
About this project
See the trailer at www.humanitarianfilm.org
People are dying in the desert... others are trying to save their lives. Help produce this documentary film about a unique humanitarian effort to save the lives of immigrants who are dying in the treacherous deserts of the American southwest. All funds raised here on Kickstarter will be used to allow our small crew to travel to areas along the border to conduct interviews and document the efforts of humanitarian organizations.
ALL DONATIONS ARE FULLY TAX DEDUCTIBLE This is a not-for-profit venture produced in association with The Center for Independent Documentary (documentaries.org), a 501(c)(3) nonprofit organization. As such, all donations are fully tax-deductible under U.S. tax law.
3 STEPS TO SUCCESSFULLY KICK-START THIS PROJECT:
STEP 1: Pledge $1 or more today (see rewards to the right).
STEP 2: Personally invite 10 friends on Facebook or by email to do the same.
STEP 3: Finally, share a link to our Kickstarter page with your social network (on Facebook, Twitter, etc.).
THE PROJECT
Illegal Immigration. Politics. Humanitarian Response. Art. Technology. Poetry.
At the border, the difference between humanitarian service and illegal activity is not always black and white.
Reaching well beyond politics, this full-length documentary film will go deep into the heart of an unusual and fascinating humanitarian response to U.S.-Mexico cross-border migration: a high-risk, highly mobile and highly sophisticated network of volunteers from the north side of the border that is caching water supplies, distributing recycled cell phones running encrypted GPS trail-finding software, even sending transmissions of haiku poetry— to keep trans-border migrants from dying in the desert. To some, it is a dramatic, selfless and inspirational effort that gives new and poignant context to the phrase “the Art of Survival.” To others, such action irresponsibly induces illegal border crossing, tantamount to aiding and abetting unlawful conduct. This project approaches this controversial topic on the premise that the line between inducing illegal activity and providing true humanitarian service is not as clearly delineated — not as easy to draw— as either side might claim.
The film will examine the social, legal, and humanitarian aspects wrapped up in this difficult topic. It will tell the stories of immigrants crossing the border and of the volunteers attempting to save their lives (some of whom have been arrested and prosecuted for their conduct), all while seeking to discover where true “humanitarian service” ends and where irresponsible conduct begins. Help us examine this emergent facet of the exploding international controversy by assisting in the production phase of a full-length documentary film. We have begun filming, including b-roll at the border and interviews with humanitarians, academics, artists and activists. The project is fiscally sponsored by the Center for Independent Documentary (documentaries.org) and is eligible to receive tax deductible donations under section 501(c)(3) of the tax code.
The Art of Survival: Life and Death on the Tinaja Trail will establish a journalistically balanced context for the many viewpoints surrounding trans-border migration into the U.S.A. But its focus will be the humanitarian perspective that sets this story apart from the rest: people are dying in the desert and others are trying to save their lives.
This PBS-quality documentary requires a production budget in excess of $200,000, so please, don’t just make your donation, share your passion about art, public expression, and human rights issues and help spread the word. Use the social media tools above to share the Art of Survival with others. Thanks so much! We look forward to building our relationship with you as we make this powerful story come to life.
THE CONTEXT
Natural water sources in the American Southwest are extremely rare and, where they do exist, often extremely hard to get to (think: bottom of the “Grand Canyon,” for instance). For centuries, survival in this unforgiving land has hinged on one’s ability to locate natural cavities or wind-carved cisterns in rocks called tinajas (tee-NAH-hahs). Capturing rain during the rare desert storm, and shaded from the sun, these catch-basins— often only inches across, centimeters deep, and teeming with insects and their larvae— are precious, lifesaving treasures to desert-dwelling animals … and desert-traversing humans.
It seems reproachfully paradoxical, then, that this region would today host the primary trail of hope for thousands of people seeking gainful work, physical security, and the promise of a future free of fear. It’s a desperate journey— one that has cost the lives, and ended the hopes, of an estimated 600 people per year since 1995.
It is likewise a politically supercharged arena; a legal, moral and political maelstrom poised like a flame near a tinderbox of sentiment.
For years, individuals and organizations have dropped water containers along popular routes of migration (and been arrested for “littering,” or for trespassing on federal land), have searched the desert for dying immigrants, and provided other forms of lifesaving aid, including supplying the occasional transport to emergency medical facilities (where they have been arrested for assisting another’s illegal entry into the country).
But the latest tool in this humanitarian effort is clearly the most unusual; a technological tinaja: modified cell phones running encrypted, live, virtual-mapping software. Being developed as “a Mexico/U.S. Border Disturbance Art Project” by the b.a.n.g. lab, a group of researchers at the University of California, San Diego, and the University of Michigan, the shape-shifting transmissions will guide desert-crossing immigrants to water stations and the safest route through the desert while reciting inspirational poetry for aural stimulation.
Please help us produce this powerful, groundbreaking story about persistence, creativity, and compassion.
FAQ
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Funding Unsuccessful
This project reached the deadline without achieving its funding goal on January 25, 2011.
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Project By
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Bryce Newell (Producer/Director/Editor) is an award winning filmmaker and media artist. He has been producing, editing, and shooting narrative and documentary projects since 2004, including documentary and narrative films, nationally broadcast television programming, music videos, and commercial videos. He has a Juris Doctor (J.D.) degree in law and teaches digital media courses at a university in Utah.
Coke Newell (Writer/Producer) has been a professional writer for more than 20 years, garnering extensive credits in newspapers, magazines, books and documentary film. Fluent in Spanish and a former journalist with expertise in Latin American issues, he is a college professor of communication studies.
Aubrey Newell (Cinematographer/Co-Editor) has been actively involved in the film industry since the age of 16, producing award winning short films, a variety of corporate videos, as well as working in sports broadcasting. He has worked on more than a dozen films that have competed in film festivals throughout the American West.