We're the most ever excited about our Second Annual Kickstarter Film Festival, and, in celebration, we're making the theme of this week's new project round-up "Our Favorite New Film Projects." These are the screamers, the stompers, the popcorn-in-the-dark chompers, the flicks and sci-fi fantasies, that have all ignited our fancy. We hope you enjoy them as much as we do! Now you bring the soda (lemon-lime please).Read more
It's Film Week on the Kickstarter Blog! All week we’ll be examining Kickstarter’s relationship to film through a variety of perspectives, including a number of the most successful films in Kickstarter history. There will be essays, interviews, surveys, videos, and much more. Check back throughout the week!
Over Kickstarter's first two years, film has been the dominant category on the site, accounting for more than $25 million of the $70 million pledged. More than 250,000 people have backed a film on Kickstarter, and there have been nearly 3,000 successfully funded film projects so far. There have already been more than 1,000 funded this year alone.
In Hollywood $25 million may not be a lot of money (that's low budget in some corners) but for filmmakers using Kickstarter it's been life-changing. Even before Kickstarter, to be a filmmaker meant to be a perpetual fundraiser, whether it was applying for grants or wining and dining some acquaintance's rich uncle for a big check (and hoping that he didn't ask that his lovely, non-acting daughter get the lead role in return).
Kickstarter has not replaced that experience, but it has made it public. This is important. While a similar level of energy is going into the fundraising process, with Kickstarter that experience simultaneously builds an audience, seeds an idea into the public consciousness, and markets a project from its inception. This can shift fundraising from a necessary evil to a tremendous opportunity.
We've seen a number of projects take advantage of that in a very big way. Five Kickstarter-funded films premiered at this past year's Sundance Film Festival (Pariah, Resurrect Dead, The Strange Ones, The Woods, and The Catechism Cataclysm), a dozen have seen theatrical release (more on that later), and one (Sun Come Up) was nominated for Best Documentary Short Subject at this past year's Oscars.
It was the quality of the work itself that earned those plaudits, of course, but the Kickstarter process provided each with a unique narrative element. We got to know who was making these films, how they got there, and what was driving them. These are the things that we as audiences want to know, and that studios normally try to answer with expensive marketing campaigns and hype barrages that have little to say about the work itself.
The 250,000 people who have backed a film project on Kickstarter now have deep relationships with those films, and it wasn't because a studio executive gave a green light. Instead, they saw and responded to all the things that made us fall in love with film in the first place: good stories, honestly told, and with a happy ending for the filmmaker and their backers. Those are the sequels we're happy to see.
Hailed as "poignant" and "seamless" by The New York Times and "mesmerizing" by New York Magazine, Miao Wang's Beijing Taxi will have its PBS broadcast premiere this Saturday, June 25th. "Three Beijingers' Bumpy Ride on China's Road to Modernization," Beijing Taxi explores the capital through the lens of three local guides as their city undergoes rapid transformation before and after the 2008 Summer Olympics. Wang raised $11,000 on Kickstarter for finishing funds to present the strongest version of her documentary at its 2011 SXSW world premiere.
A lyrical and candid portrait of a communist society immersed in global capitalism, Beijing Taxi explores the intersections of ancient tradition, modern commerce, and post-modern imagination. Wang aspires to make "genre-bending poetic and cinematic documentaries that inspire human connections and reflect on the universalities of the human condition," and with this debut feature the Beijing-born, Maysles-trained filmmaker does exactly that.
Beijing Taxi has screened in dozens of festivals worldwide, taking home Best Feature Documentary at the Sidewalk Film Festival and Duke City Docfest. With a stunning trailer, killer local soundtrack, and rave reviews, PBS hasn't seen a documentary this good since--well, actually they're pretty much always really good; it's PBS. So that is the quality of work we are talking about here, people. What else are you doing this Saturday?
Showtimes (Eastern Standard): Saturday, June 25 @ 8am, 2pm, 9pm & Sunday, June 26th @ 2am.