
About this project
Mes Del Maiz
A Documentary, Art Campaign and Awareness Festival in Oaxaca, Oaxaca
Why care? Click: Reasons why we are reaching out to Mexico
What you are funding:
1) Mes Del Maiz a FREE art, film and music GMO awareness festival in Oaxaca Oaxaca Mexico bringing awareness to the consumers to ignite change in the the future for Mexicos corn and food sovereignty. (projector, light and sound equipment rentals. extension cords, etc. ) The event is free so EVERYONE can come.
Why this event is important: Mexico is preparing to plant 30,000 acres of GMO corn, The state of Oaxaca is planning a large planting of GMO corn in the Sierra Noret Oaxaca. This is all already underway and there is no stopping them. Al we can do is educate, increase awareness and let the consumers decide the fate of the most important food crop of their country.
A genetically modified organism (GMO) or genetically engineered organism (GEO) is an organism whose genetic material has been altered using genetic engineering techniques. These techniques, generally known as recombinant DNA technology, use DNA molecules from different sources, which are combined into one molecule to create a new set of genes. GMOs are the constituents of genetically modified foods.
2) A Documentary by Jose Reyes (specifically: audio, lights, tripods, film crew, post production).
Why is the making of this film important?
This film will expose the extent to which GMO corn has taken it's toll. It is shocking that a city like Oaxaca, Oaxaca, a city that is surrounded by indigenous pueblos, many which were at one time farming towns, growing criollo (native) corn has a shortage of such corn. A shortage so severe that restaurants now cannot find organic criollo corn. This film will also inspire the artist viewers, exhibiting the strength of art as a tool for activism and positive change. It will inspire festival coordinators to make festivals for positive change. And it will increase GMO awareness.
3) Free streaming capacity. Will need to set up WIFI and equipment at our location so that we can broadcast the event world wide.
Why is free streaming important? Because we will be able to keep YOU connected to this event all the way through. Because thousands of folks will be able to virtually walk through an old train station transformed into an exhibition space and be inspired by the creativity. It is through this magnificence that this festival will touch thousands and further unveil the reality of what is happening in Oaxaca.
4) Art supplies for art school we are using. Fine paper is a luxury there. Quality inks are very expensive. So we will equip the school with much needed quality materials. The colectivos that are painting murals will need supplies as well, not to mention the 1000 plus feet of paper we need to wrap the trains at the festival location for the artists to be permitted to paint them. That's right painted trains with murals to raise awareness on GMO risks. Fantastic!
Why are these supplies important? The economy of Oaxaca is in an inflation state. Art supplies are way to expensive to buy and sometimes schools go a long time without proper supply, leaving artists to work in their sketch books not able to print onto paper, leaving beautiful murals unfinished. Giving is a huge part of the culture in Oaxaca. We aim to give to these talented artist by donating supplies for the cause. It is also our way of saying thank you for participating.
Printing cost for 2,000 / 24 page educational pamphlets with art images from participating artists and pages of educational material on GMO risks and the toll they are taking on the worlds seed and food supply. These pamphlets will be given away to schools at no cost.
CHECK OUT THE REWARDS! IT IS OUR WAY OF SAYING "THANK YOU!!!"
Chula's story (more to lower right of page)
Contact me anytime with questions at vivachula@gmail.com
ART BACKGROUND (Traducción al español Abajo)
Chula spent her early career as a metal artist, her work was exhibited throughout California.
FOOD BACKGROUND
In 1998 Chula began growing organic food, studying sustainability and exploring the culinary arts. In 1999 she moved to the Big Island of Hawaii where she owned and ran a private chef/catering company.
