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About this project

I started making animations because I was drawing and painting too much and had no place to put all the stuff coming down. It was a sort of Nicorette gum patch for excessive artistic enthusiasm. The animations started as a way to further cover movement in my drawing and painting and gradually found a narrative path. The story line was often a flow of consciousness over music and movement of pen or brush, drawing like dancing. I started to use my own voice to narrate certain things I felt behind the drawings. This became a formula for producing freestyle animations that have a spontaneous and simple expressive nature, like a good story from a friend or a conversation at the bus stop. Recently I have been collaborating with young English poet Mathew Gregory. We met in Naples, Italy and had quite a few discussions, a lot of ideas exchanged. I told him a few stories about my life and he later transformed them up in a two part poem about father and son.

I would like to take this exchange even further by animating Mathew’s sequence of poems in a high quality film fit for big screen projection. Mathew’s poems are based on some of my accounts about my old neighborhood; ice skating across the lake and my father’s wedding in a historic local cinema. The father and son relationship as perceived by Mathew will be balanced out by my own reflections and sensibilities while drawing out these events from my memory. I would like to challenge the role of the father and son and introduce the universal role of the friendship by way of a spontaneous collaboration and cross cultural reflection on families or memories of thier special places. The final step of this project will be a premiere showing of the film on the big screen of the historic cinema where my father was married, a place never seen or experienced  by the English poet Mathew, except in the form of story telling, explained by a new friend on some old steps in Naples, a fraction of how me and my father lived on the North East side of a far away city.  This memory was transformed by simple conversation, then poetry, then by the idea of collaboration, which could lead to thousands of drawings and a then a film that will be premiered at its very root, in the old cinema where the story starts and ends.

To create this film it will be necessary as in past projects to draw my ass off and to purchase a computer willing and able to process high definition images, a suitable  camera will also be neccessary to take such images. The general mission is to acquire enough quality pixels for the big screen in order to show the film at the North East side cinema where my father was married.  The process is very involved, I usually produce up to 1000 drawings on standard A4 copy paper in order to have 5 minutes of animation.  These single frames are very precious and elaborate, like a single moment caught on paper, these original frames will be offered as a prize and I won't send the ones that just say "the end" or  a door closing.  I want to make a product that is really involved in an artistic and personal dialouge about fathers, sons and the stories we tell to keep us closer.  Hopefully all the drawings will reflect this intent and in making the film we will get even closer to the perfect and sublime expression of passionate conversation between friends, family, mediums and line.

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Funding Unsuccessful

This project reached the deadline without achieving its funding goal on June 1, 2011.

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Signed A4 size single black and white drawing used in animation process will be offered as an incentive for donations of 10 dollars

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One Signed hand colored drawing will be the prize for donations of 25 dollars or more

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for the 50 dollars or more you get a signed dvd of the final film, as well both signed drawings, one hand colored, one in black and white

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For the 100 dollar or more you get dvd, both drawings and a hand bound comic book version of the story board.

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For donations of 250 dollars or more you will receive the drawings, the dvd, the comic book story board and a hand drawn t-shirt version of one of the movie frames.

Project By

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Ryan Spring Dooley

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Ryan Spring Dooley born Madison, Wisconsin, USA.
Raised in an artists community together with his mother, a painter and modern dancer. Attends the faculty of fine arts at the Universtiy of Minnesota working on a project of ‘total art’, where every genere contaminates those around it : music , painting , photography , ceramics , sculpture, video, graffiti and counter culture fun. Graduates in 1999, after an intense experience of study abroad at the Università degli studi di Pavia , in Northern Italy. In Pavia he had the pleasure of not only further defining his own artistic project but also collaborating with yet another human dimension. Ryan
spends many years travelling Europe, stopping for long periods in Paris, Madrid, and Lisbon.
In Paris his first dialouges with the streets are born, he develops a series of interventions using recycled cloth and paper that could now be termed ‘street art.’
On his return to the United States he is pushed ever more towards this type of intervention working with graffiti writers and participating in numerous events that requie an alter ego, thus Marvin Crushler is born, a name used to house the street side of his production.
In the year 2000, fed up with violence of American cities, decides to establish himself in Italy, living between the countryside of Pavia and Milan. Life in this little reality, compared to the dehumanizing spaces of the American metropolis, convinces him of the importance of communicating alternatives and producing a local voice measured not by the streets but by the people in them ,an attempt to create a healthy truth about many systems and their application . In this period he develops a style using a wide array of means to paint the town. His approarch to wall painting is related highly to traditional painting, but bleeds into every youthfull experience of ‘total art’ and vagabond exploring. He uses brushes, cans, sculpture, paste ups, drawing and music to express an idea about common experiences and the courageous tenderness found in crossing culutres and meeting peoples ideas without institutional bias. Using anything you have in hand, head or backpack to paint he eventually falls into producing sets for the opera and producing low budget animated films. These years of research are fermented with the participation in numerous Street art events, art shows and commissions in different countries, cultures and contexts, perfect oppurtunities to confront ones ‘total art’ with the total world as long as it's differences last.
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  1. ryan-spring.com

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