
About this project
The Backstory
Pigeon started with a bet.
In 2001, a good friend of mine -- a poet -- claimed he could write better poems based on my drawings than I could create illustrations based on his poems. In the weeks that followed we set about beating one another in earnest.
We never established a winner however the duel produced a collection of roughly 50 drawings. These made their way into an exhibit entitled “Linen Finish” -- a title taken from the description on the spine of a deck of playing cards. The show marked the end of our collaboration, but the drawings kept coming.
Over the next couple of years, a number of characters emerged, accompanied by writings and other images. It became a kind of self portrait. I titled it ‘Pigeon’ after my affinity for the underdogs of the urban skies, whom I have, over the years, come to love and, I think, in some way, with whom I identify.
Somewhere around 2009, I completed the body of work, but I had yet to resolve the question of how best to present it. That’s when the deck of cards came to mind, and another good friend stepped in to push it forward.
The Project
In its finished state, Pigeon will take the form of a 3-volume set of illustrated cards. This first edition of 100 copies will be self-published, and distributed at locations in Charlottesville and other venues nationwide (The New Museum, Printed Matter, etc..)
The goal of the project is simple: present Pigeon at the highest quality to the widest audience. Once the first edition is distributed, we hope that it will attract the attention of publishers who will pick it up and further its success.
The first step is to get it out there.
Where the money goes
Off-set printing is expensive - and worth it. While other process may cost less, they cannot match the print and image quality produced by these presses. Another benefit is that it's most effective to run off-set at high volume. The printers will be able to produce enough cards for both the first and second editions in a single run.
In addition to the cards, the cases themselves are being embossed and printed using letter press techniques – a very time intensive and hands-on process. While the labor and facilities have been donated, any funds exceeding our goal will go to compensate the artists and printers for their generous efforts.
In short - the cost of the materials and processes required to complete the decks, cases and presentation will run us roughly $4500.00
Friends and vendors in the local community are lending their services at a discounted rate – however – the expenses remain prohibitive.
This is where you can help.
With your support, we’ll be able to present the work at a level which may attract greater funding, interest and wider reaching success. The first edition has to rock. Your support through Kickstarter will assure that it does.
The Rewards
Just a note on the rewards you will receive for your support. I'm a big believer in pushing things of meaning in to the world and not so hot on filling it up with 'stuff'. If certain rewards appeal to you and others not, Just let me know.
Thanks for reading and for supporting this project.
Greg
FAQ
Have a question? If the info above doesn't help, you can ask the project creator directly.
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Funding Successful
This project successfully raised its funding goal on October 8, 2011.
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A 'shout out' on the artists website and at the book release this October
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The above and a signed ink jet print of one of 3 illustrations from Pigeon
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All the above and a limited edition Pigeon T-shirt (Designed and screen printed by Charlottesville's very own Thomas Dean)
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All the above and a limited edition Pigeon tote bag (designed and printed by the same fools who did the shirt)
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*NEW REWARD!! A signed first edition copy of Pigeon. Be the proud owner of one of the first 100 limited edition copies of Pigeon.
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All the above and an original drawing, signed by the artist.
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All the above and a signed first edition copy of Pigeon
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All the above and a signed original illustration from the Pigeon collection
Project By
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Greg Antrim Kelly is an artist and the co-founder and Executive Director of The Bridge PAI, a nonprofit community arts organization in Charlottesville, Virginia. His work consists of a wide range of mediums including illustration, collage, sound, performance and a life long obsession with the arrangement of people, materials and objects in various spaces.