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About this project

Train Company's second full-length studio album is, by far, our most ambitious to date.  We've collaborated with a string ensemble, horn section, and vocal trio adding to the raw energy generated in our live performances.  Such a grand project has taken it's toll, the hardest hit being the bank account.

The nearly two year long process has taken us from writing well over twenty songs to recording at many of Chicago's most up-and-coming recording studios.  We even commandeered a concert hall to record the string ensemble in it's true, rich, lush acoustic environment.  All of these locations and experiences have led us to work with some of the area's top recording engineers, technicians, and producers.  We are extremely grateful and pleased with their work.  Especially, that of our sound engineer and producer Patrick DeWitte.  

With over a week of recording dates finished we entered the mixing studio to tweak the final sounds heard on the album.  In just under 48 hours we left the studio with the first sprout of an album.

Which brings us to our predicament today.  We've financed the majority of this album but exhausted our funds getting our best sound possible recorded for our fans.  So, we're turning to our fans, friends, family, supporters, and well-wishers to help finish the final steps of this project.

We're looking for $5,000 to be used for audio mastering, procuring artwork, graphic design/layout, printing/manufacturing, and shipping the album.  Anything above $5,000 is going to marketing and distribution of the album (which currently has a budget of $0).

We would also like to thank everyone who made this Kickstarter project possible.  Mainly, Jessica Perillo and Chris Gekas for donating their talents as well as the assistance and support of Kathryn Reilly and Kristina Lopez.  But mostly, we owe a huge thanks to Pat Reilly ("The Man") for scheduling, casting, scouting locations, filming, directing, editing, and his amazing support and generosity.

Finally, thank YOU for your donations and support.  We couldn't do this without you.

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52
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$5,110
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Funding Successful

This project successfully raised its funding goal on January 1.

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9 Backers

Digital download pre-order of the album WITH an unreleased track only available through Kickstarter.

Estimated Delivery: Mar 2012

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13 Backers

CD pre-order of the album AND digital download of an unreleased track only available through Kickstarter.

Estimated Delivery: Mar 2012

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11 Backers • Limited Reward (139 of 150 remaining)

The two-fer: A Signed copy of our first studio album, Train Company, as well as ALL $20 rewards.

Estimated Delivery: Mar 2012

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7 Backers • Limited Reward (4 of 11 remaining)

The original copy of a score used during the string ensemble OR horn section recording sessions signed by the entire band.

Estimated Delivery: Mar 2012

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0 Backers • Limited Reward (6 of 6 remaining)

The original copy of a score to a song NOT RELEASED on the album used during the string ensemble OR horn section recording sessions signed by the entire band.

Estimated Delivery: Mar 2012

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2 Backers • Limited Reward (10 of 12 remaining)

The original copy of a lyric sheet to a song heard on the album signed by the entire band.

Estimated Delivery: Mar 2012

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0 Backers • Limited Reward (3 of 3 remaining)

The original copy of a lyric sheet to a song NOT RELEASED on the album signed by the entire band.

Estimated Delivery: Mar 2012

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0 Backers

The Stimulus Package: your own private 2-hour Train Company performance within the Chicago-land area as well as ALL $20 rewards.

Estimated Delivery: Mar 2012

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3 Backers

The Big Spender: Your name printed in the “Thank You” section of the liner notes to the album as well as ALL $20 rewards.

Estimated Delivery: Mar 2012

Project By

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Train Company

Connected as Rob Lejman (390 friends)

With roots deep in the bedrock of local blues and jazz, Chicago-based Train Company (John Zozzaro, guitar/vocals; Mark Alletag, saxophone/guitar/flute/clarinet; Rob Lejman, drums; and Mike DeWitte, bass/vocals) mix rock, indie and folk with thumping lyrical heart for a new kind of old sound that draws comparisons to idols Clapton and Van Morrison as often as new classics The Black Keys and Andrew Bird. Horn sections, string arrangements and vocal trio fill out a musical cornucopia that has set toes tapping all the way from the city by the lake to Middlewest Fest and South by Southwest to college towns back east.

The band was born when Zozzaro, who fostered his songwriting skills in New York City with contemporaries that would later form Twin Sister, was blown away by Alletag’s performance at a jazz session at Northern Illinois University in 2007. Zozzaro bought Alletag, an NIU music major, a drink. Several rounds later, the pair was preparing to mix their musical worlds. Zozzaro’s former drummer, Lejman, and bassist, DeWitte, quickly completed the lineup – sewing up the band’s trademark balance of musicality and raw energy. The group chose their moniker to honor Zozzaro’s early collaborations with other NYC musicians in train car visitor boxes, which became the breeding grounds for most of the songs on the band’s debut recording.

In the handful of years since a shared love of jazz and blues brought them together, Train Company has reached “a sound and chemistry that portrays a band that has been together for over a decade” (thetravelingyeti.com) and established themselves as an opener for national acts, joining Blues Traveler at Chicago’s House of Blues in 2010, and taking the stage for a sold-out show at the same venue in 2011 with the Counting Crows.

The group followed up their 2009, self-titled debut recording – a vibrant and uplifting introduction - with 2010’s “Change EP,” revealing a band eager to bring new flavors to their inherent Chicago blues sound. Both releases came to fruition without a label and garnered critical praise, as well as an expanded following for the group, while Train Company’s music found airtime on Chicago’s 93XRT and college radio across the country. Today, Train Company maintains a hectic schedule of independently booked gigs, tours and festivals, and has gained a reputation as “a classy rock band that blends a lot of influences and funnels them into a passionate (and sweaty) performance ... delivered confidently” (Chicago.com/music).

In August, Train Company hunkered down in Chicago to record their second studio recording – their most ambitious recording project to date. Sam Wyatt, who joined the group after the “Change EP” session and also holds a music degree from NIU, contributes piano, organ and keytar known to bring the house down, while female vocal trio Busy Brynn & The Bees supply traditional soul inflections, as well as hints of rock, jazz and opera. The driving and energetic performance Train Company is known for live are exemplified in Rolling-Stones-esque horn arrangements, as well as modern interpretations akin to Spoon, while a string quartet brings a sonic balance of delicate verve to the final landscape. The resulting sound belies a group testing the boundaries of its influences and forging a new, eclectic rock and roll sound soaked with youth, raw energy and a clear love for the music.

  1. traincompany.net
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