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About this project

FOLKFIRE: INSPIRED BY SONG AND DANCE.

I am thrilled to be recording works by the first classical composers to try to authentically capture a folk tradition in their work. Bartok, De Falla, Vaughan Williams and Piazzolla were the first "crossover" musicians who bridged the art tradition with their own regional traditions.

I will be collaborating with fantastic pianist Azusa Komiyama this summer in Boston MA.

WHY THIS REPERTOIRE?
Building on many successful years of touring, I have decided to record a CD of songs and dances from around the world. From the flamenco influenced De Falla songs, to Tangos and English jigs, I feel this project would be especially exciting approached as a "crossover" project with an attempt to capture the regional traditions as authentically as possible. These pieces have been recorded before, but often with a romantic rather than folk sensibility. I want to change that!

I am a country girl at heart, and relate to how these composers felt connected to their local mostly rural traditional folk musics. I also love reaching across boundaries, cultures and classes with my art. Last year I performed in Vietnam, and felt the power of this form to build alliances beyond words.

WHY FUND RAISE?
Recording is more expensive than you might think. With acoustic (in this case classical) music it is important to use a hall to get a live concert sound. So in addition to hiring an engineer, I have to find a hall with an excellent concert piano. Luckily as a Boston University College of Fine Arts graduate I can use the concert hall for a good price. However, for 60 minutes of recorded music, I will need to record probably 25-30 hours of myself playing. Classical recordings are expected to be flawless, and in addition to practicing for months in advance, I will need to get just the right take for the final project.

WHY RECORD?
I have had a highly successful year of performance. Among other activities was a three week tour of Southeast Asia. As a soloist in Vietnam I connected to the local culture, performing in the United States Embassy in Hanoi as well as in a local music school. Sharing the common language of music, I was able to move audiences in a culture, who, a generation ago, were enemies of the USA. In Thailand I worked with young musicians and performed in Bangkok as a soloist. Video of my performances will appear in a 2010 PBS documentary following our "Good Will and Friendship Tour of Southeast Asia". Recording a debut CD will expand my performance possibilities and allow people in many parts of the world access to my music. I am passionate about sharing this beautiful art form, and am excited to reach people who may not necessarily make it out to a live performance.

WHAT IS THE MONEY FOR?
My recording engineer costs $50 per hour, and that is the best rate out there!! But at 30 hours plus mixing and mastering, well, it adds up. Additional costs include the cost of actually pressing and printing the CDs, and the album cover design.

FOR LARGE DONATIONS I WILL OFFER TAX DEDUCTION:

The Montana Arts organization has extended Fiscal Sponsorship for another year to support this project, so that I can accept tax deductible donations using their 501(c) 3 status. They also formalize the process by collecting receipts for expenses, and offering assurance that the money is used for express purposes of the stated project. In order to take advantage of tax deduction, checks need to be made out to Montana Arts, with my name in the memo area.

If you have any questions please feel free to call John Barsness (406) 585-9551. Their address is:

Montana Arts
PO Box 1872
Bozeman, MT 59771-1872

I would be happy to send a detailed budget to those considering large donations.
http://www.rebeccahartka.com

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Funding Successful

This project successfully raised its funding goal on March 25.

Pledge $1 or more

I know how much $1 can be. That yummy cookie or candy bar, a pack of gum. So, thanks and for this act of generosity, I will keep you updated with my blog and share the whole process of this project.

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Pledge $10 or more

I remember when $10 was a huge amount of money. Finding $10 on the ground is still an incredible moment of glory. You receive an individualized thank-you post card-that says " (your name) sponsored the arts". You can put it up on your wall showing what a generous person you are.

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In addition to having a window into my artists' world and a thank-you post card I will send you a " I helped save a starving artist " fridge magnet.

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A window into my artists' world, a post card, a " I helped save a starving artist " fridge magnet and two free tickets to one of my CD release partys/concerts nearest you.

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A window into my world with blog updates, a " I helped save a starving artist " magnet, two concert tickets and a signed copy of my CD after the first pressing.

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Pledge $100 or more

D String Donor- So why D string? That is because a D string costs close to this much money. Yes, ONE of my strings!! And I have to change them every few months. YOu do the math!!! No one said that playing cello would be cheap! Two of everything-one for you and one for your loved one-two CDS, four tickets, two magnets and two postcards.

