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Update #3: THANK YOU THANK YOU THANK YOU!!!!
It's hard to put our gratitude into words. We feel blessed to have such amazing people supporting our music. We have spent the last four years writing, rehearsing, and loading our gear into every place we can find so that we can play our hearts out for all of you. It all feels so worth it. Every note we play is for you. We can only express this by promising to continuously provide the best sounds and songs we can make for the best people we could ever ask to be our friends and fans.
With your support, we can now send our songs to the mastering studio, pay the artist who is providing the album art, and press these songs for the world to hear! We could not do this without YOU! Every single backer has something special coming their way and we can not wait to get it to you! We still have 70 hours left in our Kickstarter campaign, but from our whole heart, thank you so much for your support. This means the world to us.
Love,
John, Mark, Mike & Rob
Update #2: 4 Days to Go!!!
Update #1: Day 12 Update
Dear friends,
12 days in we're going strong! Thank you for those of you who've donated. We're 35% funded with 18 days to go.
We've already received a few generous donations (you know who you are, and we love you) which means some of our more enticing incentives are heading out in the mail shortly. There are still score sheets to be had, and we know some of you out there would love for us to play your kid brother's graduation party in the springtime. We are happy to return the labor of love to our family, friends, and fans that have been so supportive of this band since its inception almost 4 years ago.
Please continue to spread the word. Tell your friends and family to make a donation their Christmas present to us :) We would love nothing more than to see this album in your hands, all over the internet, and on local radio as soon as possible. The more you donate, the swifter and stronger this plan will come to fruition.
Thank you again for your generosity, and Happy Holidays!
Train Company
52
Backers
$5,110
pledged of $5,000 goal
0
seconds to go
Funding Successful
This project successfully raised its funding goal on January 1.
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Digital download pre-order of the album WITH an unreleased track only available through Kickstarter.
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CD pre-order of the album AND digital download of an unreleased track only available through Kickstarter.
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The two-fer: A Signed copy of our first studio album, Train Company, as well as ALL $20 rewards.
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The original copy of a score used during the string ensemble OR horn section recording sessions signed by the entire band.
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The original copy of a score to a song NOT RELEASED on the album used during the string ensemble OR horn section recording sessions signed by the entire band.
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The original copy of a lyric sheet to a song heard on the album signed by the entire band.
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The original copy of a lyric sheet to a song NOT RELEASED on the album signed by the entire band.
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The Stimulus Package: your own private 2-hour Train Company performance within the Chicago-land area as well as ALL $20 rewards.
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The Big Spender: Your name printed in the “Thank You” section of the liner notes to the album as well as ALL $20 rewards.
Project By
Connected as Rob Lejman (390 friends)
With roots deep in the bedrock of local blues and jazz, Chicago-based Train Company (John Zozzaro, guitar/vocals; Mark Alletag, saxophone/guitar/flute/clarinet; Rob Lejman, drums; and Mike DeWitte, bass/vocals) mix rock, indie and folk with thumping lyrical heart for a new kind of old sound that draws comparisons to idols Clapton and Van Morrison as often as new classics The Black Keys and Andrew Bird. Horn sections, string arrangements and vocal trio fill out a musical cornucopia that has set toes tapping all the way from the city by the lake to Middlewest Fest and South by Southwest to college towns back east.
The band was born when Zozzaro, who fostered his songwriting skills in New York City with contemporaries that would later form Twin Sister, was blown away by Alletag’s performance at a jazz session at Northern Illinois University in 2007. Zozzaro bought Alletag, an NIU music major, a drink. Several rounds later, the pair was preparing to mix their musical worlds. Zozzaro’s former drummer, Lejman, and bassist, DeWitte, quickly completed the lineup – sewing up the band’s trademark balance of musicality and raw energy. The group chose their moniker to honor Zozzaro’s early collaborations with other NYC musicians in train car visitor boxes, which became the breeding grounds for most of the songs on the band’s debut recording.
In the handful of years since a shared love of jazz and blues brought them together, Train Company has reached “a sound and chemistry that portrays a band that has been together for over a decade” (thetravelingyeti.com) and established themselves as an opener for national acts, joining Blues Traveler at Chicago’s House of Blues in 2010, and taking the stage for a sold-out show at the same venue in 2011 with the Counting Crows.
The group followed up their 2009, self-titled debut recording – a vibrant and uplifting introduction - with 2010’s “Change EP,” revealing a band eager to bring new flavors to their inherent Chicago blues sound. Both releases came to fruition without a label and garnered critical praise, as well as an expanded following for the group, while Train Company’s music found airtime on Chicago’s 93XRT and college radio across the country. Today, Train Company maintains a hectic schedule of independently booked gigs, tours and festivals, and has gained a reputation as “a classy rock band that blends a lot of influences and funnels them into a passionate (and sweaty) performance ... delivered confidently” (Chicago.com/music).
In August, Train Company hunkered down in Chicago to record their second studio recording – their most ambitious recording project to date. Sam Wyatt, who joined the group after the “Change EP” session and also holds a music degree from NIU, contributes piano, organ and keytar known to bring the house down, while female vocal trio Busy Brynn & The Bees supply traditional soul inflections, as well as hints of rock, jazz and opera. The driving and energetic performance Train Company is known for live are exemplified in Rolling-Stones-esque horn arrangements, as well as modern interpretations akin to Spoon, while a string quartet brings a sonic balance of delicate verve to the final landscape. The resulting sound belies a group testing the boundaries of its influences and forging a new, eclectic rock and roll sound soaked with youth, raw energy and a clear love for the music.