FARMING BACKGROUND
Chula grew much of the food that she cooked within her catering company. After volunteering on a farm In 2001 she began the stewardship of 3 acres of raw jungle on Papaya Farms Road in Pahoa,Hawaii. There she created an off grid (solar/water catchment) sustainable farm, and supplied many home kitchens and restaurants with fresh organic greens. To her great disappointment the land she bought was adjacent to a GMO papaya field and she witnessed first hand what cross contamination can mean for a farm. Once bees from those fields pollinated her papaya flowers, her papaya trees were contaminated and were no longer organic but rather GMO! It was horrible because papayas were one of her main food sources.
MEXICO CALLS
It was also during this time that the film “Future of Food”was released. In seeing this film Chula’s heart ached at the prospects for Mexican farmers. Both her culinary and farming history created an outright visceral reaction to watching this film. Chula could feel Mexico’s land, crops and farmers on a deep level. It inspired a song that she wrote and on going support to do what she could via online activism to stand up for the rights of consumers and farmers.
HER ART TODAY
Upon a visit to Oaxaca, Mexico, Chula tapped back into her well of creativity and artistic skills that, to her surprise, are very much still alive. It is there in Oaxaca that she created the piece “Viva La Milpa”. She uses this image to decorate educational information on GMO contamination and she experienced first hand the power of activism through the medium of art. This one piece of art brought new awareness to hundreds of people! Chula is now an art activist, currently committed preserving and protecting the heirloom corn varieties of Mexico.
THE DOCUMENTARY
The film will weave the following into a documentary that will inspire artists to make a positive difference in the world through the medium of their art.
In March 2012 California artists will be creating an art campaign in the city of Oaxaca, Oaxaca Mexico. It will be a cross cultural exchange between Oaxaca and California. Together we will make pieces that raise awareness around the risks of GMO Corn. We will poster the city walls, create free educational/art pamphlets in Spanish, host an environmental film festival, host open art studios, host keynote speakers and host a music and art festival honoring the criollo (native) corn of Mexico.
It will touch thousands of folks, spreading the awareness of what is happening to Mexico's corn, helping to preserve and protect it. The film will educate many consumers on the risks of GMO corn.
Knowledge brings with it more choices and the more choices we have, the more empowered we are. Through spreading awareness on the risks of GMOs we intend to empower the consumers of Oaxaca and all locales. This project will support Mexico in claiming food sovereignty. The changes that the politicians make around GMOs is going to be dictated by the consumers so the time is now to educate. Why wait?
"The art scene in Oaxaca is like that of Paris in the 1900's"
~ Gabriel Coto, artist
All of this will be filmed in one of the hottest art scenes in the world. That of Oaxaca, Oaxaca Mexico.
The corn of Mexico is the heart of Mexico, the soul of Mexico. That is the emotional part. But there are two parts to this dilemma and the second part is the logical one. The native corn of Mexico is a key component to the worlds' food supply as its' ancient varieties have adapted to extreme weather conditions. There are varieties that can grow in humid areas and those that can grow in very dry climates, high elevations and low. And in these times of extreme weather change we need these varieties. Unfortunately this native corn's existence is currently at risk of Genetically Modified corn (GMO) contamination and once those seeds are gone, Mexico and the world will no longer have that corn and all we will have to eat is GMO corn. The big GMO companies are out pricing the indigenous farmers that have been farming in Oaxaca for thousands of years. The farmers are suffering hard economic loss and are struggling to survive. A big source of the problem is the lack of consumer knowledge. If more consumers know the risks and the impact that GMOs have on the worlds food and seed supply then we will see change. Food sovereignty is a birthright but it doesn't become a fight until you are aware that it is being taken from you. This is all about education.
I thank you for your support, The Milpa (the organic corn fields) thank you,the farmers thank you, the artists thank you and the people of Oaxaca, Oaxaca Mexico thank you as their situation is growing increasingly worse day by day as GMO corn is contaminating the fields of their countryside and ending up on their plates!
I know this documentary is going to be the fuel that ignites the positive change towards food sovereignty. Thanks for being a part of this change! Now you can say you backed it!