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Pledge $500 or more

Bridge Donor- You guessed it, this is the cost approximately for a new bridge on my cello. Two years ago I knocked over my cello-ouch, the bridge broke-literally one day before a big performance. Replacement cost $415. Heart ache-millions of dollars! For a $500 donation I will send you all of the other stuff plus a ipod shuffle loaded up with my new CD!

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LIMITED REWARD     5 of 5 remaining

Sonata Donor- All of the other stuff, plus you will make the liner notes of my CD as one of my all time amazing sponsor people

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Project By

Rebecca_hartka_wind_hi-res

Rebecca Hartka

http://www.rebeccahartka.com

A nationally recognized cellist, Rebecca Hartka's playing has been described as virtuosic and passionate. Martha Dorrill of the Farmville Herald remarked that "Rebecca Hartka made the Brahms melodies heart rending" . In May 2009, Hartka made her international solo debut with the Saint-Saens cello concerto in Vietnam and Thailand, on a three week tour of Southeast Asia, also performing recitals in such venues as the American embassy in Hanoi. According to a local Hanoi paper "...Her performance was no less than magical and eloquent,".

In 2009 Hartka appeared as a solo recitalist in the Exploring the Arts series, the 88 Keys series, and the Jazz and More series, in addition to solo and chamber music tours across New England and Montana. In May 2008 she appeared as soloist with the Montana State University Symphony Orchestra, and on several concert series. As well, she was a featured soloist for the Project Guggenheim's "the Art of Compassion in a Time of War" and the 1999 Spiral Dance Festival in San Francisco. A recipient of the 1993 Henriette Reiss Award, and elected member of Phi Kappa Lambda, the National Music Honors Society, Hartka has also appeared as a chamber musician in the Newton Free Library series, the SAPAS performing arts seris, and in prestigious venues such as the Boston Athenaeum, the Boston Center for the Arts, the Lenox Atheneum and the Brevard Music Center. She is the Assistant Principal for the Bozeman Symphony Orchestra and Adjunct Assistant Professor of Cello at Montana State University.

A versatile performer, Hartka has worked with numerous ensembles large and small. She is one of the founding members of the Phoenix Trio, which gives regular concert tours throughout the country. The Trio was also a recipient of a 2005 Brookline Tercentennial Fund Grant and participated as a full fellow in the Brevard Advanced Chamber Music Festival in 2004. Hartka has been featured as a guest artist in a concert tour with the Meritage Quartet and has also peformed with Serenata Chamber Players, Boston College Contemporary Music Ensemble, Hyperprism, the Fringe Festival, Cape Ann Symphony, Rhode Island Philharmonic, Helena Symphony and the Intermountain Opera Company.

As a four year recipient of the Deans Scholar Award, Hartka completed a Doctorate of Musical Arts in Cello performance at Boston University College of Fine Arts (BU CFA) in May 2007. As a Doctoral student she acted on numerous occasions as principal cellist of the Chamber, Opera and Symphony Orchestras. Hartka has also attended numerous chamber festivals including the Oberlin in Cassalmaggiore Chamber music festival in Italy, the Lydian String Quartet Chamber Music Workshop, the Music from Salem Chamber Music Festival, and the Hampden-Sydney Chamber Music Festival.

As a crossover performer Hartka has appeared with Jenna Nichols in venues such as the Rockwood music club in New York and Club Passim in Cambridge MA. She has attended the String Fling at the Berklee school, working on improvisation techniques with Darol Anger of the Turtle Island String Quartet as well as Eugene Freisen of the Paul Winter Consort. She has also had private lessons in Celtic Music and is currently studying Baroque Cello. She has performed Baroque cello with violinist Carrie Krause of Apollo's Fire, as well as attending the International Baroque Institute at Longy.

As an Adjunct Assistant Professor or Cello at Montana State University, Hartka teaches private cello, directs the cello ensemble, coaches chamber music and teaches classes in String Techniques and Pedagogy. Hartka completed a Masters in Music at BU CFA, and a Bachelor of Arts in Cello Performance at the Oberlin Conservatory and College. In 2003 she was the string department teaching assistant at Boston University College of Fine Arts, giving lessons to performance majors in violin, viola or cello. Hartka taught private lessons at the All Newton Music School in MA from 2001-07. She also served on the committee for the Henriette Reiss Award from 2002-07. Hartka's teachers have included Leslie Parnas, Michael Reynolds, Rhonda Rider, Clive Greensmith, Andor Toth, Peter Rejto, Douglas Moore and Justin Kagan.