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Update #3: More Stories

Posted on September 26, 2009

More stories ...
You can't imagine how many women's stories there are from the Revolutionary War. I know that they had to have participated in a war that was fought in and around their homes, but I didn't realize that so many of them were documented. If their stories are a part of written history, why didn't we learn about them in school? Ugh!!!

I've chosen the second Woman from that period and I'm writing a synopsis of her story now. Look for it in the next few days.

In the meantime, consider pledging to help me make this painting a reality. You can pledge as little as $2. And remember none of the $ is collected until the end of the fund raising period and then ONLY if the goal is reached.

Update #2: Margaret Corbin

Posted on September 22, 2009

So I got started today on the process of finding the subjects for this artwork and of course started at the beginning with the Revolutionary War. And Oh, My Goodness …. She truly was there! There is a wealth of information on all sorts of women who fought as men, women who fought beside their men, women who fought when their men fell, women behind the lines, women spies, etc… etc…! I was fascinated for hours on end. I could actually create a painting that simply honored the women of the American Revolution! Geez!!

But I needed to focus on my original concept, which meant that I had to choose amongst the known and not so known women. As of this time, I've chosen 2 from this period to include.

The first is Margaret Cochran Corbin (1751-c.1800) A little bit about her …..

Margaret was born on November 12, 1751 near Chambersburg, Pennsylvania. When she was 21 she married John Corbin. At the start of the revolutionary war John joined the Continental Army and Margaret accompanied him. Some stories saw that she was, at that time, what was known as a camp follower. Wives of the soldiers would cook for the men, wash their laundry and nurse wounded soldiers. Other accounts seem to indicate that she was a soldier in her own right and used her own name.

In November of 1776, John and Margaret were stationed in Fort Washington, New York. On the 16th of that month the fort was attacked by British and Hessian troops. The story says that at some point John took over for a gunner who was killed, then John himself was killed, at which point Margaret took over the duties of loading the cannon until she too was wounded. The grapeshot tore her shoulder, mangled her chest and lacerated her jaw.

When the fort fell to the British she was captured and treated as a prisoner of war. But the wounded soldiers of the Continental Army were paroled. After her release, she was assigned to garrison duty in the Invalid Corps at West Point, NY. Margaret never fully recovered from her wounds. She spent the rest of her life without the use of her arm.

In 1779, the Continental Congress granted her a pension ("half the pay and allowances of a soldier in service") due to her distinguished bravery. She continued to be included on regimental muster lists until the end of the war in 1783. She died around 1800 near Highland Falls, NY. In 1926, Her grave was located by the Daughters of the American Revolution and her remains were re-interred at West Point near the Old Cadet Chapel.

Update #1: Title for the Painting

Posted on September 9, 2009

Trying to find a title for a painting is sometimes an agonizing process. But I think I have this one figured out already. "She was there" I really like that and I think it says it all.

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Project By

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Teri Rosario

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By way of introduction, my name is Teri Rosario. I'm a Nebraska based artist who's paintings have graced the walls of corporate, government and private collectors alike. Working in a realistic style, I have translated the visions of my clients into works that inspire conversation, pride, inner thought and sometimes simply a serenity of place.

Traditional Realism is the genre I am most passionate about and within which I work. I have studied and researched the methods of oil painting which the old masters used. The use of successive layers of paint, each with more oil content, gives a painting depth that I think is unsurpassed in any 2D medium. I've incorporated these techniques within my work. In addition, when extreme durability is desired, as for Public Art works, I again use a tried and true method of painting on primed, wood panels and finishing them off with a protective layer of retouch varnish.

These are the methods and techniques I used to create the paintings for my most recent Public Art Commission. Through the 1% for Art Program in Nebraska, I was commissioned to create a series of 6 paintings for the new Eastern Nebraska Veterans Home. Working closely with the administration of the Veterans Home and the Nebraska Arts Council I have been able to create works of art that will be a source of pride for the residents, family and staff of ENVH for many years to come.

Incorporating 21st Century technology with my art process allowed the staff of both the Nebraska Arts Council and the Eastern Nebraska Veterans Home along with residents of the ENVH to follow along on almost a daily basis with the process of creating the works. My website contains a Work-in-Progress Gallery where I have posted regular updates for all the works in this commission. This process allowed for a collaborative interaction between us that was beneficial to all involved and I believe resulted in artworks that were better than they would have been otherwise.

My inspiration for my art comes from many places: my own journey through life; the awe-inspiring beauty of nature; my personal spirituality; suggestions from family and friends; my sense of humor etc..... Some artists that have had an influence on my style and genre, and those that I admire most, are: Norman Rockwell, Alphonse Mucha, Adolphe Bouguereau, Maxfield Parrish, J.W. Waterhouse and John Singer Sargent to name a few.

When I'm not painting or sketching or keeping this website functioning, I do have a hobby or two. The biggest of which is riding my motorcycle with my husband and our biker friends. It's wonderful to be out on the open road with no particular place to go. Just the sun and the wind and the road.

It is my hope to be able to continue to create work that inspires and touches the lives of people.

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