Gracias,
Paz y Amor,
Chula
Viva La Milpa sticker. 4 x 6 great for decorating stainless steel or glass water bottles. high quality

Viva La Milpa Refrigerator Magnet

Viva La Milpa Original Linocut Print 50X60cm

Ocupar La Milpa "Occupy the Farm" Original Linocut Print 50 X 65 cm

Original Oil Canvas from Viva La Milpa's Zoociedad Colectivo approx 7ftX8ft
Original Oil Canvas from Viva La Milpa's Zoociedad Colectivo approx 6X6 ft
Original Oil Canvas from Viva La Milpa's Zoociedad Colectivo approx 7ftX8ft
Original Oil Canvas from Viva La Milpa's Zoociedad Colectivo approx 4 x 7ft

Original Oil Canvas from Viva La Milpa's Zoociedad Colectivo approx 5 x 7ft

Original Canvas from Viva La Milpa's Zoociedad Colectivo approx 7ftX8ft


Canvas OIL Gabriel Coto approx 3ft X 6ft

Original lioness sculpture, natural materials by Viva La Milpa Artist Gabriel Coto,

Viva La Milpa artist ISRA "the alebrije dream" dry point, approx 11 x 15 inches

Coatlicue, woodcut by Marcos Lucero
Signed woodcut, Asaro (Colectivo Zapata)
Signed Woodcut Asaro (Colectivo Zapata)
Signed Linocut by GATO
Signed Linocut by Gato, Sin Maiz no Pais
Signed linocut by Gato, Evictions
SeisArtistas Californianos / Seis Artistas Oaxaqueños
Una Meta - Hacer una diferencia positiva en el mundo a través del Arte
Un Documental, Campaña Artística y Festival de Consciencia
Gracias por sintonizarte! El maíz de México es el corazón de México; el alma de México. Esa es la parte emocional. Pero hay dos partes en este dilema y la segunda es la parte lógica: El maíz nativo de México es un componente clave del suministro mundial de alimentos, ya que sus variedades ancestrales se han adaptado siempre a condiciones climáticas extremas. Hay variedades que pueden crecer en zonas húmedas y otras que pueden crecer en climas muy secos, así como elevaciones altas y bajas. Lamentablemente la existencia de este maíz nativo se encuentra actualmente en peligro de desaparecer, debido a la contaminación de variedades maíz modificado genéticamente (OMG). Una vez estas semillas desaparezcan, México y el mundo ya no producirán el maíz tradicional y lo único que tendremos para comer será el maíz transgénico. Una gran causa del problema es la falta de conocimiento del consumidor. Sólo cuando más consumidores conozcan y entiendan estos riesgos, y reclamen ante las estructuras globales de poder el derecho a acceder alimentos sanos, podremos ver un cambio.
En agosto del 2010, durante un viaje a la ciudad de Oaxaca, México, lo que yo pensaba que iba a ser unas "vacaciones", se convirtió en mi incursión como activista del arte. Tengo que decir que esto fue algo mucho más gratificante que unas simples vacaciones. Fueron unas vacaciones con un propósito! En este momento acabo de regresar de mi segunda campaña de arte allí. Ahora estoy aún mas motivada y mi deseo es mostrar a otros artistas como pueden hacer una diferencia en el mundo a través de su arte. Sí, las vacaciones son maravillosas, sin embargo, estos tiempos son críticos. La Tierra nos necesita! No sólo eso, sino que muchas personas están sintiendo una sensación de temor ante una economía en crisis que nos está convirtiendo en máquinas que trabajan día y noche para el sistema. Muchos de nosotros hemos perdido nuestro sentido de propósito. Nos levantamos por la mañana, listos para volver a la cama poco después debido a la falta de inspiración y total agotamiento. Algunos de nosotros estamos esperando "ese momento perfecto" para compartir nuestro dones con el mundo, pero que tal si ese momento es AHORA?
