-Hahn airport easily accessible to the rest of Europe, promoting tourism, and creating jobs for the region. As an intern at the winery, I witnessed this incursion.
What I Am Doing
While I came to the Mosel for one reason, I decided to stay here for another. The bridge is only in the beginning stages of construction. The forest has not been clear-cut, and significant drilling has not started on the Ürzig side of the river. I will document the process and watch the changes in the landscape. I will record the thoughts of the people living below the construction zone. I will make sure everyone is aware of this epic disaster, if not only to protest The Mosel High Bridge, but to avoid a repeat of this mistake in other culturally significant regions.
As the younger generations seek to be a part of the global world that exists at the Valley’s horizon lines, the ageing agricultural population’s stories will be lost if not documented. The community is aware of globalization, what it is and how it has affected them from the outside in, but, now, its at their own doors. Globalization’s needs are endless, insatiable, and are spreading into the Valley, marked by the construction of The Mosel High Bridge. I am currently creating the documentary film that will share the Mosel Valley's story.
The Mosel Valley Before and After Construction
Concerns and Effects of The Mosel High Bridge
I am compiling oral histories and historical research in order create a film that will both discover and document the changes in the cultural landscape of the Mosel Valley. I am inspired by the works of Carl O. Sauer and his ideas about a peoples influence on their environments. Like Sauer, I look at the ways that humans control nature and develop their culture out of that control; I ask questions about how present landscapes were shaped over time by people and by natural processes.
I use an ethnographic approach that allows me to view the Mosel as a cultural landscape, not just a geographic location. I am interviewing wine growers, cellar masters, restaurateurs, hydrologist, geologists, historians, and local business owners to capture many different perspectives about the Mosel Valley. I document their daily lives, capturing their stories about their connections with the land, and their relationship with the landscape.
These unique perspectives about the past and future of the region will help us better understand the panorama of the Mosel Valley, and the changes defining the landscape: governmental reorganization of the vineyard land, employment of machines in the vineyard, two world wars, post-war production of sweet wines, and a generation of young people fleeing agricultural work. These changes are all necessary fragments of the Mosel’s portrait, but attention will focus on the most recent, and largest impact on the cultural landscape, the construction of the new Mosel High Bridge.
A Peek at Some Pre-Production Interviews
I am in contact with people all over The Mosel Valley--since arriving in Germany over 4 months ago I began searching for people with interesting and informative connections to the land. I have taken hours of test footage with my little Bloggie camera to get a sense of the potential of this project. After collecting over 9 hours of video footage and countless hours of oral histories, the project’s continuation showed itself vital. The picture below is a link to a Youtube video of some rough cuts of test interviews I have compiled. Contributors so far are Reinhard Löwenstein, Rudi Trossen, Ernst Loosen, Alexandra Künstler, Markus Reis, and the Junglen family.
A Short History of the Frankfurt-Hahn Airport
The Frankfurt-Hahn Airport, located just east of the Mosel Valley, was an important NATO air force base during the Cold War. Directly connecting the air base with the North Sea harbors would have been advantageous for transporting tanks and weapons across Europe. This could be possible by building a bridge, allowing the B50 highway to cross directly over the Mosel Valley instead of going around. Plans were drawn but the project did not get approval and lay waiting for the occasional group to pick up and again abandon the bridge idea over the years. Reasons for putting off the building of the bridge range from structural issues, lack of traffic, and increasing costs. Also, it seemed unnecessary to go ahead with the plan since the Cold War had ended and other roads and bridges have been added to the infrastructure of Germany over the many years since the plan was first imagined.
The German government turned Frankfurt-Hahn into a commercial airport in 1993. A major investor, Fraport AG, took on the development of Hahn with hopes that it could be used to relay some of the traffic from the larger Frankfurt am Main Airport. Hahn is situated in a remote location and does not have access to a train connection. Because of this inconvenience, the airport has served as a hub for discount airlines like Ryan Air. The airport was not profitable and Fraport, the largest shareholder of the airport, did not get the return on their investment that they had hoped for. In 2009, Fraport sold its 65% of shares to the Germany federal state of Rhineland-Palatinate for €1. The state also assumed the airports €120 million of accumulated debt along with the purchase.
One of the redeeming qualities of the Frankfurt-Hahn Airport is its capacity for colossal cargo airplanes. Its military design makes the airport a perfect place to land some of the largest cargo in the world, and it holds a world record for doing so. But what good is it to ship cargo to the middle of Nowhere, Germany? So in 2008, the Mosel High Bridge idea was revived by the German government with the intention of making Frankfurt-Hahn easily accessible to the rest of Europe, while also helping Germany build its way out of a financial crisis through major construction projects. Now that the government had assumed control of Hahn as well as its debt, it would make sense that they would want to take advantage of the cargo shipping capabilities. Building a bridge and motorway succeeds in globalizing Frankfurt-Hahn Airport, but at the cost of destroying more than it will create.
Where Does Your Money Go?
I know what you are thinking, "Will she be doing special effects explosions or helicopter chase scenes? That’s a lot of money".
I need filmmaking tools: a camera and sound equipment. The Bloggie camera I've been using is great for indoor interviews, but it is nowhere near professional grade. On some shoots, I will need to rent a second camera and an assistant. I will be hiring a professional to help me with post-production and editing work; I want the film to look and sound great, and I just don't have those skills. The more money I have, the more professional contributors I can involve, and the quality of the film will benefit enormously from their efforts. I must reach my goal, if not exceed it. This project has already started, but I need your help for it to continue.
Also, there are a few basic living costs that I must cover in order to stay here and work on this project. This project has already proven to be quite time consuming and I want to do it well. This will be my job for a few months.
The actual videography of the project will take place from August 2013-December 2013. Post production work alongside a professional editor will take approximately 2 months, and the film will release in Spring 2014. I am currently looking into film festivals and social media releases for The Mosel Shortcut.
Of course, Kickstarter and Amazon take their fair percentage off the top. And I want to give you the rewards I promised for helping make this happen.
How It Works
All you have to do is click on the Back This Project button, choose an amount, pick your reward, and enter some information. One of the things about Kickstarter is that it is an all or nothing system. They want my project to succeed, so it must be fully funded for me to receive any money. If I don't reach my goal of $30,000, then I don't get anything and you never get charged a cent. Not only do I need your help financially, I need you to send this Kickstarter link to your friends and colleagues who you think may be interested in seeing this project succeed. I can't do this without your help. Please feel free to contact me directly if you have any questions or comments. Check out The Mosel Shortcut Facebook page to keep up with the project's progress. https://www.facebook.com/TheMoselShortcut
Thank you to everyone who has helped make this possible so far!
Special thanks to Sarah Washington, Knut Aufermann,Terry Theise,Thomas & Ernst Loosen, Bernard Schug, Stuart Pigott, Carl & Blinda Pierce, Julie Kantor, Reinhard Löwenstein, Rudi Trossen, Markus Reis, Alexandra Künstler, and Harald, Anne, Jannik & Marius Junglen.
-I am alone in the Mosel Valley without my normal circle of friends and family. I need you, as a part of my internet fan club, to cheer me on from afar, give me encouragement to do this project, and remind me every day that there are people all over the world that want to hear the stories from the people of the Mosel Valley.
-I feel very strongly that there is a story here which must be told. This is more important than anything else I could worry about. The Mosel Shortcut is a big project and I am excited to take on the challenge.Learn about accountability on Kickstarter
Have a question? If the info above doesn't help, you can ask the project creator directly.
- (30 days)