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About this project

When I first saw the inside of the Quonset Hut, it was the art department for Sony Records. It was 1999 and my band, the country music outfit BR5-49, had just moved over from Arista Records and we were touring our new label’s building. I remember standing in the spot where Patsy Cline sang “Crazy” amidst Dixie Chicks promo photos and album mock-ups, looking at the big old ceilings, imagining how great the sound was in there. I would never have believed that I could have the chance to find out for myself – but fate put me “Back At The Quonset Hut” (co-incidentally the name of my upcoming album). 

What is this “Quonset Hut?” you might ask. Well, the Bradley Recording Studio was the first studio in a neighborhood in Nashville that eventually became known as “Music Row.” Producer/musician Owen Bradley and his brother Harold (also a studio musician) bought an old rooming house at 804 16th Ave. South in 1954 and transformed it into a studio. They worked in the basement until 1957 when they expanded by adding a military-issue Quonset hut to the back of the house. It soon turned into the busiest recording studio in town. Some of Nashville’s most notable music of the era was recorded there – besides “Crazy” there was “King Of The Road” by Roger Miller and Marty Robbins’ “El Paso” just to name a few. Recording continued at the Quonset Hut until the 80’s when Columbia/Sony gutted the place for office space.

After Sony moved out amidst the record label conglomerations of the 2000s, the Quonset Hut sat empty until Mike Curb donated funds to turn it back into a studio and a classroom, placing it in the hands of Belmont University’s music program. Students learn about recording techniques and are invited to work on sessions that are taking place.

So, after putting out my first solo record in 2009 (Journeyman’s Wager) and working as the musical director/supervisor/arranger on the Broadway Musical “Million Dollar Quartet,” it was time to figure out what my next record should be. I decided it would be a good idea to make an album of classic country songs. I called my friend, neighbor, and original BR5-49 producer Mike Janas, who is a Belmont University instructor and studio manager for RCA’s historic Studio B as well as the newly renovated Quonset Hut.

I wanted to make the record the old way – you know, with all the musicians playing together in one room so you have to listen and react to one another. We decided it would be perfect to record my classic country record at the Hut – the quintessential Nashville studio – with Belmont students helping. I liked the idea because I could make my record the way I wanted, and Mike liked it because his young engineers could catch the vibe of the way the old-timers did things – an experience they could carry on through their own professional careers as music moguls or pizza delivery drivers.

So I recorded the album with my band, The Grassy Knoll Boys and, as very special guests, four members of the original “Nashville A Team” – studio players Harold Bradley, Hargus “Pig” Robbins, Bob Moore and Buddy Spicher who played on most all of those aforementioned classic songs. I also invited some great friends who are on the same page as me musically and cosmically to join in. Old Crow Medicine Show, Elizabeth Cook, Jamie Johnson and the legendary Bobby Bare all showed up and sang with me to create some pretty stellar moments. We also filmed it just to be able to share our killer weekend making music with everybody. But, of course, now we need to raise money to pay for the rest of this. With y’all’s help, we will finish that film, mix and master the music and package it all up.

Chances are if you are reading this, I have canvassed you for tips on Lower Broadway, so this is nothing new for us. With your kind contributions, I can finish a project that I consider to be a little bigger than just my next record. I’ve got some incentives (rewards?) to encourage people to join in. Once you become a supporter, you'll be getting periodic updates on the project with additional footage and photos from the sessions.

Check out the incentives and as always, if you give, you’re going to heaven – guaranteed! CM

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178
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$10,971
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Funding Successful

This project successfully raised its funding goal on December 9.

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5 Backers

Chuck's undying gratitude in the form of a nice "Thank You" note.

Estimated Delivery: Feb 2012

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100 Backers

An advanced signed copy of "Back At The Quonset Hut" which includes the mini documentary and photo gallery.

Estimated Delivery: Feb 2012

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29 Backers

A signed vinyl copy of "Back At The Quonset Hut" + all of the above

Estimated Delivery: Feb 2012

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26 Backers

A groovy T-Shirt only for Kickstarter contributors, your name in the "Thank Yous" section of album artwork + All of the above

Estimated Delivery: Feb 2012

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9 Backers

Free pass to album release show in Nashville (travel and accommodations not included), backstage pass meet and greet + All of the above

Estimated Delivery: Feb 2012

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1 Backer • Limited Reward (4 of 5 remaining)

CM will play a concert at your house (over 250 miles from Nashville must also provide travel expenses and accommodations) Album credits “Executive Producer” + all of the above

Estimated Delivery: Feb 2012

Pledge $2,500 or more Pledge $2,500 or more

0 Backers • Limited Reward (1 of 1 remaining)

Play a song onstage with CM and His Grassy Knoll Boys at the Nashville cd release show in Nashville (travel and accommodations not included), tour of the Quonset Hut + all of the above (travel and accommodations not included).

Estimated Delivery: Feb 2012

Project By

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Connected as Chuck Mead (5074 friends)

After leading several popular ‘80s cult bands in and around his hometown of Lawrence, Kansas, Chuck Mead landed on Nashville’s Lower Broadway where he co-founded the famed ‘90s Alternative Country quintet BR549. The band’s seven albums, three Grammy nominations and the Country Music Association Award for Best Overseas Touring Act would build an indelible bridge between authentic American Roots music and millions of fans worldwide. With BR on hiatus, Chuck formed The Hillbilly All-Stars featuring members of The Mavericks, co-produced popular tribute albums to Johnny Cash and Waylon Jennings, guest-lectured at Vanderbilt University, and became a staff writer at one of Nashville’s top song publishers. In 2009, he released his acclaimed solo debut album, Journeyman’s Wager, and toured clubs, concert halls and international Rock, Country and Rockabilly festivals with his band The Grassy Knoll Boys.

As Music Director for the Broadway smash Million Dollar Quartet, Chuck began crafting the music arrangements during the show’s original Daytona and Seattle workshop productions, supervised the musical performances for its 2008 Chicago opening, created new music material for the show’s Tony-winning Broadway run, produced the original cast album, and oversaw the music for its smash 2011 premiere at London’s Noël Coward Theatre.

  1. chuckmead.com
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