Te invito a ser testigo de cómo seis artistas viajan a otro país, inspirados por algo más que sólo unas simples "vacaciones". En lugar de tomar los recursos de este lugar y luego "desocupar" con unas cuantas fotos para el álbum y un bronceado, observa como compartimos nuestros dones al tiempo que entregamos nuestro espíritu a Oaxaca, mientras aprendemos y educamos a la comunidad, exhibiendo nuestro arte, y luego partimos de vuelta totalmente recompensados con la sensación de nuestro propósito cumplido, y sabiendo que hicimos una diferencia en el mundo.
En el mes de marzo del 2012 seis artistas de California crearán una campaña de arte en la ciudad de Oaxaca, Oaxaca México. Será un intercambio intercultural entre 6 artistas de Oaxaca y el 6 de California. Juntos vamos a hacer 12 piezas para crear consciencia en torno a los riesgos del maíz transgénico. Vestiremos la ciudad con murales y afiches, repartiremos folletos educativos gratis, haremos difusión del mensaje en los pueblos, organizaremos un festival de cine del medio ambiente, abriremos muestras públicas de arte, invitaremos oradores especiales y tendremos una transmisión en vivo de música y un festival de arte en honor al maíz criollo de México. Este es también un proyecto de empoderamiento. El conocimiento trae consigo más opciones y entre más opciones tenemos, más poder reunimos. Con este proyecto tenemos la intención de capacitar a la gente de Oaxaca mediante la difusión de la conciencia sobre los riesgos relacionados con los OGM.
"La escena del arte en Oaxaca es como la de París en la década de 1900"
~ Gabriel Coto, Artista Oaxaqueño
Todo esto será filmado en uno de los escenarios artísticos más "calientes" del mundo: El de Oaxaca, Oaxaca México. El objetivo es crear un documental que sirva de inspiración a los artistas alrededor del mundo, para que al mismo tiempo que viajan, puedan hacer una diferencia en el mundo. Para que permitan que sus voces sean escuchadas a través de su arte y mantengan un sentido de propósito en estos tiempos de rápidos cambios.
Su apoyo ayudará a financiar la filmación, los materiales de arte para los artistas de California y Oaxaca, así como la organización del festival.
Te doy las gracias por tu apoyo; las milpas (los campos de maíz orgánico) también te agradecen; y los artistas y el pueblo de Oaxaca, Oaxaca México también te dan las gracias, ya que el maíz transgénico está contaminando los campos de su tierra y generando una situación cada vez más difícil de solucionar.
Paz y Amor,
Chula
FAQ
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This project reached the deadline without achieving its funding goal on January 29.
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You will have good karma and a HUG!!!
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A Viva La Milpa sticker. 4 x 6 great for decorating stainless steel or glass water bottles. high quality
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Viva La Milpa Refrigerator Magnet
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Viva La Milpa Refrigerator Magnet and Sticker
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A copy of the educational handout/pamphlet in spanish that the artists will make for GMO awareness. signed by all of the artists.
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Copy of the documentary when it is completed. We list July here but are unsure of exact completion date. Could be sooner or later.
