An extended suite of music composed in the chamber jazz mold w/ a traditional Irish aesthetic and influenced by James Joyce's writings.
While travelling through Ireland some years ago I picked up a paperback copy of James Joyce's Dubliners. That collection of short stories enthralled me and the spine got much wear while I was traipsing through the Irish countryside. In my travels, the woman whom I'd later marry and I happened upon a tiny pub in a tiny town where local musicians would gather and play. We did not set out to see traditional music played by locals, but as it turns out, in Ireland one is never far from similar settings. I recently uncovered some footage I took from that very night. Check it out here:
While we were listening to fairly skilled musicians play through tunes that everyone around us seemed to know I asked myself why I hadn't been familiar with many jazz musicians from Ireland. I could only think of two players off-hand. And then I began to think about the lack of Irish participation in the Western classical tradition as well. I'm of Irish ancestry and I was falling in love with Irish culture so I began to wonder if there was a way I could write some jazz with an Irish flavor. This is how I developed the idea for Bloomsday: A Jazz Portrait of Joyce's Dublin. I centralized my idea around my Irish bloodline, my growing love of Irish literature, and my penchant for heady jazz composition.
I, in no way, intend to write "Irish Jazz". I'm not from Ireland. And I don't intend to write a bunch of jigs and reels so me and my band mates can launch into free-wheeling solos. I have about five or six semi-finished compositions already, and for the most part, the music hardly resembles traditional Irish music. Traditional Irish music elements can be heard in a few passages of the semi-completed compositions, but the influence of traditional melodies and their accompanying lyrics are what I am valuing most. After all, my intent is to compose a musical landscape of my interpretation of the Dublin about which James Joyce wrote.
As an example I will describe the movement, "Araby" influenced by the short story of the same name. The destroyed ideals of love and adventure felt by the young protagonist in "Araby" would hardly be done justice if I composed a swinging version of an Irish jig. Instead, I found a melody I liked from an old folk tune from the southwest of Ireland entitled "The Blackbird". I reworked the beautiful and simple melody and made it my own. Then I tried to capture the confused nature and fateful conclusion of the protagonist's feelings in "Araby" by creating complex harmonies that end somewhat unsettled. The playful double solo between the guitar and the saxophone are to represent the awkward exchange between the young protagonist and the object of his affections. Joyce's ineffably poignant words resonate deep within me and I am trying to express that resonance with music.
As I mentioned, I have a handful of compositions (or movements) that I intend on revamping through the completion of the whole project. I intend to complete at least five more movements. Then the project will be recorded in a studio and released on one of a few record labels that have shown interest in the project, but have not committed to funding it. This project is being composed for five total musicians on the following group of instruments:
- acoustic Guitar; electric Guitar; Irish bouzouki. (THAT'S ME!!)
- tenor saxophone; soprano saxophone; clarinet; bass clarinet; (possibly) oboe.
- piano; accordion; organ.
- violin; vocals; whistling.
- acoustic bass; cello.
While ethnic identity has become more prevalent in jazz the past few years, to my knowledge, jazz and "Irish-ness" is an unexplored region. With your contribution you can help bring to life a truly original idea.
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One of the main challenges in finishing this project is going to be the documentation of it. Finding the right musicians is going to be a difficult enough task on its own; but I'll have to coordinate rehearsal and studio time with four (or more) other musicians. Then there will be finding time to edit, mix, and master the recording to polish the rougher edges. Then, we'll have to find the project a home. There have been several record labels expressing interest in this project, but nothing is set in stone. There are many challenges ahead for this project, but with your contributions I am confident the outcome will be successful.
Have a question? If the info above doesn't help, you can ask the project creator directly.
pledged of $5,500 goal
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Funding Unsuccessful This project reached the deadline without achieving its funding goal on December 24.
Oct 25, 2012 - Dec 24, 2012 (60 days)
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A digital download of five tunes from the album. Special, personalized mention in album liner notes and on my website.Estimated delivery: Sep 2013
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Digital download of the album, including digital booklet. Special, personalized mention in album liner notes and on my website.Estimated delivery: Sep 2013
Pledge $20 or more
You will get a physical copy of the CD. If we traveled back in time to the year 1997, this would be cooler as people had CDs then. But no one has CDs anymore. If you would like me to sign it, I will. You will also, get special, personalized mention in album liner notes and on my website.Estimated delivery: Sep 2013Add $3 to ship outside the US
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A physical copy of the CD released and special entrance into the CD release party to be held in New York City. Additionally, you will receive special, personalized mention in album liner notes and on my website.Estimated delivery: Sep 2013Add $3 to ship outside the US
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Sheet music of all of the compositions from the project. Either scores, or parts for one instrument. Also, a CD with special, personalized mention in album liner notes and on my website.Estimated delivery: Sep 2013Add $5 to ship outside the US
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2 backers Limited (3 of 5 left)
A lesson. There is no prescribed time limit to the lesson. We can do a guitar lesson (any genre). We can do a jazz improvisation lesson (any instrument). We can do a composition lesson (any genre). We can do a lesson in free improvisation. I'm a good teacher, and you WILL have fun... or so help me...Estimated delivery: May 2013
Pledge $250 or more
1 backer Limited (3 of 4 left)
We don't need to go to Ireland to have a blast. We can partake in some Irish culture right in your very own town. We can sort out the details, but I would suggest things such as an Irish pub crawl, an authentic Irish meal in your home prepared by me, etc. You will get special mention in the album's liner notes and on my website and of course, a copy of the CD when released. Basically, pay me and I will hang out with you, Irish-style.Estimated delivery: Sep 2013
Pledge $500 or more
0 backers Limited (1 of 1 left)
You can come hang in the studio with us while we record it. I'll ask you for your opinion on things, and those opinions will be considered and valued as part of the art-making process. It's kind of like being a producer.Estimated delivery: Sep 2013
Pledge $800 or more
0 backers Limited (4 of 4 left)
You can help me choose the personnel on the record.Estimated delivery: Sep 2013
Pledge $2,500 or more
0 backers Limited (2 of 2 left)
A trip to Dublin!! We will imbibe local beverages and have a fantastic time. I will also compose a piece of the suite in your honor, and base it loosely on our travels in Ireland together. My wife will join us. We can go to the ACTUAL Bloomsday festival, or set off on our own trail. You'll pay your own way, of course. It's not an all expenses paid trip. You just get to be a huge influence on the project by giving a large portion of what is needed to make it happen, and being a part of the creative process.Estimated delivery: Jun 2013