A cross country project to document the grassroots efforts to rebuild life after the collapse of the American economy.
Homeland” is a Wet-Plate Collodion photo essay focusing on grassroots efforts to rebuild and re-envision life after the collapse of the American economy. By documenting people and projects across the country, this project aims to connect disparate communities and individuals into a national movement with common ideological threads. Cities such as New Orleans, Detroit, Pittsburgh and NYC will be documented, as well as many smaller towns and rural areas in between. The range of projects documented will include urban farms, bicycle collectives, off-the grid homes, alternative fuel producers, art and theatre collectives, community dinners, free schools and after-school programs, squats, itinerants, tent cities and many other grassroots social practices.
About Wet-Plate Collodion Photography
Wet-Plate is a photographic process that was invented in 1851 and was in use during the same period as the daguerrotype. A plate of glass or tin is covered with collodion, sensitized, exposed and developed within a span 15 minutes. These developed plates are not traditional film negatives, but a one-of-a-kind positives.
My shoots in the field require a portable dark-box to develop the plates on site. I use an antique large format view camera – a Kodak Eastman Empire State—made in 1896.
I have chosen this medium for “Homeland” both because of its exceptional material beauty, and because it mirrors a pattern of obsolescence and revival suggested by the subjects being photographed. The limitations of the antique view camera and the long exposure times lend themselves to a directness and simplicity of composition, while the materiality of the process leaves no question in the viewers' mind about the honesty of the photographer: there is no digital manipulation, only the interaction of light and chemicals. All of these formal decisions help to support an underlaying vision of hopefulness and sincerity.
“Homeland” began in December 2010 with a series of shoots in NYC.
In March 2011, I will be leaving NYC to begin shooting in cities and towns across the country. Places I will be visiting include New Orleans, Detroit, Pittsburgh, St. Louis, Chicago, Omaha, Asheville, Los Angeles, Minneapolis, and many smaller towns in-between.
The field shoots will be completed by June 2011.
Promotion will begin for a gallery exhibition in late 2011, and a book of the plates with short-narratives from each subject will be published by 2012.
The money being fundraised at this time will be used to fund travel, fuel and materials needed to complete the cross-country field shoots.
Basic travel expenses($1500)- food and accommodation (frugally allotted, I will couch-surf as much as possible)
Fuel costs for over 20K miles of cross-country driving. The vehicle I am using is a fuel-efficient VW Diesel Golf Hatchback. It gets 35-50mpg, and I will be running it on Biodiesel wherever possible. ($1500)
Chemicals, Tin and “Darkroom” supplies for 3 months of field shoots. ($1000)
Miscellaneous expenses($1000)- car maintenance and insurance, shipping plates home from the road, web hosting for project website.
Music Thanks to Apocalypse Five and Dime for their original music used in the video. You can visit their Myspace page here: http://www.myspace.com/apocalypsefiveanddime
Links More information about Homeland: http://robynhasty.org
Have a question? If the info above doesn't help, you can ask the project creator directly.
seconds to go
Pledge $1 or moreYou selected
A personally written thank you e-mail and my deepest gratitude.
Pledge $5 or moreYou selected
A handwritten postcard sent to your address from the road.
Pledge $15 or moreYou selected
A small uneditioned silkscreen print by street artist Imminent Disaster.
Pledge $25 or moreYou selected
A large uneditioned silkscreen print by street artist Imminent Disaster.
Pledge $50 or moreYou selected
7 backers Limited (3 left of 10)
One 16" x 19" print of "Persephone and Hades" by street artist Imminent Disaster. Edition of 40, each print is signed.
Pledge $100 or moreYou selected
6 backers Limited (6 left of 12)
One 16" x 19" print of "Crossing the River" by street artist Imminent Disaster. Edition of 15, each print is signed. Once you hit a hundred, you will get credit on the project website as a benefactor and in the book that will be published in 2012.
Pledge $200 or moreYou selected
One original Wet-Plate Collodion tintype of a street scene in NYC. Benefactor credit. Exuberant personal gratitude for your generous support.
Pledge $500 or moreYou selected
The reward for this level is pretty special. Five hundred dollars earns you one private Wet-Plate Collodion portrait session at a location of your choosing within NYC. You will also get benefactor credit on the site and book and my unending and exuberant personal gratitude for your generous support.
- (45 days)