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$10 off your next massage or NLP session with Chula
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Viva La Milpa Poster 11X17 PLUS Your name will be mentioned on our website
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Poster, Magnet and Sticker PLUS Your name will be mentioned on our website
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Viva la Milpa Original Print PLUS Your name will be mentioned on our website
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Original Asaro stencil print of Frida Kahlo with Mohawk. Printed in Oaxaca, Oaxaca Mexico in the Taller Zapata. PLUS Your name will be mentioned on our website
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Silk screened T shirt by Calixto Robles PLUS Your name will be mentioned on our website
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Ocupar La Milpa "Occupy the Farm" Original Print PLUS Your name will be mentioned on our website
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Original print by Viva La Milpa artist ISRA "the alebrije dream" Oaxaca Oaxaca PLUS Your name will be mentioned on our website
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One of each, Ocupar La Milpa (50 x 65 inches with surround border of approx 4 inches) and Viva La Milpa Original print (image is 50 x 60 cm with surround border of approx 4 inches) PLUS Your name will be mentioned on our website
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ORIGINAL Asaro print "Stop the reactionary violence" PLUS Your name will be mentioned on our website
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Original Asaro print "immigrants) PLUS Your name will be mentioned on our website
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COATLICUE, Aztec Goddess of the Earth, By Viva La Milpa artist Marco Lucero. Printed in Oaxaca, Oaxaca Mexico Original Print 2 colors. The first two are available upon end of kickstart, others in May or sooner) PLUS Your name will be mentioned on our website
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Original print by Viva La Milpa artist Gato, San Francisco Corn PLUS Your name will be mentioned on our website
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You are flown from San Franciso California to Oaxaca to join us for Viva La Milpa's Mes del Maiz festival in March. PLUS Your name will be mentioned on our website
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Original Canvas from Viva La Milpa's Zoociedad Colectivo Oaxaca, Oaxaca Mexico. Approx. 5 feet x 6 feet PLUS Your name will be mentioned on our website and our documentary film
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NOTE: This requires a $20,000 donation. Have Viva La Milpa's own Zoociedad Colectivo come to you and create a mural wherever you like it. up to 15 feet X 20 feet in size. (listed under $10,000 only because the highest donation button is for $10,000) PLUS Your name will be mentioned on our website and our documentary film
Project By
Connected as Chula Gemignani (1012 friends)
ART BACKGROUND (Traducción al español Abajo)
Chula (Linda) Gemignani received a Bachelors of Arts degree in Metalsmithing and Fine Art from San Fransisco State University in 1991. In her early career as a metal artist, her work was exhibited throughout California.
FOOD BACKGROUND
In 1998 while living in West Marin, California life threw it’s curve balls and a car accident led to big life changes for Chula. This is when she began growing food and exploring the culinary arts. In 1999 she moved to the Big Island of Hawaii where she owned a private chef/catering company.
FARMING BACKGROUND
Chula grew much of the food that she cooked within her catering company. After volunteering on a farm In 2001 she began the stewardship of 3 acres of raw jungle on Papaya Farms Road in Pahoa,Hawaii. There she created an off grid (solar/water catchment) sustainable farm, and supplied many home kitchens and restaurants with fresh organic greens. To her great disappointment the land she bought was adjacent to a GMO papaya field and she witnessed first hand what cross contamination can mean for a farm. Once bees from those fields pollinated her papaya flowers, her papaya trees were contaminated and were no longer organic but rather GMO! It was horrible because papayas were one of her main food sources.
MEXICO CALLS
It was also during this time that the film “Future of Food”was released. In seeing this film Chula’s heart ached at the prospects for Mexican farmers. Both her culinary and farming history created an outright visceral reaction to watching this film. Chula could feel Mexico’s land, crops and farmers on a deep level. It inspired a song that she wrote and on going support to do what she could via online activism to stand up for the rights of consumers and farmers.
HER ART TODAY
Upon a visit to Oaxaca, Mexico in July, Chula tapped back into her well of creativity and artistic skills that, to her surprise, are very much still alive. It is there that she created the piece “Viva La Milpa”. She used this image to decorate educational information on GMO contamination and she experienced first hand the power of activism through the medium of art. This one piece of art brought new awareness to hundreds of people! Chula is now an art activist, currently committed preserving and protecting the heirloom corn varieties of Mexico.
THE OAXACA STORY
This all started when I met the Aztec Goddess named Coatlicue. She stands in the museum of Anthropology in Mexico City. When I met her I was humbled by her power. She is amazing! She stands 8.9 feet tall. She is an Earth Goddess and so much more! A couple days later I was at Fridah Kahlo’s house admiring her “exvoto” art collection. Exvotos are small folkloric paintings that depict a scenario with a prayer of gratitude to the chosen saint who sits up in the corner of the painting. I believe that the size and themes of some of these exvotos greatly influenced Frida’s art as well as comforted her own healing process.
A few days later I headed to Oaxaca, Oaxaca. The state of Oaxaca is the cultural mecca of Mexico. There, I became an open channel as Coatlicue the earth Goddess began to move through me. I created a large linoleum cut print in honor of the revival and ongoing respect to the Milpa. The Milpa is a farm based on ancient agricultural methods of Maya peoples and other Mesoamerican peoples. Milpa agriculture produces the three sisters: maize, beans, and squash. The print depicts a scene of farmers working the milpa and the statue of Coatlicue. At the bottom, upon the body of an alligator (symbol of the land and perseverance) is a prayer to Coatlicue, thanking her for protecting our food from the “transgeneticos”
(I found that many in Mexico feel that Coatlicue is the Corn Goddess as well though you are not likely to find that info online.
After creating this art I had the help of other amazingly talented Oaxaqueño artists from the RUFINO TAMAYO INSTITUTE of GRAPHIC ARTS, to poster it up all over the city. It was enthusiastically received by all. I gave large prints away to galleries, bookstores, restaurants, public offices, even the senoras and senoritas selling steamed corn on the streets received one. I made it clear that these pieces were not for sale and made a deal with the ones who received the art. If they would hang it up they could have it. To gift this work was so refreshing. Suddenly it became art that was valuable for what it said, it was not about what it was worth in terms of pesos or dollars. It was amazing to hear just how much support this project had and how many people were immediately on my side. The Milpa is recognized as an intrinsic part of life, even for the city folk of Oaxaca.
With the help of my Spanish teacher, who I met at the Instituto Cultura de Oaxaca, I made 200 smaller 8 1/2 x 11 sheets with the art on one side and the other side with statistics and facts and educational information on GMOs and the risks that they carry with them as well as advice on saving your seeds, trading seeds, which foods have GMO ingredients, etc.
I handed these out in plazas, farmers markets and in smaller pueblos (were they were crucially needed because that is where the Milpa is most threatened)
LA HISTORIA DE OAXACA
Todo empezó cuando conocí a la diosa azteca Coatlicue nombre. Ella está en el museo de Antropología en la Ciudad de México. Cuando la conocí yo era humillado por su poder. Ella es increíble! Ella está 8,9 metros de altura. Ella es una diosa de la tierra y mucho más! Un par de días después estaba en la casa de Fridah Kahlo, admirando su “exvoto” colección de arte. Exvotos son pequeñas pinturas folklóricas que representan un escenario con una oración de gratitud al santo elegido que se sienta en la esquina de la pintura. Yo creo que el tamaño y los temas de algunos de estos exvotos gran influencia en el arte de Frida, así como la consolaba propio proceso de curación.
Unos días más tarde me dirigí a Oaxaca, Oaxaca. El estado de Oaxaca es la meca cultural de México. No, me convertí en un canal abierto como Coatlicue la diosa de la tierra comenzó a moverse a través de mí. He creado una especie de impresión linóleo corte grande en honor de la reactivación y el respeto permanente a la Milpa. La milpa es una finca sobre la base de los antiguos métodos agrícolas de los pueblos mayas y otros pueblos mesoamericanos. La agricultura de milpa produce las tres hermanas: maíz, frijol y calabaza. La impresión representa una escena de los agricultores que trabajan la milpa y la estatua de Coatlicue. En la parte inferior, sobre el cuerpo de un cocodrilo (símbolo de la tierra y la perseverancia) es una oración a Coatlicue, dándole las gracias por la protección de los alimentos de la “transgeneticos”
(He descubierto que muchos en México consideran que Coatlicue es la diosa del maíz y aunque no es probable encontrar que en línea información.
Después de crear este arte que tenía la ayuda de otros artistas Oaxaqueño increíblemente talentoso del INSTITUTO DE RUFINO TAMAYO de las artes gráficas, para carteles por toda la ciudad. Fue recibido con entusiasmo por todos. Me dio impresiones de gran distancia a las galerías, librerías, restaurantes, oficinas públicas, incluso las señoras y señoritas venta de maíz cocido al vapor en las calles recibió una. Me dejó en claro que estas piezas no estaban a la venta e hizo un trato con los que recibieron el arte. Si se lo cuelgue que podría tener. Al don de este trabajo fue muy refrescante. De repente, era el arte que era valioso por lo que, dijo, no se trataba de lo que valía la pena en términos de pesos o dólares. Fue sorprendente escuchar lo mucho que apoyar este proyecto había y cuántas personas fueron inmediatamente a mi lado. La milpa es reconocida como una parte intrínseca de la vida, incluso para la gente de la ciudad de Oaxaca.
Con la ayuda de mi profesor de español, a quien conocí en el Instituto Cultura de Oaxaca, he hecho 200 menores de 8 1 / 2 x 11 hojas con el arte en un lado y del otro lado de las estadísticas y los hechos y la información educativa sobre los OGM y la riesgos que conllevan, así como consejos sobre cómo ahorrar las semillas, las semillas comerciales, los alimentos que contienen ingredientes transgénicos, etc
Me dio estos en plazas, mercados de agricultores y en menor pueblos (donde fueron necesarios crucial porque allí es donde la milpa es más amenazados)..
ANTECEDENTES DE ARTE
Chula (Linda) Gemignani recibió una Licenciatura en Artes en la orfebrería y Bellas Artes de San Francisco State University en 1991. En su temprana carrera como artista de metal, su obra fue expuesta en toda California.
ANTECEDENTES DE ALIMENTOS
En 1998, mientras vivía en West Marin, California, la vida lo tiró de las bolas de curva y un accidente de coche provocado cambios en la vida grande de Chula. Esto es cuando empezó el cultivo de alimentos y de las artes culinarias. En 1999 se trasladó a la Isla Grande de Hawaii, donde tenía un chef privado / empresa de catering.
AGRICULTURA FONDO
Chula creció mucho más de los alimentos que se cocinan con. En 2001 comenzó la administración de tres hectáreas de selva en bruto, donde creó una conexión a la red (solar / de captación de agua) agrícola sostenible y suministra muchas cocinas en casa y restaurantes con verduras frescas orgánicas. Para su gran decepción de la tierra que compró estaba al lado de un OMG campo de papaya y ella fue testigo de primera mano lo que la contaminación cruzada que puede significar para una granja. Una vez que las abejas de los campos de flores polinizadas papaya, sus árboles de papaya fueron contaminados y ya no orgánico, pero en vez de OMG! Era horrible porque papayas fuera uno de sus principales fuentes de alimentos.
MEXICO SOLICITA
Fue también durante el tiempo de THS que la película “Futuro de los Alimentos”
fue puesto en libertad. Al ver esta película Chula corazón le dolía de las perspectivas de los agricultores mexicanos. Tanto en su gastronomía y la historia de la agricultura creó una reacción directa visceral a ver esta película. Chula podía sentir la tierra de México, los cultivos y los agricultores en un nivel profundo. Que inspiró una canción que ella escribió y apoyo continuo a hacer lo que pudiera a través de activismo online para defender los derechos de los consumidores y los agricultores.
Su arte HOY
Tras una visita a Oaxaca, México, en julio, Chula golpeó de nuevo en su pozo de la creatividad y habilidades artísticas que, para su sorpresa, están muy vivos. Es allí donde creó la obra “Viva La Milpa”. Ella utiliza esta imagen para decorar la información educativa sobre la contaminación con OGM y ella experimentó de primera mano el poder del activismo por medio del arte. Esta pieza de arte trajo una nueva conciencia a cientos de personas! Chula ahora es un activista del arte, conservando en la actualidad comprometido y la protección de la herencia de las variedades de maíz de México.